A study of the public fascination with spiritualism and psychical research in Victorian and Edwardian times.

Altered States examines the rise of Spiritualism—the religion of séances, mediums, and ghostly encounters—in the Victorian period and the role it played in undermining both traditional female roles and the rhetoric of imperialism. Focusing on a particular kind of séance event—the full-form materialization—and the bodies of the young, female mediums who performed it, Marlene Tromp argues that in the altered state of the séance new ways of understanding identity and relationships became possible. This not only demonstrably shaped the thinking of the Spiritualists, but also the popular consciousness of the period. In diaries, letters, newspaper accounts, scientific reports, and popular fiction, Tromp uncovers evidence that the radical views presented in the faith permeated and influenced mainstream Victorian thought.

The cult classic zombie graphic novel: now a Netflix original series! You wake up in the rubble and see a ragged, desperate one-armed man greeting you. He takes you underground to a safe space, feeds you, offers you a place to sleep, and then announces that he’ll take the first watch. It’s not long before the peril of the jagged landscape has located you and your new-found protector and is scratching at the door. What transpires is a moment-to-moment struggle for survival-The Road meets Dawn of the Dead. Daybreak is seen through the eyes of a silent observer as he runs from the shadows of the imminent zombie threat. Brian Ralph slowly builds the tension of the zombies on the periphery, letting the threat-rather than the actual carnage-be the driving force. The post-apocalyptic backdrop features tangles of rocks, lumber, I beams, and overturned cars that are characters in and of themselves. Drawing inspiration from horror movies, television, and first-person shooter video games, Daybreak departs from zombie genre in both content and format, achieving a living-dead masterwork of literary proportions. When released in 2011, Daybreak was a critical success, a YALSA Great Graphic Novel for Teens, and a TLA Maverick Graphic Novel. Now for the first time, Daybreak is being adapted into a Netflix Original series, executive produced by Aron Eli Coleite (Star Trek: Discovery, Heroes), Brad Peyton (Frontier, Rampage), and Jeff Fierson (Frontier, Rampage), starring Matthew Broderick. Read the book before it hits the small screen this fall!

Bringing together scholars from different disciplines and geographies, the Brill Handbook of Spiritualism and Channeling presents modern spirit possession in a variety of contexts. Weaving together the interrelated movements of Spiritualism along with its specific Franco and Latin American currents, articles explore the nineteenth-century beginnings of séances and trance mediumship. Channelling, an heir to Spiritualism begun in the 1970s and still flourishing today, is brought into direct conversation with its predecessors with a view to showing both continuity and disjuncture as the products of new cultural and religious needs. The Brill Handbook marks the first extensive collection on these two interrelated movements and examines themes such as gender, race, performance, and technology in each instance.

In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.

This pioneering account of Modern Spiritualism in late 19th and early 20th-century Scotland is a compelling history of the international movement's cultural impact on Scottish art. From spirit-mediums creating séance art to mainstream artists of the Royal Scottish Academy, this exposition reveals for the first time the extent of Spiritualist interest in Scotland. With its interdisciplinary scope, Modern Spiritualism and Scottish Art combines cultural and art history to explore the ways in which Scottish art reflected Spiritualist beliefs at the turn of the 20th century. More than simply a history of the Spiritualist cause and its visual manifestations, this book also provides a detailed account of scepticism, psychical research, and occulture in modern Scotland, and the role that these aspects played in informing responses to Spiritualist ideology. Utilising extensive archival research, together with in-depth analyses of overlooked paintings, drawings and sculpture, Michelle Foot demonstrates the vital importance of Spiritualist art to the development of Spiritualism in Scotland during the 19th century. In doing so, the book highlights the contribution of Scottish visual artists alongside better-known Spiritualists such as Arthur Conan Doyle and Daniel Dunglas Home.

Examines the Spiritualist movement's role in disseminating eugenic and hard hereditarian thoughtStudying transatlantic spiritualist literature from the mid-19th to the early 20th century, Christine Ferguson focuses on its incorporation and dissemination of bio-determinist and eugenic thought. She asks why ideas about rational reproduction, hereditary determinism and race improvement became so important to spiritualist novelists, journalists and biographers in this period. She also examines how these concerns drove emerging Spiritualist understandings of disability, intelligence, crime, conception, the afterlife and aesthetic production. The book draws on rare material, including articles and serialized fiction from Spiritualist periodicals such as Light, The Two Worlds and The Medium and Daybreak as well as on Spiritualist healing, parentage and sex manuals.