Discusses four illuminated haggadot, manuscripts created for use at home services on Passover, all created in the early twelfth century.

Emerging in Spain after 1250, Jewish narrative figurative painting became a central feature in a group of illuminated Passover Haggadot in the early decades of the fourteenth century. Illuminated Haggadot from Medieval Spain describes how the Sephardic Haggadot reflect different visualizations of scripture under various conditions and aimed at a variety of audiences. Though the specifics of the creation of these works remain a mystery, this book delves into the cultural struggles that existed during this period in history and shows how those conflicts influenced the work. The culture surrounding the creators of the Sephardic Haggadot was saturated in conflict revolving around acculturation, polemics with Christianity, and struggles within Sephardic Jewry itself. Kogman-Appel presents the Sephardic Haggadot as visual manifestations of a minority struggling for cultural identity both in relation to the dominant culture and within its own realm.

Accompanying an exhibition at Les Enluminures, New York, this scholarly book includes chapters on the art, iconography, and historical context of a remarkable medieval manuscript: a Haggadah with seventy-five watercolor paintings created in the circle of the famous artist Giovannino de' Grassi (d. 1398) in Milan in the late fourteenth century. The

"This telling of the life of the Haggadah, probably the most beloved of books that Jews own, chronicles its recalibrations over time. It moves from its early sources in the Bible and rabbinic literature; to the years it was a handwritten manuscript; to its life as an illuminated book in the middle ages; to its emergence as mass-produced printed book and later, as an artist's book; to its iterations in the twentieth century in America and Israel, including those using emerging technologies of our day. It is the story of a liturgical text came about to fulfill a biblical injunction to fathers to tell the story of the Exodus from Egypt to their children (literally, to their sons): "And you shall tell your son on that day, 'It is because of what the Lord did for me when I went free from Egypt'" (Exodus 13:8). Despite significant flaws in the text that have occasioned thousands of revisions, it remains well and alive because it allows its users to transmit the story of Exodus as if it happened to them. With a Haggadah in hand at a Passover seder meal, the text kindles the memory of belonging to a people who knew slavery and then liberation and enlivens empathy. An engagement with the Haggadah, inevitable leaves one feeling responsible for helping others to achieve their own liberation".

This fifteenth-century haggadah, with a prologue by a Dominican friar, offers a unique view of contemporary Christian perceptions of Judaism. This edition includes a facsimile of the codex; a critical edition and translation of the prologue; a translation of the haggadah; and essays describing the historical and theological background.

A superbly illustrated history of five centuries of Jewish manuscripts The love of books in the Jewish tradition extends back over many centuries, and the ways of interpreting those books are as myriad as the traditions themselves. Skies of Parchment, Seas of Ink offers the first full survey of Jewish illuminated manuscripts, ranging from their origins in the Middle Ages to the present day. Featuring some of the most beautiful examples of Jewish art of all time—including hand-illustrated versions of the Bible, the Haggadah, the prayer book, marriage documents, and other beloved Jewish texts—the book introduces readers to the history of these manuscripts and their interpretation. Edited by Marc Michael Epstein with contributions from leading experts, this sumptuous volume features a lively and informative text, showing how Jewish aesthetic tastes and iconography overlapped with and diverged from those of Christianity, Islam, and other traditions. Featured manuscripts were commissioned by Jews and produced by Jews and non-Jews over many centuries, and represent Eastern and Western perspectives and the views of both pietistic and liberal communities across the Diaspora, including Europe, Israel, the Middle East, and Africa. Magnificently illustrated with pages from hundreds of manuscripts, many previously unpublished or rarely seen, Skies of Parchment, Seas of Ink offers surprising new perspectives on Jewish life, presenting the books of the People of the Book as never before.

The Passover haggadah enjoys an unrivaled place in Jewish culture, both religious and secular. And of all the classic Jewish books, the haggadah is the one most "alive" today. Jews continue to rewrite, revise, and add to its text, recasting it so that it remains relevant to their lives. In this new volume in the JPS Commentary collection, Joseph Tabory, one of the world's leading authorities on the history of the haggadah, traces the development of the seder and the haggadah through the ages. The book features an extended introduction by Tabory, the classic Hebrew haggadah text side by side with its English translation, and Tabory's clear and insightful critical-historical commentary.

The first-ever facsimile edition of one of the most beautifully decorated and important Hebrew manuscripts from medieval Europe Commissioned by wealthy patrons in the Middle Ages, the Haggadot are among the most beautifully decorated Hebrew manuscripts. The "Brother" Haggadah—so-called because of its close, fraternal relationship to the Rylands Haggadah in the collection of the John Rylands Library, Manchester—is one of the finest of these to have survived. Created by Sephardi (or “southern”) artists and scribes in Catalonia in the second quarter of the fourteenth century, it sets out the liturgy and sequence of the Passover Seder. This exquisitely produced facsimile of the “Brother” Haggadah is accompanied by an introduction by medieval scholar professor Marc Michael Epstein focusing on the historical background of the Passover and iconographic scheme of the manuscript; an essay on its provenance by Ilana Tahan, head of the Hebrew and Christian collections at the British Library; and an essay by Hebrew scholar Eliezer Laine that looks at the Shaltiel family, former owners of the manuscript. The book also contains a translation of the poems and commentary in the manuscript by the late Raphael Lowe, former Goldsmid Professor of Hebrew at University College London, and a translation of the Haggadah liturgy.