The first major social revolution of the twentieth century, the Mexican Revolution was visually documented in technologically novel ways and to an unprecedented degree during its initial armed phase (1910–21) and the subsequent years of reconstruction (1921–40). Offering a sweeping and compelling new account of this iconic revolution, The Mexican Revolution on the World Stage reveals its profound impact on both global cinema and intellectual thought in and beyond Mexico. Focusing on the period from 1940 to 1970, Adela Pineda Franco examines a group of North American, European, and Latin American filmmakers and intellectuals who mined this extensive visual archive to produce politically engaged cinematic works that also reflect and respond to their own sociohistorical contexts. The author weaves together multilayered analysis of individual films, the history of their production and reception, and broader intellectual developments to illuminate the complex relationship between culture and revolution at the onset of World War II, during the Cold War, and amid the anti-systemic movements agitating Latin America in the 1960s. Ambitious in scope, this book charts an innovative transnational history of not only the visual representation but also the very idea of revolution.

Revolution in Development uncovers the surprising influence of postrevolutionary Mexico on the twentieth century's most important international economic institutions. Drawing on extensive archival research in Mexico, the United States, and Great Britain, Christy Thornton meticulously traces how Mexican officials repeatedly rallied Third World leaders to campaign for representation in global organizations and redistribution through multilateral institutions. By decentering the United States and Europe in the history of global economic governance, Revolution in Development shows how Mexican economists, diplomats, and politicians fought for more than five decades to reform the rules and institutions of the global capitalist economy. In so doing, the book demonstrates, Mexican officials shaped not only their own domestic economic prospects but also the contours of the project of international development itself.

Recounts President Woodrow Wilson's abortive efforts to preserve democracy in Mexico amid political chaos.

“An excellent account and analysis of the Mexican Revolution, its background, its course, and its legacy . . . an important contribution [and] a must read!” (Samuel Farber, author of Cuba Since the Revolution of 1959). The most significant event in modern Mexican history, the Mexican Revolution of 1910-20 remains a subject of debate and controversy. Why did it happen? What makes it distinctive? Was it even a revolution at all? In The Mexican Revolution, Stuart Easterling offers a concise chronicle of events from the fall of the longstanding Díaz regime to Gen. Obregón’s ascent to the presidency. In a comprehensible style, aimed at students and general readers, Easterling sorts through the revolution’s many internal conflicts, and asks whether or not its leaders achieved their goals.

2016 Victoria Urbano Critical Monograph Book Prize, presented by the International Association of Hispanic Feminine Literature and Culture Winner of the 2018 Katherine Singer Kovacs Prize presented by the Modern Language Association Honorable Mention, 2018 Elli Kongas-Maranda Professional Award presented by the Women's Studies Section of the American Folklore Society Analyzes cultural materials that grapple with gender and blackness to revise traditional interpretations of Mexicanness. México’s Nobodies examines two key figures in Mexican history that have remained anonymous despite their proliferation in the arts: the soldadera and the figure of the mulata. B. Christine Arce unravels the stunning paradox evident in the simultaneous erasure (in official circles) and ongoing fascination (in the popular imagination) with the nameless people who both define and fall outside of traditional norms of national identity. The book traces the legacy of these extraordinary figures in popular histories and legends, the Inquisition, ballads such as “La Adelita” and “La Cucaracha,” iconic performers like Toña la Negra, and musical genres such as the son jarocho and danzón. This study is the first of its kind to draw attention to art’s crucial role in bearing witness to the rich heritage of blacks and women in contemporary México.

The Mexican Revolution was a 'great' revolution, decisive for Mexico, important within Latin America, and comparable to the other major revolutions of modern history. Alan Knight offers a succinct account of the period, from the initial uprising against Porfirio Diaz and the ensuing decade of civil war, to the enduring legacy of the Revolution.

Drawing on materials ranging from archaeological findings to recent studies of migration issues and drug violence, William H. Beezley provides a dramatic narrative of human events as he recounts the story of Mexico in the context of world history. Beginning with the Mayan and Aztec civilizations and their brutal defeat at the hands of the Conquistadors, Beezley highlights the penetrating effect of Spain's three-hundred-year colonial rule, during which Mexico became a multicultural society marked by Roman Catholicism and the Spanish language. Independence, he shows, was likewise marked by foreign invasions and huge territorial losses, this time at the hands of the United States, who annexed a vast land mass--including the states of Texas, New Mexico, and California--and remained a powerful presence along the border. The 1910 revolution propelled land, educational, and public health reforms, but later governments turned to authoritarian rule, personal profits, and marginalization of rural, indigenous, and poor Mexicans. Throughout this eventful chronicle, Beezley highlights the people and international forces that shaped Mexico's rich and tumultuous history.

American response to foreign revolution is the theme of this carefully documented diplomatic history of the attitudes and policies of Presidents Taft and Wilson toward revolt in Mexico. Professor Haley's detailed examination is based on extensive research in the papers of members of both administrations and in State Department records. Part One of his book describes the setting of the Mexican conflict and investigates the Taft administration's response toward protecting American lives and property in Mexico (1910 to 1913). Part Two takes up the outbreak of revolutionary civil war and the Wilson administration's attempt to control the course of events (1913 to 1917). This study of the Mexican experience points up problems presented to the U.S. government by uprisings in any country where there are considerable American interests, and in an epilogue the author suggests ways in which the United States might fashion a new response to revolution abroad. The diplomacy of Taft and Wilson in fact reflected two Americas, "the one fleshy, corporate, and pragmatic, the other ascetic, religious, and idealistic." Economic expansion and the acquisition of foreign markets and investments called into being Taft's "Dollar Diplomacy," which was reflected in Mexico by his emphasis on nonintervention during a relatively tranquil period but tempered by his willingness to place order above reform when it came to protecting and stabilizing American interests there. On the other hand, the "New Diplomacy" of Woodrow Wilson reflected his desire to lead other nations to transcend traditional patterns of action and to conform to the American and British model of political development. When war broke out in Mexico, Wilson tried but failed to persuade the two sides to accept an armistice and a neutral provisional government until national elections could be held to establish a new constitutional government. The author seeks to explain the paradox of Wilson's diplomacy-his constant meddling with unrealistic proposals for mediation and his outright support of the Constitutionalist revolutionaries. These diplomacies, Professor Haley points out, offer lessons with contemporary applicability. The Mexican revolution is linked to other twentieth-century uprisings in several ways: in fierce regulation of private property and of foreign investment, and in emphasis on social welfare rather than on political freedom. Lack of anti-communist sentiment makes the experience particularly useful for those who are interested in determining the influence of communism on America's response to later revolutions. The author concludes that in responding to revolution, foreign governments must choose between intervention by overwhelming force at an early stage (Russia in Hungary and Czechoslovakia, America in the Dominican Republic), and the frustrating pursuit of influence through diplomacy with a smaller range of possibilities and lower priorities. Attempts like Wilson's to find a middle ground of limited intervention in a social revolution invite entanglement and failure. Meanwhile, he adds, Mexican diplomatic skill in exploiting the inconsistencies of Wilson's administration demonstrated a deep understanding of American politics and should provide a model that countries in Latin America would do well to look toward.

The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images. In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).

Part of the Reacting to the Past series, Mexico in Revolution, 1912-1920 invites students to stabilize Mexico's fragile government and debate a variety of reforms