The Mini-Mod Sixties Fashion Book looks at youth culture through the hip fashion of the day. The book is filled with colour pictures of men and women's fashion, but most notably the miniskirt and gogo boots. Top models and actresses, from Stephanie Powers to Twiggy, wear the most outrageous and complimentary outfits of the time.

"Drawing on archival research, oral history interviews, and participant observation, this examination of the adoption and adaptation of Mod style across geographic space also maps its various interpretations over time, from the early 1960s to the present. The book traces the Mod youth culture from its genesis in the dimly lit clubs of London's Soho. where it began as a way for young people to reconfigure modernity after the chaos of World War II, to its contemporary, country-specific expressions. By examining Mod culture in the United States, Germany, and Japan alongside the United Kingdom, "We Are the Mods" contrasts the postwar development of Mod in those countries that lost the war with those that won. The book illuminates the culture's fashion, music, iconography, and gender aesthetics, to create a compelling portrait of a transnational subculture." --Book Jacket.

Offers a collection of activities for every month of the year, including a photography contest and a "Love Stinks Chocolate Fest" for February.

Why does the secret agent never seem to die? Why, in fact, has the secret agent not only survived the Cold War - which critics and pundits surmised would be the death of James Bond and of the genre more generally - but grown in popularity? Secret Agents attempts to answer these questions as it investigates the political and cultural ramifications of the continued popularity and increasing diversity of the secret agent across television, film, and popular culture. The volume opens with a foreword by Tony Bennett, and proceeds to investigate programs, figures, and films such as Alias, Austin Powers, Spy Kids, the «new» Bond Girl, Flint, Mission Impossible, Jason Bourne, and concludes with an afterword by Toby Miller. Chapters throughout question what it means for this popular icon to have far wider currency and meaning than merely that of James Bond as the white male savior of capital and democracy.

"The SAGE Handbook of Popular Music is a comprehensive, smartly-conceived volume that can take its place as the new standard reference in popular music. The editors have shown great care in covering classic debates while moving the field into new, exciting areas of scholarship. International in its focus and pleasantly wide-ranging across historical periods, the Handbook is accessible to students but full of material of interest to those teaching and researching in the field." - Will Straw, McGill University "Celebrating the maturation of popular music studies and recognizing the immense changes that have recently taken place in the conditions of popular music production, The SAGE Handbook of Popular Music features contributions from many of the leading scholars in the field. Every chapter is well defined and to the point, with bibliographies that capture the history of the field. Authoritative, expertly organized and absolutely up-to-date, this collection will instantly become the backbone of teaching and research across the Anglophone world and is certain to be cited for years to come." - Barry Shank, author of ′The Political Force of Musical Beauty′ (2014) The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections: Theory and Method The Business of Popular Music Popular Music History The Global and the Local The Star System Body and Identity Media Technology Digital Economies Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field. This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.

This is the first academic study of sneakers and the subculture that surrounds them. Since the 1980s, American sneaker enthusiasts, popularly known as “sneakerheads” or “sneakerholics”, have created a distinctive identity for themselves, while sneaker manufacturers such as Reebok, Puma and Nike have become global fashion brands. How have sneakers come to gain this status and what makes them fashionable? In what ways are sneaker subcultures bound up with gender identity and why are sneakerholics mostly young men? Based on the author's own ethnographic fieldwork in New York, where sneaker subculture is said to have originated, this unique study traces the transformation of sneakers from sportswear to fashion symbol. Sneakers explores the obsessions and idiosyncrasies surrounding the sneaker phenomenon, from competitive subcultures to sneaker painting and artwork. It is a valuable contribution to the growing study of footwear in fashion studies and will appeal to students of fashion theory, gender studies, sociology, and popular culture.

Western fashion has been widely appreciated and consumed in Tokyo for decades, but since the mid-1990s Japanese youth have been playing a crucial role in forming their own unique fashion communities and producing creative styles which have had a major impact on fashion globally. Geographically and stylistically defined, subcultures such as Lolita in Harajuku, Gyaru and Gyaru-o in Shibuya, Age-jo in Shinjuku, and Mori Girl in Kouenji, reflect the affiliation and identities of their members, and have often blurred the boundary between professionals and amateurs for models, photographers, merchandisers and designers. Based on insightful ethnographic fieldwork in Tokyo, Fashioning Japanese Subcultures is the first theoretical and analytical study on Japan's contemporary youth subcultures and their stylistic expressions. It is essential reading for students, scholars and anyone interested in fashion, sociology and subcultures.

The Fifties and Sixties: A Lifestyle Revolution is a beautifully illustrated book that provides a fresh and original perspective on the 1950s and '60s. It uses the intimate stories of those who lived through these momentous decades to reveal how our way of life was transformed, and explores the path from rationing to rock 'n' roll, military service to the mini-skirt, and the age of austerity to the Swinging Sixties. It reveals how post-war prosperity brought new homes, mod cons, more adventurous food and drink, motoring for the masses, daring new fashions, the Pill, the sexual revolution, pop music, and the rise of the teenage generation.

A nostalgic romp through the sixties that changed everyones lives forever, Mods, Minis, and Madmen presents a story of remarkable achievement during the twentieth centurys most significant cultural reboot. It celebrates a wondrous age drugged by the can-do attitude of youth. Revolutionary London was the birthplace of the boutique, and Mary Quant introduced the mini-skirtnamed after a car. John Stephen introduced heart-racing male boutiques on Kings Road that soon carved out a global niche. Lesley Hornby also known as Twiggy, the Cockney dolly birdstrutted her popsicle legs while touting mini-fashions. East Londoner Vidal Sassoon gave new life to tousled hair with a look that is still with us today. And of course, British sounds, led by the Beatles, hammered the charts in every country able to tune in. The lyrics spoke to us and seemed to sympathize with our turmoil, revealing an honest understanding of life as it would be, up to the age of sixty-four. It was a booster shot that pumped up everyone living in the sixties, and their tales would be told decades later. Mods, Minis, and Madmen is the tale of a writer and his disciples from the New World arriving in the old, just as the explosion was about to take place.

The swinging sixties was the fashion and cultural scene that flourished in Great Britain during the 1960s, with 'Swinging London' as the hip capital. This book takes an affectionate look back at the fashions, music and lifestyles of this vibrant decade in almost 400 photographs hand-picked from the archives of Mirrorpix