The city of Rey is burning. With smoke billowing, fires blazing and his people fleeing, Khalid races back to defend his city, and protect his queen. But Khalid is too late to do either. He and his men arrive to find the city in ruins, nothing but a maze of destruction, and Shahrzad is gone. But who could have wrought such devastation? Khalid fears he may already know the answer, the price of choosing love over the people of Rey all too evident.

Travel through the wishing well with Clark and Karoline--two kids who discover their beloved Adventure Kingdom is more than just your average theme park. From Epic Originals, this fantastical story collection serves up twists, turns, and never-before-seen Adventure Kingdom artwork, activities, and park memorabilia! When Clark sneaks into Adventure Kingdom, all he wants is a peek at the remains of the once-magical theme park he loved as a kid--plus a cool livestream for his fans. But then he meets Karoline, the granddaughter of the park's creator, and the two of them discover that the magic of that place was never just an illusion. With the help of an enchanted coin and a talking monkey with questionable loyalties, they set off to find what they've both lost and rescue Karoline's mysterious granddad. Through the characters' adventures, readers learn the importance of: - Problem solving - Cooperation - Trusting others - Second chances

“The Mirror in the Mirror” – in the E-Book now also with illustrations by his father Edgar Ende, to whom Michael Ende dedicated this book. It is a fantastic story labyrinth of a very special kind. For the author himself, this work was of great importance: in interviews, he liked to call it his “never-ending story for adult readers.” The reader is taken into a mysterious narrative world, full of bizarre situations and mysterious fates, surreal images and philosophical thoughts. Those who open themselves in amazement to these enigmatic visions and allow themselves to be drawn into the fantastic stories will emerge from Michael Ende’s magic labyrinth with a new perspective. The core question is: What is reflected in a mirror that is reflected in a mirror? If two readers read the same book, they are still not reading the same thing. For both people immerse themselves into the reading. The book becomes a mirror in which the reader is reflected. But in the same way, the reader is also a mirror in which the book is reflected: The mirror in the mirror refers the reader back to himself. The FAZ, one of the major newspapers in Germany, writes that Michael Ende shows with the book “how much darkness, wildness and rawness is inherent in dreams. He does not trivialize. His dreams make reference to reality because in dreams, Cicero wrote, ‘the remnants of those objects roll and tumble about in the souls which we have thought and impelled while awake’.”

A reinvigorated United States, protected by defense lasers and experiencing an upsurge in the democratic process, is threatened by a sinister power

Looks at the history, theory, and design of mazes, including hedge mazes, panel mazes, mirror mazes, turf mazes, and panel mazes.

The vibrant pageant of Elizabethan England comes to life in Karen Harper's fifth novel in her acclaimed Elizabeth I Mystery Series. Hailed as "extraordinary" by The Los Angeles Times, these historical mysteries beautifully blend fact and fiction as the young Queen Elizabeth Tudor becomes an amateur sleuth to save her court, crown, and kingdom. Though summering in the lush countryside to escape the plague rampaging through London, the queen and her court cannot escape the reach of a multiple murderer who seems to disappear at will. In the gardens of Hampton Court, Elizabeth proudly shows a famed visiting lawyer her huge hornbeam maze. But the intricate labyrinth soon becomes a scene of horror as Elizabeth herself is attacked and the lawyer is murdered within its leafy dead ends. The queen calls upon her small, select band of advisors to help her ferret out the identity of the maze murderer. When the court must flee the encroaching Black Death, even the royal haven of Hatfield House with its charming knot garden holds terror. Undaunted, the queen and her chief advisor, William Cecil, set a trap in the flooded thorn maze at Cecil's nearby estate. But even if they snare the ghostly murderer before he or she strikes again, will they unmask not only the villain but the person they love best in all the realm?

The obsidian mirror. Its power is great and terrible. Men have been lost in it, the dead brought back to life through it, and the future annihilated by it. Or this is what will happen unless the mirror is destroyed. Three people seek the mirror: the first has been sent from the future to shatter its power; the second will protect the mirror at all costs, obsessed with its power; and the third needs the mirror to find a murdered father and save his life. But only one can succeed. The mirror can send you to the past, but it will not bring you back. With superb world-building that includes the real world, the faery world, and a dystopic future, this hauntingly astonishing adventure is the start of a new trilogy from the master of the sci-fi/fantasy genre, Catherine Fisher. Fans of Orson Scott Card, Dr. Who, Shakespeare, and Blade Runner won't be disappointed.

Wind your way through a maze or a labyrinth: two symbolic journeys, both rooted in myth and mystery. But while labyrinths are flat, circulate pathways designed for the acquisition of inner peace, mazes feature patterns of barriers that challenge, confuse, and deceive the walker. After looking at the legends and evolution of these two kinds of complex, twisting paths, Jeff Saward considers the innovative ways today's land artists and garden designers have recreated labyrinths and the new "craze" for mazes-from maize mazes and mirror mazes to wood and water mazes and simple garden turf mazes. The diverse and stunning examples come from all around the world, and this breathtakingly photographed overview captures their visual excitement and unique inspiration.

A book specially designed to be read by non-scientists and scientists alike. There is detailed science, as well as humour and some interesting stories. Each chapter can be read in its own right.

This is a textual, bibliographical and cultural study of 60 years of Bradbury's fiction. The authors draw upon correspondence with his publishers, agents and friends, as well as archival manuscripts, to examine the story of Bradbury's authorship over more than half a century.