A princess sparks devotion in a chivalrous knight in this medieval romance by a New York Times–bestselling author who “creates magic” (Lisa Kleypas). With Princess Melanthe di Monteverde widowed, a political marriage would tip the balance of power to any kingdom that possessed her. Determined to return to England alive and unwed, she hides behind a mask of witchery. Protecting her is Ruck d’Angleterre, a chivalrous knight who never wavers—and the only man Melanthe wishes could lift the veil of her disguise. He once desired her, but now his gaze reveals distrust. As they flee her enemies, Melanthe’s impossible love for the Green Knight grows. Ruck has remained chaste for thirteen miserable years, since his wife entered a nunnery, continuing to honor their marital vows. In that dark hour, when the church stripped him of his spouse and his possessions, the princess secretly came to his aid with two emeralds. Her safety is his duty, yet his heart is not pure. Each time he gazes upon Melanthe’s sable hair and twilight eyes, he wants more Showcasing Laura Kinsale’s gift for bringing unforgettable characters to life on the page, For My Lady’s Heart is yet another winner from the author of Flowers from the Storm, chosen as one of the “Greatest Love Stories of All Time” in a poll of Washington Post and Glamour magazine readers.

Swept up in political intrigue, an assassin and a princess embrace a passionate love in this fourteenth-century romance by a New York Times–bestselling author. As the last unmarried princess of Monteverde, Elayne is trapped in a marital bond when her hand is promised to the land’s ruler. On the voyage to meet her future husband, she is captured by Allegreto Navona—the living embodiment of the dark angel she’s seen in dreams. Endowed with godlike beauty, his eyes burn bright with sin. A woman of modesty would flee such a man. But try as she might, a wanton hunger binds her to his side . . . Trained as an assassin, Allegreto is the bastard son of an ambitious lord who raised him to murder for control of Monteverde. Now that his father is dead, if Allegreto can make Elayne his wife, it will cleanse his tainted blood, and the country will be his, but she is no mere maiden to be possessed. Unexpectedly, he falls in love with her, finding in her quick mind and azure eyes the conqueror of his heart. But will his dark past scare her off? With a legendary ability to create lovers you’ll never forget, the author of Flowers from the Storm offers a lively historical romance.

In today's increasingly electronic world, we say our personality traits are "hard-wired" and we "replay" our memories. But we use a different metaphor when we speak of someone "reading" another's mind or a desire to "turn over a new leaf"—these phrases refer to the "book of the self," an idea that dates from the beginnings of Western culture. Eric Jager traces the history and psychology of the self-as-text concept from antiquity to the modern day. He focuses especially on the Middle Ages, when the metaphor of a "book of the heart" modeled on the manuscript codex attained its most vivid expressions in literature and art. For instance, medieval saints' legends tell of martyrs whose hearts recorded divine inscriptions; lyrics and romances feature lovers whose hearts are inscribed with their passion; paintings depict hearts as books; and medieval scribes even produced manuscript codices shaped like hearts. "The Book of the Heart provides a fresh perspective on the influence of the book as artifact on our language and culture. Reading this book broadens our appreciation of the relationship between things and ideas."—Henry Petroski, author of The Book on the Bookshelf

The complete medieval romance series by a New York Times–bestselling author who “creates magic” (Lisa Kleypas). In this pair of unforgettable romances set in fourteenth-century Europe, the New York Times–bestselling author and RITA Award winner once again proves “no one—repeat no one—writes historical romance better than Laura Kinsale” (Mary Jo Putney, New York Times–bestselling author). Special to these ebook editions, each novel is presented in two versions, the first re-creating Middle English dialogue with deep period detail, the second reworked by the author to be a tighter read, with more modern words for dialogue. Whichever you decide to read, you’ll come away agreeing with New York Times–bestselling author Julia Quinn: “Laura Kinsale’s work is unfailingly brilliant and beautiful.” For My Lady’s Heart: With Princess Melanthe di Monteverde widowed, a political marriage would tip the balance of power to any kingdom that possessed her. Determined to return to England alive and unwed, she hides behind a mask of witchery. Protecting her is Ruck d’Angleterre, a chivalrous knight who never wavers—and the only man Melanthe wishes could lift the veil of her disguise. He once desired her, but now his gaze reveals distrust. As they flee her enemies, Melanthe’s impossible love for the knight only grows . . . Shadowheart: As the last unmarried princess of Monteverde, Elayne is trapped when her hand is promised to the land’s ruler. But on the voyage to meet her betrothed, she is captured by a pirate, Allegreto Navona—and soon finds her captor impossible to resist. Trained as an assassin, Allegreto is the bastard son of an ambitious lord who raised him to murder for control of Monteverde. If Allegreto can make Elayne his wife, the country will be his. But she is no mere maiden to be possessed. As he finds himself falling in love with her, Elayne will prove his greatest challenge . . .

Heather Webb studies medieval notions of the heart to explore the "lost circulations" of an era when individual lives and bodies were defined by their extensions into the world rather than as self-perpetuating, self-limited entities. Drawing from the works of Dante, Catherine of Siena, Boccaccio, Aquinas, and Cavalcanti and other literary, philosophic, and scientific texts, she reveals medieval answers to such fundamental questions as: Where is life located? What does it consist of? Where does it begin? And how does it end? Against the modern idea of the isolated self, the medieval heart provides a model for rethinking the body's relationship to the world it inhabits.

A SUNDAY TIMES HISTORY BOOK OF THE YEAR 'A triumph' Guardian 'Glorious ... makes the past at once familiar, exotic and thrilling.' Dominic Sandbrook 'A brilliant book' Mail on Sunday Just like us, medieval men and women worried about growing old, got blisters and indigestion, fell in love and had children. And yet their lives were full of miraculous and richly metaphorical experiences radically different to our own, unfolding in a world where deadly wounds might be healed overnight by divine intervention, or the heart of a king, plucked from his corpse, could be held aloft as a powerful symbol of political rule. In this richly-illustrated and unusual history, Jack Hartnell uncovers the fascinating ways in which people thought about, explored and experienced their physical selves in the Middle Ages, from Constantinople to Cairo and Canterbury. Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, it throws light on the medieval body from head to toe - revealing the surprisingly sophisticated medical knowledge of the time in the process. Bringing together medicine, art, music, politics, philosophy and social history, there is no better guide to what life was really like for the men and women who lived and died in the Middle Ages. Medieval Bodies is published in association with Wellcome Collection.

Many readers know C. S. Lewis as the fantasy writer of the Chronicles of Narnia or the apologist of Mere Christianity. But few know how deeply Lewis was formed by medieval authors like Dante and Boethius and how he saw their worldviews' relevance to the challenges of the modern world. Here, readers will encounter Lewis the medievalist to guide them in their own journey.

Available only in Middle French and German translation until now, this volume constitutes the first full-length , French-English bilingual edition of Rene of Anjou's Livre du cuers d'amours espris, including all sixteen of the celebrated color plates, a critical introduction, notes on the translation, and a comprehensive bibliography. The book tells the tale of desire and adventure as Heart -- part of Rene torn from his body by Love -- travels a complex allegorical landscape in quest of the lady Mercy, who is being held prisoner by a band of miscreants led by Refusal and Shame. Rene begs the reader to help him determine which of three entities is responsible for his torment: Fortune led him to the lady whom he loves; once he arrived, Love, in the guise of his lady's gaze, struck his heart; and Destiny insists that he reflect upon her alone. In addition to being a compelling courtly page-turner, The Book of the Love-Smitten Heart represents the rare instance in which a medieval love story is told simultaneously in three frameworks: autobiographical letter, dream vision, and quest romance. This structure makes clear the multiple logics within which the author's psychology is reflected in the story, and illustrates how the symbol of the heart, as it travels through these shifting frameworks, dramatizes vital relations linking self, desire, and writing.

The heart is an iconic symbol in the medieval and early modern European world. In addition to being a physical organ, it is a key conceptual device related to emotions, cognition, the self and identity, and the body. The heart is read as a metaphor for human desire and will, and situated in opposition to or alongside reason and cognition. In medieval and early modern Europe, the “feeling heart” – the heart as the site of emotion and emotional practices – informed a broad range of art, literature, music, heraldry, medical texts, and devotional and ritual practices. This multidisciplinary collection brings together art historians, literary scholars, historians, theologians, and musicologists to highlight the range of meanings attached to the symbol of the heart, the relationship between physical and metaphorical representations of the heart, and the uses of the heart in the production of identities and communities in medieval and early modern Europe.

"A volume that will interest a wide spectrum of readers."—Patrick Geary, University of California, Los Angeles