The Modernity of Sándor Ferenczi provides a concise yet thorough overview of the life and work of Sandor Ferenczi. It seeks to help make his thought and work better known, as a controversial pioneering psychoanalyst whose importance to psychoanalysis has sometimes been wrongfully neglected and relegated to backstage. Including excerpts from his most important papers, this book gives the reader a clear guide to the major tenets of Ferenczi’s work, the psychoanalytic context in which his significant achievements occurred, and the continued importance of his work for contemporary psychoanalytic theory and clinical practice. Thierry Bokanowski examines Ferenczi’s work in three main stages: 1. A first period of contribution to Freud’s work (1908-1914) 2. A second period of the deployment of Ferenczi’s own thought and work (1914-1925) 3. A third period of calling concepts into question and advancing new concepts (1926-1933) Bokanowski offers a detailed analysis of these three periods, illustrating them vividly by analysing Ferenczi’s numerous and very famous articles or books during these periods in a way that allows his very original way of thinking to unfold. He then examines at the theoretical level the heritage of Ferenczi’s hypotheses developed across these three time spans. Covering Ferenczi’s relationship with Freud and with other early psychoanalysts, and his role in formulating well-established concepts such as introjection, countertransference and narcissistic splitting, The Modernity of Sándor Ferenczi provides an essential and accessible read for any student or clinician of psychoanalysis or psychoanalytic psychotherapy seeking to apply Ferenczi’s work in the present and understand the historical development of psychoanalytic ideas.

Winner of the 2016 Gradiva Award for Edited Book The Legacy of Sándor Ferenczi, first published in 1993 & edited by Lewis Aron & Adrienne Harris, was one of the first books to examine Ferenczi’s invaluable contributions to psychoanalysis and his continuing influence on contemporary clinicians and scholars. Building on that pioneering work, The Legacy of Sándor Ferenczi: From Ghost to Ancestor brings together leading international Ferenczi scholars to report on previously unavailable data about Ferenczi and his professional descendants. Many—including Sigmund Freud himself—considered Sándor Ferenczi to be Freud’s most gifted patient and protégé. For a large part of his career, Ferenczi was almost as well known, influential, and sought after as a psychoanalyst, teacher and lecturer as Freud himself. Later, irreconcilable differences between Freud, his followers and Ferenzi meant that many of his writings were withheld from translation or otherwise stifled, and he was accused of being mentally ill and shunned. In this book, Harris and Kuchuck explore how newly discovered historical and theoretical material has returned Ferenczi to a place of theoretical legitimacy and prominence. His work continues to influence both psychoanalytic theory and practice, and covers many major contemporary psychoanalytic topics such as process, metapsychology, character structure, trauma, sexuality, and social and progressive aspects of psychoanalytic work. Among other historical and scholarly contributions, this book demonstrates the direct link between Ferenczi’s pioneering work and subsequent psychoanalytic innovations. With rich clinical vignettes, newly unearthed historical data, and contemporary theoretical explorations, it will be of great interest and use to clinicians of all theoretical stripes, as well as scholars and historians.

Sándor Ferenczi’s mutual analysis with Elizabeth Severn—the patient known as R.N. in the Clinical Diary—is one of the most controversial and consequential episodes in the history of psychoanalysis. In his latest groundbreaking work, Peter L. Rudnytsky draws on a trove of archival sources to provide a definitive scholarly account of this experiment, which constitutes a paradigm for relational psychoanalysis, as Freud’s self-analysis does for classical psychoanalysis. In Part 1, Rudnytsky tells the story of Severn’s life and traces the unfolding of her ideas, culminating in The Discovery of the Self. He shows how her book contains disguised case histories not only of Ferenczi and Severn herself—and thereby forms an indispensable companion volume to Ferenczi’s Clinical Diary—but also of Severn’s daughter Margaret, an internationally acclaimed dancer whose history of childhood sexual abuse uncannily replicated Severn’s own. Part 2 compares Severn to Clara Thompson and Izette de Forest as transmitters of Ferenczi’s legacy, sets the record straight about Ferenczi’s final illness, and reveals how Severn went beyond Freud and Groddeck in her capacity as Ferenczi’s analyst. Finally, in Part 3, Rudnytsky delineates the contrast between Freud and Ferenczi as men and thinkers and makes it clear why he agrees with Erich Fromm that Ferenczi’s example demonstrates how Freud’s attitude need not be that of all analysts. The first comprehensive study of Ferenczi’s mutual analysis with Severn, this book is a profound reexamination of Ferenczi’s relationship to Freud and an impassioned defense of Severn and Ferenczi’s views on the nature and treatment of trauma. It will appeal to psychoanalysts and psychotherapists, especially to relational analysts, self psychologists, and trauma theorists.

This collection covers all the topics relevant for understanding the importance of Sándor Ferenczi and his influence on contemporary psychoanalysis. Pre-eminent Ferenczi scholars were solicited to contribute succint reviews of their fields of expertise. The book is divided in five sections. 'The historico-biographical' describes Ferenczi's childhood and student days, his marriage, brief analyses with Freud, his correspondences and contributions to daily press in Budapest, list of his patients' true identities, and a paper about his untimely death. 'The development of Ferenczi's ideas' reviews his ideas before his first encounter with psychoanalysis, his relationship with peers, friendship with Groddeck, emancipation from Freud, and review of the importance of his Clinical Diary. The third section reviews Ferenczi's clinical concepts and work: trauma, unwelcome child, wise baby, identification with aggressor, mutual analysis, and many others. In 'Echoes', we follow traces of Ferenczi's influence on virtually all traditions in contemporary psychoanalysis: interpersonal, independent, Kleinian, Lacanian, relational, etc.

Theories and Practices of Psychoanalysis in Central Europe explores the close relationship between psychoanalysis, psycho-medical discourses, literature, and the visual arts of the late 1800s and early 1900s in Central Europe. Agnieszka Sobolewska addresses the issue of theories and practices of psychoanalysis in Central Europe and the need to undertake interdisciplinary reflection on the specificity of psychoanalytic literary genres and fin-de-siècle psycho-medical discourses. With a focus on the circulation of Freudianism in the territories of present-day Austria, Hungary, the Czech Republic, Poland, and Germany, the book considers the creative transformations that psychoanalytic thought underwent in these countries and reflects on the specificity of psychoanalytic literary genres and the pivotal role of lifewriting genres in the psychoanalytic movement. Sobolewska’s work both fills a visible gap in research on the history of psychoanalysis in Central Europe before the outbreak of World War II and offers the first insightful analysis of the role of life writing in the development of psychoanalytic thought. Theories and Practices of Psychoanalysis in Central Europe will be of great interest to psychoanalysts in practice and in training as well as scholars of the history of psychoanalysis, the history of psychology, literature, cultural anthropology, and modernism.

At the end of the nineteenth century, Austro-Hungarian society was undergoing a significant re-evaluation of gender roles and identities. Debates on these issues revealed deep anxieties within the multi-ethnic empire that did not resolve themselves with its dissolution in 1918. Concepts of gender and modernity as defined by the Habsburg Monarchy were modified by the conservative, liberal, radical right-wing and Communist regimes that ruled the empire’s successor states in the twentieth century. While these values have taken on new dimensions again in the post-Communist period, the Habsburg Monarchy’s influence on gender and modernity in Central Europe is still palpable. With a truly interdisciplinary approach – drawing on the fields of women’s studies, gender studies, sociology, history, literature, art, and psychoanalysis – that touches on a variety of subjects – gender roles, sexual identities, misogyny, painting, writing, minorities – this volume explores the lasting impact of the Austro-Hungarian Empire in contemporary Central Europe, which is fraught with gender conflict and tension between modernist and anti-modernist forces. The Austro-Hungarian Empire was a fascinating multi-ethnic society. Its experience and understanding of gender and modernity provides important, relevant lessons for today’s world as it becomes increasingly intercultural and as issues of identity become more and more complex.

The Ferenczi-Jones correspondence presented here is an important document of the early history of psychoanalysis. It spans more than two decades, and addresses many of the relevant issues of the psychoanalytic movement between 1911-1933, such as Freud's relation to Stekel, Adler and Jung; the First World Wa;, the debates of the 1920s regarding the theoretical and technical ideas of Rank and Ferenczi; problems of leadership, structure, and finding a centre for the psychoanalytical movement; as well as issues related to telepathy and lay analysis. It includes thirty-seven letters and six postcards, as well as original documents waiting to be found for eight decades; these belong to the 'private', personal history of psychoanalysis and help to decode diverse aspects of the experience preserved in these documentary memories of former generations.Perhaps the most interesting aspect of this correspondence is how it allows us to build up a far more nuanced picture of the development of an extraordinary relationship between Ferenczi and Jones. It could hardly be termed harmonious, and was not devoid of rivalry and jealousy, sometimes even of hidden passion and outright hostility. Nevertheless, friendship, sympathy, collegiality and readiness for cooperation were just as important for Ferenczi and Jones as rivalry, mistrust and suspicion. This volume celebrates the 100th anniversary of the foundation in 1913 of both the British and the Hungarian Psychoanalytical Societies.

Freud is not so well considered today. Critiques started early with Melanie Klein declaring an earlier date for infant trauma than Freud's Oedipal theory did. Of late, work by Daniel Stern, John Bowlby, Margaret Mahler and Lawrence Kohlberg, all offer different accounts. Such research moved psychology beyond the Oedipal framework. Freud also left confusion over the feminine, of which he likened it to an obfuscated, "Dark Continent." Moreover, Freud left us with identity confusion related to two mothers and two fathers, broadly recorded and also encoded in his last book, 'Moses and Monotheism'. Some of his sexual theories can be traced to Albert Moll, one of a number involved in such studies at the time. Nevertheless, a number of Freudians meeting at the Vienna Psychoanalytic Society in his own home on Wednesdays to discuss Freudian notions had some such as, C.G. Jung and Alfred Adler, leaving as 'discontents' and forging separate psychological disciplines. Paradoxically they supported Freud's idea that psychoanalysis / psychology should become an international affair as their ideas also spread. Therefore, Freud, arguably, remains as a father of modern psychology and is still worthy of further thought.

This book explores the sense in which the uncanny may be a distinctively modern experience, the way these unnerving feelings and unsettling encounters disturb the rational presumptions of the modern world view and the security of modern self-identity, just as the latter may themselves be implicated in the production of these experiences as uncanny.

Laura Marcus is one of the leading literary critics of modernist literature and culture. Dreams of Modernity: Psychoanalysis, Literature, Cinema covers the period from around 1880 to 1930, when modernity as a form of social and cultural life fed into the beginnings of modernism as a cultural form. Railways, cinema, psychoanalysis and the literature of detection - and their impact on modern sensibility - are four of the chief subjects explored. Marcus also stresses the creativity of modernist women writers, including H. D., Dorothy Richardson and Virginia Woolf. The overriding themes of this work bear on the understanding of the early twentieth century as a transitional age, thus raising the question of how 'the moderns' understood the conditions of their own modernity.