The third volume in the classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction.

In early 20th-century England, Edward Lessingham and Lasy Mary Scarnsdale conduct a passionate if tumultuous courtship. After the First World War, they raise their children in their Cumbrian idyll, until tragedy strikes. On the world of Zimiamvia, Duke Barganax pursues the divine Lady Florinda who toys with his affections like a cat with a mouse. Meanwhile, King Mezentius struggles to hold his Threee Kingdoms together against the intrigues of his enemies. And over a fish dinner in Memison the true relationship between worlds and lovers will be made shockingly clear . . .

Start an epic journey through a realm of enchantment and treachery in 'Mistress of Mistresses' by Eric Rücker Eddison. Within the mystical tapestry of the Three Kingdoms—Rerek, Meszria, and Fingiswold—powerful nobles and rulers engage in a deadly dance of political intrigue. As the charismatic King Mezentius breathes his last, the fate of the realm hangs in the balance, teetering on the edge of dissolution. Amidst shifting alliances and mounting conspiracies, the future of the kingdoms is uncertain, and destinies clash in a battle for supremacy.

A classic work of unsurpassed imagination, from the author J.R.R. Tolkien called "the greatest and most convincing writer of invented worlds that I have read". Unavailable since 1978, the three books of Zimiamvia--the magical realm where noble warriors, treacherous villains, and beautiful ladies go when they die--now come together in one magnificent volume.

This book reveals the unique contribution made by the three founding fathers of British fantasy—Lord Dunsany, E. R. Eddison and J. R. R. Tolkien—to our culture’s perennial reassessment of the meanings of time, death and eternity. It traces the poetic, philosophical and theological roots of the striking preoccupation with mortality and temporality that defines the imagined worlds of early fantasy fiction, and gives both the form of such fiction and its ideas the attention they deserve. Dunsany, Eddison and Tolkien raise some of the oldest questions in existence: about the limits of nature, human and divine; cosmic creation and destruction; the immortality conferred by art and memory; and the paradoxes and uncertainties generated by the universal experience of transience, the fear of annihilation and the desire for transcendence. But they respond to those questions by means of thought experiments that have no precedent in modern literary history. This book has won the '2021 Mythopoeic Scholarship Award' for Myth and Fantasy Studies.

The classic epic trilogy of parallel worlds, admired by Tolkien and the great prototype for The Lord of the Rings and modern fantasy fiction. Also includes The Worm Ouroboros.

In 1956, J. R. R. Tolkien famously stated that the real theme of The Lord of the Rings was "Death and Immortality." The deaths that underscore so much of the subject matter of Tolkien's masterpiece have a great deal to teach us. From the heroic to the humble, Tolkien draws on medieval concepts of death and dying to explore the glory and sorrow of human mortality. Three great themes of death link medieval Northern European culture, The Lord of the Rings, and contemporary culture: the way in which we die, the need to remember the dead, and above all the lingering apprehension of what happens after death. Like our medieval ancestors, we still talk about what it means to die as a hero, a traitor, or a coward; we still make decisions about ways to honor and remember the departed; and we continue to seek to appease and contain the dead. These themes suggest a latent resonance between medieval and modern cultures and raise an issue not generally discussed in contemporary Western society: our deeply rooted belief that how one dies in some way matters. While Tolkien, as a medieval scholar, naturally draws much of his inspiration from the literature, folklore, and legends of the Middle Ages, the popularity of his work affirms that modern audiences continue to find these tropes relevant and useful. From ideas of "good" and "bad" deaths to proper commemoration and disposal of the dead, and even to ghost stories, real people find comfort in the ideas about death and dying that Tolkien explores. "The Sweet and the Bitter": Death and Dying in J. R. R. Tolkien's The Lord of the Rings examines the ways in which Tolkien's masterwork makes visible the connections between medieval and modern conceptions of dying and analyzes how contemporary readers use The Lord of the Rings as a tool for dealing with death.

Contains thirty-seven articles drawn from the pages of "Writer's Digest" magazine, in which authors, editors, agents, and teachers offer advice on various aspects of novel-writing, discussing topics such as building plot skeletons, writing good dialogue, creating a book outline, and negotiating a contract.