"The extraordinary engineering feat of the Thai-Burma Railway, or the Line as it is often called, was built with a slave labour force. A mixture of Australian, Asian, British, Dutch and American men built 688 bridges-eight made of steel and concrete-viaducts, cuttings, embankments and kilometres and kilometres of railway track through thick malarial jungle. The men of the Line died of starvation, torture and disease at the hands of the Japanese Imperial Army-here are their stories."--Provided by publisher.

Napoleon's line infantry was founded upon that of the Ancien Régime. A total re-organisation began on 1 January 1791 with the abolition of the old regimental titles, and over the next two years an increasing number of conscript and volunteer battalions were formed. Their quality varied from the proficiency of the early National Guard regiments to the untrained and ill-equipped rabble of the levée. To combine the discipline and steadiness of the regular army with the revolutionary fervour of the new army, the Amalgame was decreed on 21 February; by this measure each regular battalion became the nucleus of a new Demi-Brigade.

At the beginning of this period, the battalions of the Prussian Line usually fought in a linear formation three ranks deep, overwhelming the enemy with fire before a well-timed bayonet attack. By the end, the preferred formation was eight to 12 ranks deep. The responsibility for conducting the fire-fight was now given to the skirmish elements and the artillery. The formed battalions provided support for the fire line, and conducted the decisive bayonet charge. Whatever the change, the spirit and ability of the infantry remained consistently high throughout this bloody period.

With its focus particularly on men, The Gender Line offers an insightful overview of the construction of gender and the damaging effects of its stereotypes. Levit analyzes the ways in which law legitimizes the social segregation of the sexes through legal decisions regarding custody, employment, education, sexual harassment, and criminal law. In so doing, she illustrates the ways in which men's and women's oppressions are intertwined and how law molds the very definition of masculinity.

At last a history of Australia in its dynamic global context. In the late nineteenth and early twentieth centuries, in response to the mobilisation and mobility of colonial and coloured peoples around the world, self-styled 'white men's countries' in South Africa, North America and Australasia worked in solidarity to exclude those peoples they defined as not-white--including Africans, Chinese, Indians, Japanese and Pacific Islanders. Their policies provoked in turn a long international struggle for racial equality. Through a rich cast of characters that includes Alfred Deakin, WEB Du Bois, Mahatma Gandhi, Lowe Kong Meng, Tokutomi Soho, Jan Smuts and Theodore Roosevelt, leading Australian historians Marilyn Lake and Henry Reynolds tell a gripping story about the circulation of emotions and ideas, books and people in which Australia emerged as a pace-setter in the modern global politics of whiteness. The legacy of the White Australia policy still cases a shadow over relations with the peoples of Africa and Asia, but campaigns for racial equality have created new possibilities for a more just future. Remarkable for the breadth of its research and its engaging narrative, Drawing the Global Colour Line offers a new perspective on the history of human rights and provides compelling and original insight into the international political movements that shaped the twentieth century.

From NEW YORK TIMES bestseller Lawrence Block. In Manhattan thirty-one men have been meeting annually for years. Their private club meets only to record the passage of time and give toast to the joys of life. But suddenly they are dying at an alarming rate and one of their number begins to suspect that something more than bad luck is at work. For private eye Matt Scudder, the case is one of the most baffling he's faced. Can the deaths really be a bizarre series of suicides and violent accidents? Or is there is a pattern behind the random play of tragedy? Is there a murderer at work and can he be stopped before the victims run out?

First Published in 1991. Routledge is an imprint of Taylor & Francis, an informa company.

Winner of the Man Booker Prize Named a Best Book of the Century by The New York Times Book Review International Bestseller From acclaimed author Alan Hollinghurst, a sweeping novel about class, sex, and money during four extraordinary years of change and tragedy. In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby-whom Nick had idolized at Oxford-and Catherine, who is highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family. His two vividly contrasting love affairs, one with a young black man who works as a clerk and one with a Lebanese millionaire, dramatize the dangers and rewards of his own private pursuit of beauty, a pursuit as compelling to Nick as the desire for power and riches among his friends. Richly textured, emotionally charged, disarmingly comic, this is a major work by one of our finest writers.

An eloquent portrayal of a disappearing way of life of the Long Island fishermen whose voices--humorous, bitter and bewildered--are as clear as the threatened beauty of their once quiet shore.