Get your spurs and saddles on and ride alongside the heroes, cowboys and outlaws in the Wild West. E-artnow presents this meticulously edited collection of the carefully selected - best and most exciting Westerns: Rebel Spurs (Andre Norton) Ride Proud, Rebel! (Andre Norton) The Bandit of Hell's Bend (Edgar Rice Burroughs) Riders of the Purple Sage (Zane Grey) The Rainbow Trail (Zane Grey) The Spirit of the Border (Zane Grey) Winnetou (Karl May) The Untamed (Max Brand) The Night Horseman (Max Brand) The Seventh Man (Max Brand) The Virginian: A Horseman of the Plains (Owen Wister) The Last of the Mohicans (James Fenimore Cooper) The Prairie (James Fenimore Cooper) Chip, of the Flying U (B. M. Bower) The Flying U Ranch (B. M. Bower) The Flying U's Last Stand (B. M. Bower) Cabin Fever (B. M. Bower) Rimrock Trail (J. Allan Dunn) The 'Breckinridge Elkins' Series (Robert E. Howard) The Outcasts of Poker Flat (Bret Harte) Heart of the West (O. Henry) White Fang (Jack London) The Wolf Hunters (James Oliver Curwood) The Log of a Cowboy: A Narrative of the Old Trail Days (Andy Adams) The Two-Gun Man (Charles Alden Seltzer) The Law of the Land (Emerson Hough) The Short Cut (Jackson Gregory) Whispering Smith (Frank H. Spearman) A Texas Cow Boy (Charles Siringo) The Desert Trail (Dane Coolidge) Hidden Water (Dane Coolidge) That Girl Montana (Marah Ellis Ryan) A Voice in the Wilderness (Grace Livingston Hill) The Rules of the Game (Stewart Edward White) Paid Off (Walt Coburn) The Lonesome Trail (John Neihardt) Spawn of the Desert (W. C. Tuttle) A Texas Ranger (William MacLeod Raine) Gunsight Pass (William MacLeod Raine) The Conquest (Oscar Micheaux) John Brent (Theodore Winthrop) The Lone Ranger Rides (Fran Striker) The Heart of Canyon Pass (Thomas Holmes) The Lions of the Lord (Harry Leon Wilson) Raw Gold (Bertrand William Sinclair) The Valley of the Giants (Peter B. Kyne)...

By the time he was hanged in 1903, Augustine Chacón had become the most notorious Mexican outlaw in the Arizona Territory. His alleged crimes had made him a virtual legend, but the facts show that Chacón wasn't the bloodthirsty fiend he was made out to be. Journalists of the era chased sensationalist stories, pandering to a readership that longed for excitement. Each retelling of Chacón's exploits added outlandish details, painting the escaped prisoner as a brutal gunman responsible for as many as fifty-two murders. In reality, Augustine Chacón may not even have killed the man he was hanged for shooting. Join author David Grassé as he uncovers the true story of Arizona's most enduring criminal legend.

Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine. Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose. Calamity became a hostess and dancer in Deadwood’s saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn’t get enough of either version, nor, in the following century, could filmmakers. Sorting through the stories, veteran western historian Richard W. Etulain’s account begins with a biography that offers new information on Calamity’s several “husbands” (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane’s reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004–2006 HBO series Deadwood makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on—raunchy, unabashed, contradictory, and ambiguous as ever.