This masterful novel of psychological suspense from the New York Times bestselling author of The Art Forger follows a cast of unforgettable characters whose lives intersect when a harrowing accident occurs at the Metropolis Storage Warehouse in Cambridge, Massachusetts. But was it really an accident? Was it suicide? A murder? Six mysterious characters, who rent units in, or are connected to, the self-storage facility, must now reevaluate their lives. We meet Serge, an unstable but brilliant street photographer who lives in his unit, which overflows with thousands of undeveloped pictures; Zach, the building's owner, who develops Serge's photos as he searches for clues to the accident; Marta, an undocumented immigrant who is finishing her dissertation and hiding from ICE; Liddy, an abused wife and mother, who recreates her children's bedroom in her unit; Jason, who has left his corporate firm and now practices law from his storage unit; and Rose, the office manager, who takes kickbacks to let renters live in the building and has her own complicated family history. The characters have a variety of backgrounds: they are different races; they practice different religions; they're young and they're not so young; they are rich, poor, and somewhere in the middle. As they dip in and out of one another's lives, fight circumstances that are within and also beyond their control, and try to discover the details of the accident, Shapiro both dismantles the myth of the American dream and builds tension to an exciting climax. For readers of Janelle Brown, Lucy Foley, Megan Abbott, and Laura Lippman, Metropolis is an original, spellbinding, and moving story of what we hang on to, what we might need to let go, and how unexpected events can lead us to discover our truest selves.

This Weimar-era novel of a futuristic society, written by the screenwriter for the iconic 1927 film, was hailed by noted science-fiction authority Forrest J. Ackerman as "a work of genius."

This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico City, Rio de Janeiro, Buenos Aires, Santiago de Chile, and Lima—as it examines sociopolitical histories, town planning, art and architecture, photography, and film in relation to the metropolis. Drawing from the Getty Research Institute’s vast collection of books, prints, and photographs from this period, largely unpublished until now, this volume reveals the cities’ changes through urban panoramas, plans depicting new neighborhoods, and photographs of novel transportation systems, public amenities, civic spaces, and more. It illustrates the transformation of colonial cities into the monumental modern metropolises that, by the end of the 1920s, provided fertile ground for the emergence of today’s Latin American megalopolis.

In a captivating tour of cities famous and forgotten, acclaimed historian Ben Wilson tells the glorious, millennia-spanning story how urban living sparked humankind's greatest innovations. “A towering achievement.... Reading this book is like visiting an exhilarating city for the first time—dazzling.” —The Wall Street Journal During the two hundred millennia of humanity’s existence, nothing has shaped us more profoundly than the city. From their very beginnings, cities created such a flourishing of human endeavor—new professions, new forms of art, worship and trade—that they kick-started civilization. Guiding us through the centuries, Wilson reveals the innovations nurtured by the inimitable energy of human beings together: civics in the agora of Athens, global trade in ninth-century Baghdad, finance in the coffeehouses of London, domestic comforts in the heart of Amsterdam, peacocking in Belle Époque Paris. In the modern age, the skyscrapers of New York City inspired utopian visions of community design, while the trees of twenty-first-century Seattle and Shanghai point to a sustainable future in the age of climate change. Page-turning, irresistible, and rich with engrossing detail, Metropolis is a brilliant demonstration that the story of human civilization is the story of cities.

The metropolis of the future — as perceived by architect Hugh Ferriss in 1929 — was both generous and prophetic in vision. This illustrated essay on the modern city and its future features 59 illustrations.

The history of New York City’s urban development often centers on titanic municipal figures like Robert Moses and on prominent inner Manhattan sites like Central Park. New York Recentered boldly shifts the focus to the city’s geographic edges—the coastlines and waterways—and to the small-time unelected locals who quietly shaped the modern city. Kara Murphy Schlichting details how the vernacular planning done by small businessmen and real estate operators, performed independently of large scale governmental efforts, refigured marginal locales like Flushing Meadows and the shores of Long Island Sound and the East River in the late nineteenth and early twentieth centuries. The result is a synthesis of planning history, environmental history, and urban history that recasts the story of New York as we know it.

In this compelling narrative of capitalist development and revolutionary response, Jessica M. Kim reexamines the rise of Los Angeles from a small town to a global city against the backdrop of the U.S.-Mexico borderlands, Gilded Age economics, and American empire. It is a far-reaching transnational history, chronicling how Los Angeles boosters transformed the borderlands through urban and imperial capitalism at the end of the nineteenth century and how the Mexican Revolution redefined those same capitalist networks into the twentieth. Kim draws on archives in the United States and Mexico to argue that financial networks emerging from Los Angeles drove economic transformations in the borderlands, reshaped social relations across wide swaths of territory, and deployed racial hierarchies to advance investment projects across the border. However, the Mexican Revolution, with its implicit critique of imperialism, disrupted the networks of investment and exploitation that had structured the borderlands for sixty years, and reconfigured transnational systems of infrastructure and trade. Kim provides the first history to connect Los Angeles's urban expansionism with more continental and global currents, and what results is a rich account of real and imagined geographies of city, race, and empire.

"A portrait of Bernie Gunther in his twenties: He's young, but he's seen four bloody years of trench warfare. And he's not stupid. So when he receives a promotion and a ticket out of Vice squad, he knows he's not really leaving behind the criminal gangs, the perverse sex clubs, and the laundry list of human corruption. It's 1928 and Berlin is a city on the edge of chaos, where nothing is truly verboten. But soon a new wave of shockingly violent murders sweeps up society's most vulnerable, prostitutes and wounded ex-soldiers begging on the streets. As Bernie Gunther sets out to make sense of multiple murders with different MOs in a city that knows no limits, he must face the fact that his own police HQ is not immune. The Nazi party has begun to inflitrate the Alex, Berlin's central office, just as the shakey Weimar government makes a last, desperate attempt to control a nation edging toward to the Third Reich. It seems like the only escape for most Berliners is the theater and Bernie's no exception. As he gets deeper into the city's sordid underground network, he seeks comfort with a make-up artist who is every bit a match for his quick wit and increasingly sardonic view of the world. But even this space can't remain untouched, not with this pervasive feeling that everything is for sale in Berlin if you're man enough to kill for it"--

A Finalist for the Pulitzer Prize and Winner of the Bancroft Prize. "No one has written a better book about a city…Nature's Metropolis is elegant testimony to the proposition that economic, urban, environmental, and business history can be as graceful, powerful, and fascinating as a novel." —Kenneth T. Jackson, Boston Globe