A "skillful and literate" (New York Times Book Review) biography of the persecuted genius who helped create the modern computer. To solve one of the great mathematical problems of his day, Alan Turing proposed an imaginary computer. Then, attempting to break a Nazi code during World War II, he successfully designed and built one, thus ensuring the Allied victory. Turing became a champion of artificial intelligence, but his work was cut short. As an openly gay man at a time when homosexuality was illegal in England, he was convicted and forced to undergo a humiliating "treatment" that may have led to his suicide. With a novelist's sensitivity, David Leavitt portrays Turing in all his humanity—his eccentricities, his brilliance, his fatal candor—and elegantly explains his work and its implications.

This biography illuminates the life and achievements of the remarkable woman scientist who revolutionized the concept of radiation risk. In the 1950s Alice Stewart began research that led to her discovery that fetal X rays double a child's risk of developing cancer. Two decades later---when she was in her seventies---she again astounded the scientific world with a study showing that the U.S. nuclear weapons industry is about twenty times more dangerous than safety regulations permit. This finding put her at the center of the international controversy over radiation risk. In 1990, the New York Times called Stewart "perhaps the Energy Department's most influential and feared scientific critic." The Woman Who Knew Too Much traces Stewart's life and career from her early childhood in Sheffield to her medical education at Cambridge to her research positions at Oxford University and the University of Birmingham. Gayle Greene is Professor of Women's Studies and Literature, Scripps College.

The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.

A fascinating twist on the assassination of JFK explores the life and times of Richard Nagell, a man who insisted that he had been hired to kill Oswald and then spent years in prison trying to prove that he was sane. Reprint.

In 1930s California, glamour and seduction spawn a multitude of sins in this New York Times bestseller from the author of Tightrope. At the exclusive Burning Cove Hotel on the coast of California, rookie reporter Irene Glasson finds herself staring down at a beautiful actress at the bottom of a pool.... The dead woman had something Irene wanted: a red-hot secret about an up-and-coming leading man—a scoop that may have gotten her killed. As Irene searches for the truth about the drowning, she’s drawn to a master of deception. Once a world-famous magician whose career was mysteriously cut short, Oliver Ward is now the owner of the Burning Cove Hotel. He can’t let scandal threaten his livelihood, even if it means trusting Irene, a woman who seems to have appeared in Los Angeles out of nowhere four months ago. With Oliver’s help, Irene soon learns that the glamorous paradise of Burning Cove hides dark and dangerous secrets. And that the past—always just out of sight—could drag them both under....

First published in 1988, The Women Who Knew Too Much remains a classic work in film theory and criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic Master of Suspense. This new edition features a new chapter which considers the last 15 years of Hitchcock criticism as it relates to the ideas in this landmark book.

Was journalist Dorothy Kilgallen murdered for writing a tell-all book about the JFK assassination? Or was her death from an overdose of barbiturates combined with alcohol, as reported? Shaw believes Kilgallen's death has always been suspect, and unfolds a list of suspects ranging from Frank Sinatra to a Mafia don, while speculating on the possibilities of reopening the case.

Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect on how feminist and queer approaches to Hitchcock studies may be brought into dialogue. A teaching guide and discussion questions by Ned Schantz help instructors and students to delve into this seminal work of feminist film theory.

#1 National Bestselling Regency Romance! If you love the Bridgertons, you will love the Kents... He's a rake accused of murder. She's the spinster accusing him. Enemies make the hottest lovers. "Readers looking for a good historical mystery/romance or a historical with a little more kink will enjoy The Duke Who Knew Too Much." -Smart Bitches, Trashy Books "Amazing, spicy, entertaining, tense story, I loved every second." -Rady Reads A Stranger to Love Alaric McLeod, Duke of Strathaven, is known as the Devil Duke for his wicked ways. Tormented by his past, Alaric knows better than to trust a woman yet finds himself ensnared by a spirited, virtuous virgin—who accuses him of a crime he didn’t commit. Is she his worst nightmare ... or his salvation? A Novice to Desire Emma Kent is an independent country miss cast adrift in the ton. When a depraved encounter with an arrogant rake lands her in intrigue, Emma’s honor compels her to do the right thing. But desire challenges her quest for justice, and she must decide: can she trust her heart to discover the truth? Bound by Passion and Peril Alaric and Emma engage in a battle of wits and will. As their attraction flares, the true enemy stalks their every move. With danger looming, will they solve the mystery and find true love before it’s too late? "Has everything that makes a tale excellent; a headstrong lovely heroine, a damaged too serious hero, a rowdy bunch of loving family members that are living and close and then the amazing adventure to peel back like an onion to find the many layers of the plot. This writer to me is in the leagues of Johanna Lindsey, Lisa Kleypas, Julia Quinn and Amanda Quick.” -Kathie, Amazon Grace's books feature sizzling hot historical romance, fun and feel-good happily ever afters, and intriguing mystery and adventure. This book can be enjoyed as a stand-alone novel and as a part of Grace's interconnected series all set in the same universe. Heart of Enquiry (The Kents) (steamy Regency romance series): Prequel Novella: The Widow Vanishes (Will & Annabel) #1: The Duke Who Knew Too Much (Alaric & Emma) #2: M is for Marquess (Gabriel & Thea) #3: The Lady Who Came in from the Cold (Marcus & Penny) #4: The Viscount Always Knocks Twice (Richard & Violet) #5: Never Say Never to an Earl (Sinjin & Polly) #6: The Gentleman Who Loved Me (Andrew & Primrose) Game of Dukes (steamy Victorian romance series): #1: The Duke Identity (Harry & Tessa) #2: Enter the Duke (Ransom & Maggie) #3: Regarding the Duke (Garrity & Gabby) #4: The Duke Redemption (Wickham & Beatrice) #5: The Return of the Duke (Knighton & Fancy) #6: Steamy Winter Wishes: A Hot Historical Romance Short Story (featuring characters from all of Grace's series) Lady Charlotte's Society of Angels (steamy Victorian romance series): #1: Olivia and the Masked Duke (Olivia & Ben) #2: PIppa and the Prince of Secrets (Pippa & Cull) #3: Fiona and the Engimatic Earl (Fiona & Thomas) #4 : Glory and the Master of Shadows (Glory & Wei) #5: Charlotte and the Seductive Spymaster (Preorder today!) Mayhem in Mayfair (steamy Regency romance series): #1: Her Husband's Harlot (Helena & Nicholas) #2: Her Wanton Wager (Percy & Gavin) #3: Her Protector's Pleasure (Marianne & Ambrose) #4: Her Prodigal Passion (Charity & Paul) Keywords: duke, rake, lord, aristocracy, virgin, heroine, spinster, wallflower, bluestocking, historical mystery, suspense, detective agency, female sleuth, Scottish, regency, Victorian, romance, family saga, series, tortured hero, romantic comedy, enemies to lovers

A dazzling exploration of American culture—from high pop to highbrow—by acclaimed music authority, cultural historian, and biographer Anthony Heilbut, author of the now classic The Gospel Sound (“Definitive” —Rolling Stone), Exiled in Paradise, and Thomas Mann (“Electric”—Harold Brodkey). In The Fan Who Knew Too Much, Heilbut writes about art and obsession, from country blues singers and male sopranos to European intellectuals and the originators of radio soap opera—figures transfixed and transformed who helped to change the American cultural landscape. Heilbut writes about Aretha Franklin, the longest-lasting female star of our time, who changed performing for women of all races. He writes about Aretha’s evolution as a singer and performer (she came out of the tradition of Mahalia Jackson); before Aretha, there were only two blues-singing gospel women—Dinah Washington, who told it like it was, and Sister Rosetta Tharpe, who specialized, like Aretha, in ambivalence, erotic gospel, and holy blues. We see the influence of Aretha’s father, C. L. Franklin, famous pastor of Detroit’s New Bethel Baptist Church. Franklin’s albums preached a theology of liberation and racial pride that sold millions and helped prepare the way for Martin Luther King Jr. Reverend Franklin was considered royalty and, Heilbut writes, it was inevitable that his daughter would become the Queen of Soul. In “The Children and Their Secret Closet,” Heilbut writes about gays in the Pentecostal church, the black church’s rock and shield for more than a hundred years, its true heroes, and among its most faithful members and vivid celebrants. And he explores, as well, the influential role of gays in the white Pentecostal church. In “Somebody Else’s Paradise,” Heilbut writes about the German exiles who fled Hitler—Einstein, Hannah Arendt, Marlene Dietrich, and others—and their long reach into the world of American science, art, politics, and literature. He contemplates the continued relevance of the émigré Joseph Roth, a Galician Jew, who died an impoverished alcoholic and is now considered the peer of Kafka and Thomas Mann. And in “Brave Tomorrows for Bachelor’s Children,” Heilbut explores the evolution of the soap opera. He writes about the form itself and how it catered to social outcasts and have-nots; the writers insisting its values were traditional, conservative; their critics seeing soap operas as the secret saboteurs of traditional marriage—the women as castrating wives; their husbands as emasculated men. Heilbut writes that soaps went beyond melodrama, deep into the perverse and the surreal, domesticating Freud and making sibling rivalry, transference, and Oedipal and Electra complexes the stuff of daily life. And he writes of the “daytime serial’s unwed mother,” Irna Phillips, a Chicago wannabe actress (a Margaret Hamilton of the shtetl) who created radio’s most seminal soap operas—Today’s Children, The Road of Life among them—and for television, As the World Turns, Guiding Light, etc., and who became known as the “queen of the soaps.” Hers, Heilbut writes, was the proud perspective of someone who didn’t fit anywhere, the stray no one loved. The Fan Who Knew Too Much is a revelatory look at some of our American icons and iconic institutions, high, low, and exalted.