She said she was a gorgeous, wealthy, well-connected model and student named Miranda, and she seduced a slew of famous and powerful menBilly Joel, Warren Beatty, Ted Kennedy, Quincy Jones, Robert DeNiro, Bob Dylan, Buck Henry, Richard Gere, Eric Clapton, and many moreall of them over the phone. In the course of those long, flirtatious conversations some fell madly in love with her. Some became obsessed with her. Some had their hearts broken by her. And then she vanished.In the 12 years since bestselling author Bryan Burrough (Barbarians at the Gate, The Big Rich) first published his story "The Miranda Obsession" in Vanity Fair, the legend of Miranda has continued to grow and his article has become a true classic of the genre. On the heels of a just-aired prime-time Vanity Fair-CBS "48 Hours" special on enduring Hollywood mysteries, Burrough is republishing his story as an e-book, complete with a new Afterword that brings Miranda's extraordinary tale up to date with the names of still more leading men who fell under her spell, from Bono to Rush Limbaugh. Writes Burrough: "In 30 years in the field...I don't think I've ever come across another [story] like it.... She has much to say about what men want, what men need, and how to keep a man coming back for more."

Named a Top Ten Book of the Year by Time, the bestselling debut story collection by the extraordinarily talented Miranda July, award-winning filmmaker, artist, and author of All Fours. In No One Belongs Here More Than You, Miranda July gives the most seemingly insignificant moments a sly potency. A benign encounter, a misunderstanding, a shy revelation can reconfigure the world. Her characters engage awkwardly—they are sometimes too remote, sometimes too intimate. With great compassion and generosity, July reveals her characters’ idiosyncrasies and the odd logic and longing that govern their lives. No One Belongs Here More Than You is a stunning debut, the work of a writer with a spectacularly original and compelling voice.

How many times have you heard readers argue about which is better, Jane Eyre or Wuthering Heights? The works of Charlotte, Emily, and Anne continue to provoke passionate fandom over a century after their deaths. Brontë enthusiasts, as well as those of us who never made it further than those oft-cited classics, will devour Miranda Pennington's delightful literary memoir. Pennington, today a writer and teacher in New York, was a precocious reader. Her father gave her Jane Eyre at the age of 10, sparking what would become a lifelong devotion and multiple re-readings. She began to delve into the work and lives of the Brontës, finding that the sisters were at times her lifeline, her sounding board, even her closest friends. In this charming, offbeat memoir, Pennington traces the development of the Brontës as women, as sisters, and as writers, as she recounts her own struggles to fit in as a bookish, introverted, bisexual woman. In the Brontës and their characters, Pennington finally finds the heroines she needs, and she becomes obsessed with their wisdom, courage, and fearlessness. Her obsession makes for an entirely absorbing and unique read. A Girl Walks Into a Book is a candid and emotional love affair that braids criticism, biography and literature into a quest that helps us understand the place of literature in our lives; how it affects and inspires us.

Newspapers and magazines have been steadily shrinking, and more and more former subscribers have gone to digital and internet sources for the news. Yet it has become increasingly clear that “short takes” don’t satisfy many readers, who still long for nuanced, long form journalism. By providing examples of classic magazine articles by professional writers, all of whom are graduates of the Missouri School of Journalism, this book fulfills the need for more sophisticated, thought-provoking essays that will resonate with both the general reader and students. The book is divided into three broad categories: profiles, first person journalism, and personal memoirs, and includes the original articles as well as a “postscript” by the writers in which they discuss what they’ve learned about writing, journalism, and the business of getting published. Useful for students and instructors in writing programs, the book also appeals to writers interested in both the art and the craft of successful writing.

First published in 1890, and undoubtedly Azevedo's masterpiece, The Slum is one of the most widely read and critically acclaimed novels ever written about Brazil. Indeed, its great popularity, realistic descriptions, archetypal situations, detailed local coloring, and overall race-consciousness may well evoke Huckleberry Finn as the novel's North American equivalent. Yet Azevedo also exhibits the naturalism of Zola and the ironic distance of Balzac; while tragic, beautiful, and imaginative as a work of fiction, The Slum is universally regarded as one of the best, or truest, portraits of Brazilian society ever rendered. This is a vivid and complex tale of passion and greed, a story with many different strands touching on the different economic tiers of society. Mainly, however, The Slum thrives on two intersecting story lines. In one narrative, a penny-pinching immigrant landlord strives to become a rich investor and then discards his black lover for a wealthy white woman. In the other, we witness the innocent yet dangerous love affair between a strong, pragmatic, "gentle giant" sort of immigrant and a vivacious mulatto woman who both live in a tenement owned by said landlord. The two immigrant heroes are originally Portuguese, and thus personify two alternate outsider responses to Brazil. As translator David H. Rosenthal points out in his useful Introduction: one is the capitalist drawn to new markets, quick prestige, and untapped resources; the other, the prudent European drawn moth-like to "the light and sexual heat of the tropics." A deftly told, deeply moving, and hardscrabble novel that features several stirring passages about life in the streets, the melting-pot realities of the modern city, and the oft-unstable mind of the crowd, The Slum will captivate anyone who might appreciate a more poetic, less political take on the nineteenth-century naturalism of Crane or Dreiser.

Only one woman can get past his guard in the final installment of the beloved Moorehouse Legacy series from J.R. Ward, writing as Jessica Bird. Originally published as A Man in a Million in 2007. Michael “Spike” Moriarty has had a thing for Madeline Maguire ever since she first walked up to him as if she wasn’t the most gorgeous woman on the planet and asked to see his tattoos. But he knows that the attraction can only go one way—he could never be the man for her. He has a dark history that very few know about, and even worse, it’s all about to come to the surface. Madeline’s been burned enough in the past to know better, but Spike is the only man that has caught her eye time and time again. For some reason, he’s determined to avoid her, but when she desperately needs help to ward off her scheming family, Spike is the one at her side. And even though he says they can only be friends, his actions tell a very different story… Don’t miss the rest of The Moorehouse Legacy series! Book #1: The Rebel Book #2: The Player Book #3: The Renegade Book #4: The Rogue

From the author of Hour of the Bees comes another captivating story that deftly blurs the line between reality and magic — and will leave you wondering What if? The Loch Ness Monster. The Frogman. Bigfoot. Twelve-year-old Miranda Cho used to believe in it all, used to love poring over every strange footprint, every stray hair, everything that proved that the world was full of wonders. But that was before her mother’s obsession with monsters cost Miranda her friends and her perfect school record, before Miranda found the stack of unopened bills and notices of foreclosure in the silverware drawer. Now the fact that her mom’s a cryptozoologist doesn’t seem wonderful — it’s embarrassing and irresponsible, and it could cost them everything. So Miranda agrees to go on one last creature hunt, determined to use all her scientific know-how to prove to her mother, once and for all, that Bigfoot isn’t real. Then her mom will have no choice but to grow up and get a real job — one that will pay the mortgage and allow Miranda to attend the leadership camp of her dreams. But when the trip goes horribly awry, will it be Miranda who’s forced to question everything she believes?

Simon Bolivar was the archetypal romantic revolutionary. Born into privilege and nurtured in the Rousseau's philosophy of the Homme Sauvage, it was not until the young colonial visited Europe that the taper of revolution was lit that sent the young man on a death-defying quest to fight for the people of his homeland, and eventually liberate the whole of continental South America. Bolivar's struggle for liberty is a story of extraordinary courage and fortune. Since the age of the Conquistadores, South America was controlled from Spain with an iron grip. The Spanish army brutalised the people while the wealth of the continent was shipped away to Europe. In 1807 he returned to Caracas and joined the resistance movement, declaring independence for Venezuela four years later. He soon gave up politics, however, to search for a military solution, devising the 'Decree of War until Death' in July 1813, and claiming the title El Liberador. Yet once again, after initial victories he found himself fleeing for his life. His final campaign from 1817 to 1821 saw the eventual liberation of Venezuela, Columbia, Equador and Panama. He continued his commitment to liberty with the subsequent conquest of Peru. In 1825, the new nation of Bolivia was created in the spirit that had driven Bolivar himself to achieve so much - revolutionary zeal and enlightenment principles. Nonetheless, by 1828 Bolivar had declared himself a dictator. After assassination attempts and uprisings the liberator was finally hounded from office and eventually died as he waited to go into exile in Europe. Bestselling author of The War of Wars, Robert Harvey bring a lifetime's fascination into Bolivar and explores the complex personality behind the revolutionary. He vividly recreates the story of the campaigns and draws a panoramic portrait of South America at the turning of the Spanish Empire.

2 March 1810 . . . Today, I fell in love. At the age of ten, Miranda Cheever showed no signs of Great Beauty. And even at ten, Miranda learned to accept the expectations society held for her—until the afternoon when Nigel Bevelstoke, the handsome and dashing Viscount Turner, solemnly kissed her hand and promised her that one day she would grow into herself, that one day she would be as beautiful as she already was smart. And even at ten, Miranda knew she would love him forever. But the years that followed were as cruel to Turner as they were kind to Miranda. She is as intriguing as the viscount boldly predicted on that memorable day—while he is a lonely, bitter man, crushed by a devastating loss. But Miranda has never forgotten the truth she set down on paper all those years earlier—and she will not allow the love that is her destiny to slip lightly through her fingers . . .

Former President of the Criminal Bar Association Richard Levitt called Goldberg “one of the foremost litigators of this or any generation.” Former Chief of the Criminal Division of the United States Attorney's Office S.D.N.Y. Frederick Hafetz said: “I consider you to have the best killer trial skills I have ever seen in my 47 years of practice, and I have worked with the best, courtroom presence, capturing the jury's attention through devastating cross and summations that have jurors on the edge of their seats.” New York Supreme Court Justice Arthur Lonschein said: “[Jay Goldberg] holds the distinction of being one of the most skilled, if not the most skilled trial lawyer in the United States.” In The Courtroom Is My Theater, Jay Goldberg shows why he is one of the preeminent trial attorneys in America, as he shares stories of his high-profile courtroom drama as well as his adventures outside of the courtroom with some of the country’s most prominent politicians, businessmen, entertainers, and “men of honor.”