“An original, fascinating, and beautifully written reckoning . . . of that great human passion: to write.”—Kay Redfield Jamison, national bestselling author of An Unquiet Mind Why is it that some writers struggle for months to come up with the perfect sentence or phrase while others, hunched over a keyboard deep into the night, seem unable to stop writing? In The Midnight Disease, neurologist Alice W. Flaherty explores the mysteries of literary creativity: the drive to write, what sparks it, and what extinguishes it. She draws on intriguing examples from medical case studies and from the lives of writers, from Franz Kafka to Anne Lamott, from Sylvia Plath to Stephen King. Flaherty, who herself has grappled with episodes of compulsive writing and block, also offers a compelling personal account of her own experiences with these conditions. “[Flaherty] is the real thing . . . and her writing magically transforms her own tragedies into something strange and whimsical almost, almost funny.”—The Washington Post “This is interesting, heated stuff.”—San Francisco Chronicle “Brilliant . . . [a] precious jewel of a book . . . that sparkles with some fresh insight or intriguing fact on practically every page.”—Seattle Post-Intelligencer “Flaherty mixes memoir, meditation, compendium and scholarly reportage in an odd but absorbing look at the neurological basis of writing and its pathologies . . . Writers will delight in the way information and lore are interspersed.”—Publishers Weekly

Now in its revised, updated Second Edition, this pocket-sized handbook is a practical quick-reference guide to the diagnosis and management of neurologic diseases. It presents specific management recommendations in a succinct outline format and includes protocols, step-by-step tests and procedures, and treatment algorithms. This handbook is unique in its inclusion of material from related disciplines such as general medicine, cardiology, psychiatry, neurosurgery, neuroanatomy, and radiology. The authors offer guidance in using contemporary neuroimaging techniques in diagnosis.

He comes to her more dead than alive, a towering black-clad stranger riddled with bullets and rapidly losing blood. As she struggles to save him, veterinarian Tess Culver is unaware that the man calling himself Dante is no man at all, but one of the Breed, vampire warriors engaged in a desperate battle. In a single erotically charged moment Tess is plunged into his world—a shifting, shadowed place where bands of Rogue vampires stalk the night, cutting a swath of terror. Haunted by visions of a dark future, Dante lives and fights like there is no tomorrow. Tess is a complication he does not need—but now, with his brethren under attack, he must shield Tess from a growing threat that includes Dante himself. For with one reckless, irresistible kiss, she has become an inextricable part of his underworld realm…and his touch awakens her to hidden gifts, desires, and hungers she never knew she possessed. Bonded by blood, Dante and Tess must work together to thwart deadly enemies, even as they discover a passion that transcends the boundaries of life itself….

Psychologist and novelist Karen E. Peterson presents an easy, effective way to beat writer's block in only ten days that is based on new brain research and sound psychological principles. - First book to offer a practical timeline for beating writer's block - Written by psychologist and novelist Karen E. Peterson, Ph.D. - Features techniques based on new brain research Sound familiar? This is what Dr. Karen E. Peterson--who has overcome writer's block herself--calls "the write-or-flight response." In this revolutionary book, psychologist and novelist Karen E. Peterson presents an easy, effective way to beat writer's block in only ten days. Based on new brain research and sound psychological principles, this innovative program shows writers how to conquer writer's block using: - Exercises to conquer the "write-or-flight" response - Techniques to create that elusive "writing mood" - Parallel monologue and interior dialogue to jumpstart the writing process - Checklists to see which side of the brain is blocking you With case examples and a healthy dollop of humor, Write. helps both seasoned and neophyte writers to enjoy the process of sending their creativity--and productivity--soaring to new heights.

Once upon a time, on a long, slow trip to Scotland, a little girl named Katerina-Elizabeth tossed her oatmeal overboard—again, and again, and again. She was a picky eater, and oatmeal was her least favorite food. And once upon a time, a small worm, no bigger than a piece of thread, swam alongside an ocean liner bound for Scotland and ate bowl after bowl of tossed oatmeal. He had never tasted anything as wonderful as oatmeal in his whole life. A. W. Flaherty and Scott Magoon unravel the Loch Ness legend in this whimsical picture book for the picky (and not-so-picky) eater in all of us.

Publisher Description

A modern classic, now in a welcome new edition, Wonder Boys firmly established Michael Chabon as a force to be reckoned with in American fiction. At once a deft parody of the American fame factory and a piercing portrait of young and old desire, this novel introduces two unforgettable characters: Grady Tripp, a former publishing prodigy now lost in a fog of pot and passion and stalled in the midst of his endless second book, and Grady’s student, James Leer, a budding writer obsessed with Hollywood self-destruction and struggling with his own searching heart. All those who love Michael Chabon’s The Yiddish Policemen’s Union and his Pulitzer Prize-winning The Amazing Adventures of Kavalier and Clay will find the same elegant imagination, bold humor, and undeniable warmth at work in Wonder Boys. “[A] wise, wildly funny story . . . Chabon is a flat-out wonderful writer– evocative and inventive, pointed and poignant.” –Chicago Tribune “Whether making us laugh or making us feel the breathtaking impermanence of things, Michael Chabon keeps us wide awake and reading.” –All Things Considered “Beguiling and wickedly smart . . . There is first-rate satirical farce in Chabon’s novel but essentially it is something rarer: satirical comedy.” –Los Angeles Times Book Review