Two fascinating philosophical inquiries from the “dazzlingly gifted” New York Times–bestselling and National Book Award–winning author of The Moviegoer (USA Today). Winner of the National Book Award for The Moviegoer, the Southern writer Walker Percy possessed “an intellectual range and rigor few American novelists can match” (The New York Times Book Review). In these two provocative works, Percy manages to be perceptive and playful as he more directly explores the philosophical foundations of his groundbreaking fiction. The Message in the Bottle: In these profound and passionate essays that “have a way of quickening the spirit and cleansing the sight,” Percy looks to language to answer the question of who we are as humans (The New Republic). He posits that the act of assigning meaning by naming things makes humans unique. Percy develops a theory of language through the example of Helen Keller being stimulated by the feel of water along with the sign for water, and explores questions such as why other animals don’t talk and why humans in technologically advanced, materially comfortable societies are so sad. “A delight . . . a pleasure to read.” —Larry McMurtry, The Washington Post Book World Lost in the Cosmos: “Charming, whimsical, slyly profound,” Lost in the Cosmos is a one-of-a-kind mix of self-help parody and philosophical speculation (The New York Times). Filled with quizzes, essays, short stories, and diagrams, Percy’s guide is a laugh-out-loud spin on a familiar genre that also pushes readers to serious contemplation of life’s biggest questions, such as: “Why is it no other species but man gets bored?” and “Explain why Moses was tongue-tied and stagestruck before his fellow Jews but had no trouble talking to God.” “A mock self-help book designed not to help but to provoke; a chapbook to inveigle us into thinking about who we are and how we got into this mess.” —Los Angeles Times Book Review

“A mock self-help book designed not to help but to provoke . . . to inveigle us into thinking about who we are and how we got into this mess.” (Los Angeles Times Book Review). Filled with quizzes, essays, short stories, and diagrams, Lost in the Cosmos is National Book Award–winning author Walker Percy’s humorous take on a familiar genre—as well as an invitation to serious contemplation of life’s biggest questions. One part parody and two parts philosophy, Lost in the Cosmos is an enlightening guide to the dilemmas of human existence, and an unrivaled spin on self-help manuals by one of modern America’s greatest literary masters.

Explores human nature and presents insights on the self and its fears, sexuality, boredom, depression, and other aspects.

In "Message" i"n the" "Bottle," Walker Percy offers insights on such varied yet interconnected subjects as symbolic reasoning, the origins of mankind, Helen Keller, Semioticism, and the incredible Delta Factor. Confronting difficult philosophical questions with a novelist's eye, Percy rewards us again and again with his keen insights into the way that language possesses all of us.

Walker Percy (1916–1990) considered novels the strongest tool with which to popularize great ideas among a broad audience, and, more than half a century after they first appeared in print, his works of fiction continue to fascinate contemporary readers. Despite their lasting appeal, however, Percy’s engaging narratives also contain intellectual elements that demand further explication. Philosophical themes, including existentialism, language acquisition theory, and modern Catholic theology, provide a deeper layer of meaning in Percy’s writings. Jessica Hooten Wilson’s Reading Walker Percy’s Novels serves as a companion guide for readers who enjoy Percy’s novels but may be less familiar with the works of Sartre, Camus, Kierkegaard, and Dante. In addition to clarifying Percy’s philosophies, Wilson highlights allusions to other writers within his narratives, addresses historical and political contexts, and provides insight into the creation and reception of The Moviegoer, The Last Gentleman, Love in the Ruins, Lancelot, The Second Coming, and The Thanatos Syndrome. An introduction covers aspects of Percy’s biography that influenced his writing, including his deep southern roots, faith, and search for meaning in life. An appendix offers an explanation of Percy’s satirical parody Lost in the Cosmos: The Last Self-Help Book. Written in an accessible and conversational style, this primer will appeal to everyone who appreciates the nuances of Walker Percy’s fiction.

Kreeft, one of the foremost students of Lewis' thought, distills Lewis' reflections on the collapse of western civilization and the way to renew it. Few writers have more lucidly grasped the meaning of modern times than Lewis. Kreeft's reflections on Lewis' thought provide explorations into the questions of our times. Kreeft and Lewis together provide light and hope in an age of darkness.

In a post-modern world leery of abstracted theology, might the answers to the deep question of why Jesus died on the cross be found, not in theology textbooks, but in the stories of the Bible? What if the playing out of one Hebrew word, hesed, tells us who we are, who God is, and what Jesus' life and death were all about? Embraced: Prodigals at the Cross tells the story of hesed, God's steadfast love, as it weaves its way from our creation for relationship, through our rejection of that relationship, to God's centuries-long pursuit of reconciliation. The story ends in embrace, the embrace of a good father who runs to his prodigal son, and a loving God who takes on human flesh to reach out to us on the cross. This book is God's story. This book is our story.

Hardy's study is concerned only with Percy's fiction, rather than his life, thought or his essays. He covers all six of Percy's novels from The Moviegoer (1961) to The Thanatos Syndrome (1987), and treats them only as fiction, rather than as philosophical disquisitions or religious treatises. Hardy presents a close reading of each novel, focusing on the internal artistic consistency of the works in regard to their subgenres, adopted conventions, narrative focus, and reader/text interactions. He reveals Percy as a judicious and knowledgeable practitioner in control of his medium. ISBN 0-252-01387-5: $24.95.

Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.

The Routledge Companion to Literature of the U.S. South provides a collection of vibrant and multidisciplinary essays by scholars from a wide range of backgrounds working in the field of U.S. southern literary studies. With topics ranging from American studies, African American studies, transatlantic or global studies, multiethnic studies, immigration studies, and gender studies, this volume presents a multi-faceted conversation around a wide variety of subjects in U.S. southern literary studies. The Companion will offer a comprehensive overview of the southern literary studies field, including a chronological history from the U.S. colonial era to the present day and theoretical touchstones, while also introducing new methods of reconceiving region and the U.S. South as inherently interdisciplinary and multi-dimensional. The volume will therefore be an invaluable tool for instructors, scholars, students, and members of the general public who are interested in exploring the field further but will also suggest new methods of engaging with regional studies, American studies, American literary studies, and cultural studies.