A proper lady would never let herself become his mistress . . .

WHAT SHOULD A WIFE BELIEVE? THE WORDS OF HER HUSBAND OR THE DIARY OF HIS MISTRESS? Monica counts her blessings -- her husband, Carlos, is not only devoted to her but is also a strong, caring father to their twin sons. When Carlos surprises her with an unforgettably romantic getaway, Monica knows he is still very much in love with her -- and she with him. But an unexpected package threatens to change everything Monica's ever believed about Carlos. Angela has adopted a sex-them-and-leave-them attitude toward the married men she's bedded. Then she met Monica's Carlos. Now she will stop at nothing to get him for herself -- even if that means destroying her own life and another woman's family.

This pioneering study of the much-mythologized Southern belle offers the first serious look at the lives of white women and their harsh and restricted place in the slave society before the Civil War. Drawing on the diaries, letters, and memoirs of hundreds of planter wives and daughters, Clinton sets before us in vivid detail the daily life of the plantation mistress and her ambiguous intermediary position in the hierarchy between slave and master. "The Plantation Mistress challenges and reinterprets a host of issues related to the Old South. The result is a book that forces us to rethink some of our basic assumptions about two peculiar institutions -- the slave plantation and the nineteenth-century family. It approaches a familiar subject from a new angle, and as a result, permanently alters our understanding of the Old South and women's place in it.

Recovered in the mid-1990s from the attic of a Turnbull family descendant, Martha Turnbull's garden diary offers the most extensive surviving first-hand account of nineteenth-century plantation life and gardening in the Deep South. Landscape architecture professor and preservationist Suzanne Turner spent fifteen years transcribing and annotating the original manuscript, making it accessible to twenty-first-century gardening enthusiasts. The resulting dialogue between Turnbull's diary entries and Turner's illuminating notes demonstrates the pivotal role that kitchen and pleasure gardens held in the lives of planter families. In addition, the diary documents the relationship between the mistress and the enslaved whose labor made her vast gardens possible. Turner's exquisite interpretation reveals not only an energetic gardener but also a well-read one, eager to experiment with the newest gardening trends. Illustrated with engravings from period books, journals, and nursery catalogs, Turner's annotations provide the reader with a deeper understanding of American horticultural history. The diary, spanning the years 1836 through 1894, reveals the portrait of a courageous and resilient woman. After the tragic loss of her two sons and husband prior to the Civil War, Martha assumed full responsibility for her family and the plantation. She endured living under siege during the war and persevered during Reconstruction by growing and selling food as a truck farmer. By working daily in her ornamental garden and faithfully maintaining her diary for nearly sixty years, she found the solace and peace to look forward to the future.

"A proper lady would never let herself become his mistress ..."--Cover.

In the 18th and 19th centuries, to become Mistress of the House was the natural prospect of women born into Britain’s wealthy aristocratic families. An advantageous marriage would bring with it an important ancestral home—a visible expression of power, prestige, and good taste. Rosemary Baird introduces us to ten of these remarkable women, detailing their accomplishments in the creation and running of Britain’s great houses. We also learn about their education and training, the marriage market, and their obligations as leaders of fashion, interior design, and society. Based on diaries, letters, and family archives, Mistress of the House is a fascinating work of social history. Rosemary Baird was educated at Cambridge and Oxford; a former consultant at Sotheby’s, she is now Curator of the Goodwood Collection.

Based on extensive research and supported by a factual armature, this novel of evil takes the reader into the hidden erotic life of Hitler and--as she was affectionately nicknamed--Fraulein Effie. Beyond most nonfiction accounts of that place and period, the author has created a personal life for Hitler and his sycophants to give the reader the look and feel of what it must have been like to dwell in such perdition

When the married Isabella Robinson was introduced to the dashing Edward Lane at a party in 1850, she was utterly enchanted. He was 'fascinating', she told her diary, before chastising herself for being so susceptible to a man's charms. But a wish had taken hold of her, and she was to find it hard to shake...In one of the most notorious divorce cases of the nineteenth century, Isabella Robinson's scandalous secrets were exposed to the world. Kate Summerscale brings vividly to life a frustrated Victorian wife's longing for passion and learning, companionship and love, in a society clinging to rigid ideas about marriage and female sexuality.

A prelude to the diaries of Mary Boykin Chesnut & Emma Holmes.

From the New York Times bestselling author of I Was Anastasia and The Frozen River comes a “genuinely surprising whodunit” (USA Today) that tantalizingly reimagines a scandalous murder mystery that rocked the nation. One summer night in 1930, Judge Joseph Crater steps into a New York City cab and is never heard from again. Behind this great man are three women, each with her own tale to tell: Stella, his fashionable wife, the picture of propriety; Maria, their steadfast maid, indebted to the judge; and Ritzi, his showgirl mistress, willing to seize any chance to break out of the chorus line. As the twisted truth emerges, Ariel Lawhon’s wickedly entertaining debut mystery transports us into the smoky jazz clubs, the seedy backstage dressing rooms, and the shadowy streets beneath the Art Deco skyline. Don't miss Ariel Lawhon's new book, The Frozen River!