Reproduction of the original.

In 'The Messalina of the Suburbs (Based on a Real-Life Murder Case)', E. M. Delafield delves into the realm of psychological suspense, combining elements of true crime with keen observations of human nature in the suburban setting. Delafield's narrative style is characterized by a precise prose that captures the nuances of societal norms and the complexities of the human mind. The book serves as a fascinating exploration of the darker side of domestic life and the lengths to which individuals may go to protect their secrets, making it a compelling read for fans of both crime fiction and social commentary. Delafield skillfully weaves together a gripping tale that keeps readers on the edge of their seats, unveiling layers of deception and betrayal with each turn of the page. 'The Messalina of the Suburbs' stands out as an intriguing blend of literary fiction and crime thriller, offering a thought-provoking take on suburban life and the hidden motives that drive human behavior.

Messalina of the Suburbs is based on a famous murder case, in which Edith Thompson was convicted and hanged in 1923 as an accomplice of her lover Bywaters who attacked and killed her husband. Although she was certainly shocked and astonished by the attack, her letters to Bywaters describe her repeated attempts to poison her husband. E. M. Delafield (1890-1943) was a prolific English author who is best known for her largely autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The shocking and scandalous story of Messalina—the third wife of Emperor Claudius—one of the most controversial women to have inhabited the Roman world. The lubricious image of the Empress Messalina as a ruthless, predatory, and sexually insatiable schemer—derived from the work of male historians such as Tacitus and Suetonius—has taken deep root in the Western imagination. Here, the classicist Honor Cargill-Martin puts this traditional narrative of Messalina to the test. She looks first at Messalina's life as it is recounted in the primary sources, before using material and circumstantial evidence to reconstruct each aspect of Messalina's character: politician, wife, adulteress, and prostitute. Finally, she explores how posterity has memorialized Messalina, whether as artist's muse, epitome of depraved pagan womanhood, or as libertine icon portrayed in literature and film. Cargill-Martin sets out not to entirely rewrite Messalina's history, or to salvage her reputation, but to look at her life in the context of her time and to reclaim the humanity of a life story previously defined by currents of high politics and patriarchy.

Manalive concerns Innocent Smith, a mysterious man who arrives as the new tenant at Beacon House, a London boarding establishment. This man is accompanied by a great wind and he breathes new life into the household with his games and antics. During his first day in residence the eccentric Smith creates the High Court of Beacon and helps several other tenants to accomplish some great deeds. However, when the household is at its happiest two doctors appear with awful news: Smith is wanted on charges of burglary, desertion of a spouse, polygamy, and attempted murder. Before Smith can be taken to a jail or an asylum, one of the tenants declares that the case falls under the purview of the High Court of Beacon and suggests that the household investigate the matter before involving the authorities or the press. Although things do not look good for Smith, evidence presented to the court will throw a new light on his convictions.

A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular domestic magazine. Reading Woman’s Weekly alongside titles including Good Housekeeping, My Weekly, Peg’s Paper and Woman’s Own, and works by authors including Dot Allan, E.M. Delafield, George Orwell and J.B. Priestley, it positions the publication within both the contemporary magazine market and the field of literature more broadly, redrawing the parameters of that field as it approaches the domestic magazine as a literary genre in its own right. Between 1918 and 1958, Woman’s Weekly targeted a lower middle-class readership: broadly, housewives and unmarried clerical workers on low incomes, who viewed or aspired to view themselves as middle-class. Examining the magazine’s distinctively lower middle-class treatment of issues including the First World War’s impact on gender, the status of housewives and working women, women’s contribution to the Second World War effort, and Britain’s post-war economic and social recovery, this book supplies fresh and challenging insights into lower middle-class culture, during a period in which Britain’s lower middle classes were gaining prominence, and middle-class lifestyles were undergoing rapid and radical change.

At the centre of Bleak House is the long-running legal case, Jarndyce and Jarndyce, inspired by a real-life Chancery case, which came about because someone wrote several conflicting wills, which than led to numerous family feuds, schemes and murder. Charles Dickens (1812-1870) was an English writer and social critic. He created some of the world's best-known fictional characters and is regarded as the greatest novelist of the Victorian era.

Modern women on trial looks at several sensational trials involving drugs, murder, adultery, miscegenation and sexual perversion in the period 1918–24. The trials, all with young female defendants, were presented in the media as morality tales, warning of the dangers of sensation-seeking and sexual transgression. The book scrutinises the trials and their coverage in the press to identify concerns about modern femininity. The flapper later became closely associated with the 'roaring' 1920s, but in the period immediately after the Great War she represented not only newness and hedonism, but also a frightening, uncertain future. This figure of the modern woman was a personification of the upheavals of the time, representing anxieties about modernity, and instabilities of gender, class, race and national identity. This accessible, extensively researched book will be of interest to all those interested in social, cultural or gender history.

'Consequences' is a coming of age novel about a young girl. Alexandra loves to quarrel with her younger siblings. But a game taken too far, one evening, results in her sister being injured, and her angry parents vow to send her off to boarding school. It is at the boarding school where she will meet the illustrious Queenie Torrance, a friendship that will turn out to be quite adventurous. For Queenie is a girl far more mature for her age than the average girl...