The threats to privacy are well known: the National Security Agency tracks our phone calls; Google records where we go online and how we set our thermostats; Facebook changes our privacy settings when it wishes; Target gets hacked and loses control of our credit card information; our medical records are available for sale to strangers; our children are fingerprinted and their every test score saved for posterity; and small robots patrol our schoolyards and drones may soon fill our skies. The contributors to this anthology don't simply describe these problems or warn about the loss of privacy—they propose solutions. They look closely at business practices, public policy, and technology design, and ask, “Should this continue? Is there a better approach?” They take seriously the dictum of Thomas Edison: “What one creates with his hand, he should control with his head.” It's a new approach to the privacy debate, one that assumes privacy is worth protecting, that there are solutions to be found, and that the future is not yet known. This volume will be an essential reference for policy makers and researchers, journalists and scholars, and others looking for answers to one of the biggest challenges of our modern day. The premise is clear: there's a problem—let's find a solution.

In this major work, Blumenberg takes issue with Karl Löwith's well-known thesis that the idea of progress is a secularized version of Christian eschatology, which promises a dramatic intervention that will consummate the history of the world from outside. Instead, Blumenberg argues, the idea of progress always implies a process at work within history, operating through an internal logic that ultimately expresses human choices and is legitimized by human self-assertion, by man's responsibility for his own fate.

At its beginning, every age has been "modern." We speak of "pre-" and "post-" modern ages. We are likewise tempted to identify what is most up-to-date with what is true. But to he up-to-date is to be out-of-date. If we Find what is really true in any age, it will he true in all ages. This proposition is central to this hook. Moreover, what is true will appear in different guises, as will what is false. The "modern age" had often considered itself relativist, or secular, or skeptical. It strove to divest itself of its theological and metaphysical back-grounds, only to find that the central themes from this tradition recur again and again, most often under political or even scientific forms. This book proposes to "see" these classical and revelational roots within their modern forms. But we also find the proposition that what exists is only what we make. We find no "truth" but that of our own confection. When we find only our own "truth" however, we do not really find or know ourselves. We do not cause what it is to be ourselves in the first place. The central truth that the "Modern age" does not acknowledge is that its own existence along with that of the world itself is first a gift. When we see the "modern age" in this light we can again rediscover what we really are. Hopefully, we can choose and rejoice what we are intended to be in any age as the gift of being is something that transcends all ages even while dwelling within them.

An account of Henry Ford and his invention of the Model-T, the machine that defined twentieth-century America.

"This is number 249 of 500 copies of the limited edition of Mister X: The Modern Age, each of which has been signed by Dean Motter"

An ambitious new survey of industrial design from 1900 to the present day in the United States, Europe, and around the world, as told through selected objects from the George R. Kravis II Collection. Destined to become a new classic in the design genre, this major work summarizes an enormous topic—the creation of everyday objects for mass production and consumption from 1900 to the present—and shows how these products have become both symbols of the modern age and harbingers of our future. It covers the work of the heroes of modern and post-modern design, from the early pioneers—Dreyfuss, Bel Geddes, and Eames—to the leaders in the field today, including Starck, Newson, and Ive. More than 200 objects from the Kravis Design Center’s collection are highlighted as important exemplars of industrial design. A wide range of media is represented, including furniture, metalwork, ceramics, and plastics. New research by contributing scholars has uncovered illuminating details about each object that help tell a more complete story of design in the past 100 years. Among the more than 400 photographs, which include a wealth of historical images and ephemera, are those of the objects taken especially for this book and seen as never before, in vibrant color and precise detail. This concise new history introduces a whole new audience to the topic in a style that is at once educational and accessible.

First Harper torchbook edition l972.

"Many argue that the modern family is an anachronistic institution whose demise is only a question of time. Looking to the family's future, the eminent sociologist Brigitte Berger argues that despite being weakened and embattled, the family will survive as a fundamental social institution. The family has been the cradle of the modern social order for some three hundred years, and will remain the basis for any society concerned with happiness, liberty, equality, and prosperity for all its members. Rather than being condemned to the dust heap of history, or becoming a simple lifestyle choice, the modern family has a number of enduring strengths that will ensure its survival. In The Family in the Modern Age, Berger focuses on four major areas of concern. First, she demonstrates that the short shrift given to the institutional dimension of the family misrepresents the importance and the role of the family today. Second, she documents the close cognitive fit between core elements of the modern family and the stability of modern society, and argues that any society that ignores this connection does so at its own peril. Third, Berger investigates the degree to which currently identified problems may endanger the modern family's vital individual and social functions. And finally, she develops reasonable projections of the future of the family that will be core elements contributing to the creation of a politically democratic and economically prosperous world. Berger takes a long-range view of ""the career"" of the conventional family in the twentieth century. Her perspective is distinctly different from that widespread in scholarly literature today. She takes account of recent demographic shifts in behavior relating to sexuality, marriage, family structure and values, relationships, and family functions. Berger considers hotly contested contemporary issues relating to the family-gay marriage, divorce, abortion, women and work, issues of child-care, among others. Bu"

In the preface to this 2000 edition, the authors point out that with the advent of the millennium, it is important to take stock of the 20th century, which has been labelled as the Age of Genocide.

These seventy-eight essays characterize the richness and diversity of conservative scholarship. Modern Age was founded in 1957 by Russell Kirk, with Henry Regnery and David S. Collier. The magazine is now published by the Intercollegiate Studies Institute. George A. Panichas is the current editor of Modern Age and a Professor of English at the University of Maryland.