There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions.The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society.

Annotation. Contents Contributors Preface Sophia Menache: Written and Oral Testimonies in Medieval Chronicles: Matthew Paris and Giovanni Villani Roger Scott: Byzantine Chronicles Alan Deyermond: Written by the Victors: Technique and Ideology in Official Historiography in Verse in Late-Medieval Spain.

New perspectives on and interpretations of the popular medieval genre of the universal chronicle.

There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The yearbook The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society.

Contents Contributors Preface Julia Marvin: Latinity and Vernacularity in the Tradition of Geoffrey of Monmouth: Text, Apparatus and Readership Erik Kooper: Content Markers in the Manuscripts of Robert of Gloucester¿s Chronicle Dániel Bagi: Genealogische Fälschungen und Fiktionen als Legitimierungsmittel in narrativen Quellen des Östlichen Europas im 11¿13. Jahrhundert Isabel de Barros Dias: The Emperor, the Archbishop and the Saint: One Event Told in Different Textual Forms Anders Bengtsson: L¿Essor de la proposition participiale dans la prose historique Cristian Bratu : Translatio, autorité et affirmation de soi chez Gaimar, Wace et Benoît de Sainte-Maure R. W. Burgess and Michael Kulikowski: Medieval Historiographical Terminology: The Meaning of the Word Annales Nicholas Coureas: The Conquest of Cyprus during the Third Crusade according to Greek Chronicles from Cyprus Isabelle Guyot-Bachy : La Chronique abrégée des rois de France et les Grandes chroniques de France: concurrence ou complémentarité dans la construction d¿une culture historique en France à la fin du Moyen ge? Mihkel Mäesalu: A Crusader Conflict Mediated by a Papal Legate: The Chronicle of Henry of Livonia as a Legal Text Adrien Quéret-Podesta : Le Gallus anonymus et l¿abbaye de Saint Gilles du Gard Lisa M. Ruch: Digression or Discourse? William of Newburgh¿s Ghost Stories as Urban Legends Biörn Tjällén: Political Thought and Political Myth in Late Medieval National Histories: Rodrigo Sánchez de Arévalo (¿1470)

After the success of the first international conference on the medieval chronicle, it was decided that another would be in place. It was held in the summer of 1999, and again drew some 150 participants. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. Like its predecessor this volume of conference papers aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. They are introduced by the opening address by David Dumville, on the question What is a chronicle?

In the summer of 1996 the first international conference was held on the medieval chronicle, a genre which until then had received but scant attention from historians or specialists in literary history or art history. There are several reasons why the chronicle is particularly suited as the topic of an international conference. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. It is the aim of the present volume to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds.

Alongside annals, chronicles were the main genre of historical writing in the Middle Ages. Their significance as sources for the study of medieval history and culture is today widely recognised not only by historians, but also by students of medieval literature and linguistics and by art historians. The series The Medieval Chronicle aims to provide a representative survey of the on-going research in the field of chronicle studies, illustrated by examples from specific chronicles from a wide variety of countries, periods and cultural backgrounds. There are several reasons why the chronicle is particularly suited as the topic of a yearbook. In the first place there is its ubiquity: all over Europe and throughout the Middle Ages chronicles were written, both in Latin and in the vernacular, and not only in Europe but also in the countries neighbouring on it, like those of the Arabic world. Secondly, all chronicles raise such questions as by whom, for whom, or for what purpose were they written, how do they reconstruct the past, what determined the choice of verse or prose, or what kind of literary influences are discernable in them. Finally, many chronicles have been beautifully illuminated, and the relation between text and image leads to a wholly different set of questions. The Medieval Chronicle is published in cooperation with the Medieval Chronicle Society (medievalchronicle.org).

The Illuminated Chronicle was composed in 1358 in the international artistic style at the royal court of Louis I of Hungary. Its text, presented here in a new edition and translation, is the most complete record of Hungary's medieval historical tradition, going back to the eleventh century and including the mythical past of its people. The pictures in this manuscript—formerly known as the Vienna Chronicle—are not merely occasional illustrations added to some exemplars, but text and image are closely connected and mutually related to each other, to qualify it as a proper “illuminated chronicle”. The artistic value of the miniatures is quite high, and the characters are drawn with detail and with a knowledge of anatomy. Forty-two of the miniatures are included in the present volume. A full color facsimile will be accessible online. The 147 pictures are an invaluable source of information on late medieval cultural history, costume, and court life. In a historiographical context, The Illuminated Chronicle is an attempt at the popularization of the national history and a systematic appeal to circles beyond the old monastic-clerical audience. The Illuminated Chronicle (Chronica de gestis Hungarorum e codice picto saec. xiv.) is the ninth volume in the Central European Medieval Texts, a Latin–English bilingual series.

“A lovely, witty treasure trove of a book, spilling over with historical gems . . . a very human history: sometimes weird, always wonderful.” —Dan Jones, New York Times-bestselling author Have you ever found yourself watching a show or reading a novel and wondering what life was really like in the Middle Ages? What did people actually eat? Were they really filthy? And did they ever get to marry for love? In Life in Medieval Europe: Fact and Fiction, you’ll find fast and fun answers to all your secret questions, from eating and drinking to sex and love. Find out whether people bathed, what they did when they got sick, and what actually happened to people accused of crimes. Learn about medieval table manners, tournaments, and toothpaste, and find out if people really did poop in the moat. “To say that this book was fun to read would be an understatement. Cybulskie’s knowledge radiates in every page of this short book . . . It was educational and entertaining all at the same time. Simply a wonderful resource for novice medievalists and writers of historical fiction and nonfiction alike.” —Adventures of a Tudor Nerd “All in all, this is an excellent book to put to bed many of the myths surrounding medieval existence that persist in the popular imagination. Easy to read and well worth the time to read it. I highly recommend this book if you want to get a mostly unbiased view of medieval life.” —Battles and Book Reviews