The brilliant #1 New York Times bestseller Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.

"One of the most respected literary scholars alive, . . . Abrams stands for understanding and conciliation, calling for a kind of humanism that can embrace the good in all literary theories." --Washington Post

This book focuses on the enigmatic relationship between men and women, and in particular on the subordination of women by men in the work place. The main points of departure are that subordination is a relational phenomenon and should therefore be approached in a relational context and that the dynamics of relational behaviour primarily evolve through dialogue. The project facilitated and encouraged women and men to engage in more than 100 discussions about their daily relationships, carried out in the context of an intra- and inter-organizational action research project involving three organizations: a nuclear power plant, a school district and a postal district in a province of Sweden. The object was to allow for better mutual understanding and respect from an Irigarayan view where a substrate allows men and women to regard each other in their subjectivity without 'reducing the other to same'. The reflective and analytical nature of this study shows the dynamics of the discussions and their effects on the interpersonal and organizational level.Ingrid Ljungberg van Beinum, D. Soc. Sc., studied at the universities of Uppsala and Leiden. She has lived and worked in Sweden, England, Holland, India and Canada.

This highly acclaimed study analyzes the various trends in English criticism during the first four decades of this century.

M. H. Abrams's writings on the Romantics have had an incalculable influence on the literary history of his time. High Romantic Argument, treating as it does various aspects of Abrams's work, is in a sense an appraisal of that history. Arising from a conference held in his honor at Cornell University in the spring of 1978, it is made up of essays by six distinguished contributors who explore important critical questions related directly or indirectly to Abrams's work and its broader implications.The essays address Wordsworth as a prophet (Geoffrey Hartman) and as a poet of "silence" (Jonathan Wordsworth); history as metaphor (Wayne C. Booth); the nature of the critical canon (Thomas McFarland); the personal element in literary history (Lawrence Lipking); and the relation of Abrams's work to current developments in literary criticism (Jonathan Culler).Two central themes run throughout: the radically metaphorical nature of Romantic thought and the tendency of today's students to find Romanticism less rational than Abrams does. While the contributors do not always agree with one another, all are keenly aware of the contemporary challenge to humanistic values. A highlight of this book is the text of Abrams's masterly reply, delivered extemporaneously at the end of the conference. Other elements include a bibliography by Stuart A. Ende, a preface by Stephen M. Parish, and an editor's note. Contributors: M. H. Abrams, Wayne C. Booth, Jonathan Culler, Stuart A. Ende, Geoffrey Hartman, Lawrence Lipking, Thomas McFarland, Stephen M. Parrish, Jonathan Wordsworth

Called "a feminist classic" by Judith Shulevitz in the New York Times Book Review, this pathbreaking book of literary criticism is now reissued with a new introduction by Lisa Appignanesi that speaks to how The Madwoman in the Attic set the groundwork for subsequent generations of scholars writing about women writers, and why the book still feels fresh some four decades later. "Gilbert and Gubar have written a pivotal book, one of those after which we will never think the same again."--Carolyn G. Heilbrun, Washington Post Book World

This text defines and discusses terms, critical theories, and points of view that are commonly used to classify, analyse, interpret, and write the history of works of literature. The Glossary presents a series of essays in alphabetic order.

Anthony Monday and Miss Eells recover a magic lamp that was stolen from a warlock's tomb and is spreading evil to further the wicked ends of the thief.