McKenzie argues that to comprehend the Bible we must grasp the intentions of the biblical authors themselves--what sort of texts they thought they were writing and how they would have been understood by their intended audience. In short, we must recognize the genres to which these texts belong. McKenzie examines several genres that are typically misunderstood, offering careful readings of specific texts to show how the confusion arises, and how knowing the genre produces a correct reading. The book of Jonah, for example, offers many clues that it is meant as a humorous satire, not a straight-faced historical account of a man who was swallowed by a fish. Likewise, McKenzie explains that the very names "Adam" and "Eve" tell us that these are not historical characters, but figures who symbolize human origins ("Adam" means man , "Eve" is related to the word for life ). Similarly, the authors of apocalyptic texts--including the Book of Revelation--were writing allegories of events that were happening in their own time. Not for a moment could they imagine that centuries afterwards, readers would be poring over their works for clues to the date of the Second Coming of Christ, or when and how the world would end. For anyone who takes reading the Bible seriously and who wants to get it right, this book will be both heartening and enlightening.

One of the most prized Bible translations, the Confraternity edition of Challoner-Rheims, is presented here as a “Reader’s Bible,” offering the sacred words of Scripture in the form in which they were originally written – without all the verse numbers, section heads, comments, references, and footnotes that, although valuable to scholars, clutter up most Bibles today, drawing attention away from the meaning of the Sacred Text itself. The early Christians read “the inspired Word of God” without all those academic distractions. Now, with this Catholic Reader’s Bible, you finally can too. Instead of double columns that squeeze short lines of text up against each other, here you’ll find generous, single-column pages graced with handsome, readable type. For navigation purposes, the top of each page lists the range of verses on that page. Plus, this venerable eighteenth-century translation by Richard Challoner, Roman Catholic bishop of England, relies on the long-revered Douay-Rheims Bible and employs language that is more intelligible and familiar today – which is certainly a boon for those of us who open our Bibles not as scholars but as seekers yearning simply to come to know and to love God. If you’ve never read God’s Word in this way – as it was written – then you are in for an exciting and inspiring experience. The Catholic Reader’s Bible is perfect for brief devotional moments as well as for long, delightful hours of extended reading.

An invitation to all--regardless of religious background--to engage the Bible, grapple with its language, unlock its mysteries, and understand its relevance in our own time. Reading the Book is the model for Bill Moyers's forthcoming 10-part PBS series, Genesis: A Living Conversation, to be aired in the fall of 1996.