Tilting the English Renaissance against the present moment, The Melancholy Assemblage examines how the interpretive experience of emotion produces social bonds. Placing readings of early modern painting and literature in conversation with psychoanalytic theory and assemblage theory, this book argues that, far from isolating its sufferers, melancholy brings people together.

A new edition of the bestselling textbook for Scottish teacher training courses.

This book explores the history and continuing relevance of melancholia as an amorphous but richly suggestive theme in literature, music, and visual culture, as well as philosophy and the history of ideas. Inspired by Albrecht Dürer’s engraving Melencolia I (1514)—the first visual representation of artistic melancholy—this volume brings together contributions by scholars from a variety of disciplines. Topics include: Melencolia I and its reception; how melancholia inhabits landscapes, soundscapes, figures and objects; melancholia in medical and psychological contexts; how melancholia both enables and troubles artistic creation; and Sigmund Freud’s essay "Mourning and Melancholia" (1917).

Published in five editions between 1621 and 1651, The Anatomy of Melancholy marks a unique moment in the development of disciplines, when fields of knowledge were distinct but not yet restrictive. In Robert Burton’s Rhetoric, Susan Wells analyzes the Anatomy, demonstrating how its early modern practices of knowledge and persuasion can offer a model for transdisciplinary scholarship today. In the first decades of the seventeenth century, Robert Burton attempted to gather all the existing knowledge about melancholy, drawing from professional discourses including theology, medicine, and philology as well as the emerging sciences. Examining this text through a rhetorical lens, Wells provides an account of these disciplinary exchanges in all their subtle variety and abundant wit, showing that questions of how knowledge is organized and how it is made persuasive are central to rhetorical theory. Ultimately, Wells argues that in addition to a book about melancholy, Burton’s Anatomy is a meditation on knowledge. A fresh interpretation of The Anatomy of Melancholy, this volume will be welcomed by scholars of early modern English and the rhetorics of health and medicine, as well as those interested in transdisciplinary work and rhetorical theory.

Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

This book presents an innovative perspective on the melancholic character of English divine, writer and academic Robert Burton (1577–1640) and how it shaped his confrontations with political and academic powers. Delving on his historical context, personal struggles and earlier literary pieces, this enquiry provides a new reading of The Anatomy of Melancholy, revealing its deeper purposes and how these prefigure the tensions at the heart of modern discourses—therapeutic, political, and economic. Along with Burton’s observations on melancholy, the book highlights the emergence of "melancholic observation", a new kind of reflexive and critical stance on the pressing issues of his time This is well expressed in Burton's presentation of 'melancholizing' as a creative activity, which uses the existential stance as the grounding for utopian imagination and projects performative ways to expose the limitations of political and academic powers. Beyond its analysis of Burton's melancholic character, the book provides a wealth of knowledge that enhances the study and teaching of various subjects. It illuminates the transformation of Renaissance medicine and its embeddedness within religious, academic, and literary discourses and practices, offers insights into historical figures associated with the concept of melancholy, explores shifts in philosophical readership during the era, and uncovers the precursors of psychotherapy. By connecting these diverse subjects, it provides an interdisciplinary approach that enriches our understanding of the cultural and intellectual landscape of the time. Robert Burton on the Melancholic Plague invites readers on an intellectual journey through the profound complexities of Robert Burton's masterpiece, The Anatomy of Melancholy. By intertwining existential, socio-political, geographic, economic, and artistic dimensions of Burton’s work, it opens new avenues of exploration, gaining valuable insights into the motivation and depth of his work.

Race, in the early modern period, is a concept at the crossroads of a set of overlapping concerns of lineage, religion, and nation. In Bad Humor, Kimberly Anne Coles charts how these concerns converged around a pseudoscientific system that confirmed the absolute difference between Protestants and Catholics, guaranteed the noble quality of English blood, and justified English colonial domination. Coles delineates the process whereby religious error, first resident in the body, becomes marked on the skin. Early modern medical theory bound together psyche and soma in mutual influence. By the end of the sixteenth century, there is a general acceptance that the soul's condition, as a consequence of religious belief or its absence, could be manifest in the humoral disposition of the physical body. The history that this book unfolds describes developments in natural philosophy in the early part of the sixteenth century that force a subsequent reconsideration of the interactions of body and soul and that bring medical theory and theological discourse into close, even inextricable, contact. With particular consideration to how these ideas are reflected in texts by Elizabeth Cary, John Donne, Ben Jonson, William Shakespeare, Edmund Spenser, Mary Wroth, and others, Coles reveals how science and religion meet nascent capitalism and colonial endeavor to create a taxonomy of Christians in Black and White.

The first collection of academic essays focused entirely on the musical, historical, cultural and media impact of the Rolling Stones.

Modernism, religion, and queer bodies come together in this study of Djuna Barnes's writings and art. Examining the role of Barnes's theological imagination in relation to a phenomenology of suffering, joy, and sexed embodiment, this book unfolds an intricate synthesis of theology, psychoanalysis, and narrative theory to interrogate how queerness informs her art. Providing an original contribution to religious and literary theory, Ng develops a neo-ontological account of melancholy in relation to the myth of the Fall and provides a novel framework for understanding comedy and tragedy in relation to the question of theodicy. Presented in light of a large body of new archival evidence, Barnes's works are also examined for the first time in relation to a wide range of intertextual and intermedial encounters, including the medieval mysticism of Marguerite Porete, Stravinsky's music, 16th- and 18th-century engravings by Albrecht Dürer and Joseph Ottinger, and French and Russian literature from Baudelaire and Lautréamont to Proust and Dostoevsky.

Fiction. Poetry. California Interest. It's California in 1983. A woman pulls an IV out of her arm, walks out of the hospital and starts driving north. She is bleeding and nauseous. There is something in the trunk of her Datsun and it's rotting. FUGITIVE ASSEMBLAGE is lyric noir pieced together from remnant words and the blind turns of Highway 1. This haunted and haunting novel renders sensation through images and evokes grief in a dis/harmony of ghostly voices conjured from geology texts, poetry, family history, personal trauma and from women's diaries of the "westward journey."