This series of beautifully illustrated storybooks has been designed to introduce very young readers to classic stories from six of the world's major religions

These beautifully illustrated storybooks introduce young children for the first time to classic stories from the world’s major religions. Titles feature: Easy-to-read text written by a children’s author who specialises in writing about religions Four different stories in each book chosen specifically for the age group Stories cover key beliefs for each religion and many also link to festivals such as divali and christmas Beautifully illustrated by a variety of artists Supporting notes for parents and teachers include commentaries on each story to explain its meaning and context, plus a brief introduction to the main beliefs of each religion

THE SIKHISM MCQ (MULTIPLE CHOICE QUESTIONS) SERVES AS A VALUABLE RESOURCE FOR INDIVIDUALS AIMING TO DEEPEN THEIR UNDERSTANDING OF VARIOUS COMPETITIVE EXAMS, CLASS TESTS, QUIZ COMPETITIONS, AND SIMILAR ASSESSMENTS. WITH ITS EXTENSIVE COLLECTION OF MCQS, THIS BOOK EMPOWERS YOU TO ASSESS YOUR GRASP OF THE SUBJECT MATTER AND YOUR PROFICIENCY LEVEL. BY ENGAGING WITH THESE MULTIPLE-CHOICE QUESTIONS, YOU CAN IMPROVE YOUR KNOWLEDGE OF THE SUBJECT, IDENTIFY AREAS FOR IMPROVEMENT, AND LAY A SOLID FOUNDATION. DIVE INTO THE SIKHISM MCQ TO EXPAND YOUR SIKHISM KNOWLEDGE AND EXCEL IN QUIZ COMPETITIONS, ACADEMIC STUDIES, OR PROFESSIONAL ENDEAVORS. THE ANSWERS TO THE QUESTIONS ARE PROVIDED AT THE END OF EACH PAGE, MAKING IT EASY FOR PARTICIPANTS TO VERIFY THEIR ANSWERS AND PREPARE EFFECTIVELY.

A Collection Of Finely Crafted Stories That Challenge Our Political, Social And Cultural Beliefs. One Of The Leading Exponents Of The Modernist School In Kannada And Jnanpith Award Winner, U.R. Anantha Murthy Has Been A Writer For Nearly Five Decades. This Excellent Anthology Brings Together Stories From His Five Collections. Spanning Thirty-Five Years From 1955-89, They Represent His Journey From An Angry Young Radical To An Intensely Humanist Conservative . 'Clip Joint Explores The Conflict And Confluence Of Indian And Western Values Through An Encounter Between An Indian Student In England And His English Classmate. Ghatashradhha Is A Severe Indictment Of The Brahminical System Where A Priest Performs A Mock Funeral For His Child-Widow Daughter, Yamunakka, Who Has Become Pregnant. The Critique Of Unquestioning Belief In Tradition Is Pursued In Akkayya But Resolved With A Touch Of Humour Through The Protagonist S Singular Life Story. In The Crowning Story, Stallion Of The Sun , Which Is Typical Of Anantha Murthy S Later, Self-Reflexive Phase, The Dissonance Between Tradition And Modernity Settles In Favour Of Simple Faith. The Seven Masterful Stories In This Collection, Many Of Which Have Been Translated Into English For The First Time, Affirm Anantha Murthy As One Of India S Foremost Fiction Writers.

The stories in this collection span almost one thousand years of story-telling in India. Most originate in North India and all were written by Jain monks for the edification and amusement of the faithful. The treasures of India`s heritage of story-telling are known to us today mainly from these Jain stories which have been carefully preserved through the years. The Stories in The Clever Adulteress have been translated by a renowned group of scholars from India, North America and Europe. Each translator has chosen his or her favorites from the vast treasures of Jain literature.

Long considered the dean of modern Philippine literature, N. V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day. This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own." Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope." Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial." Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions. Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.