INTRODUCTION BY MISHA GLENNY, author of McMafia A gripping narrative of power, corruption and greed, The Mechanism is the true story of how a simple investigation into money laundering uncovered the biggest corruption scandal in human history. When a small team of investigators discovered that a black market currency dealer was operating out of a Brazilian petrol station, they could never have imagined that their work would destroy the government and lead to the impeachment of two presidents. As the trail leads further and further into the centre of power, the search for the truth and pursuit of justice become ever more crucial. Taut and riveting, with more plot twists than the most compelling political thriller, The Mechanism is an essential work of non-fiction that exposes the rottenness caused when politicians and big businesses believe they are above the law.

The mechanical philosophy first emerged as a leading player on the intellectual scene in the early modern period—seeking to explain all natural phenomena through the physics of matter and motion—and the term mechanism was coined. Over time, natural phenomena came to be understood through machine analogies and explanations and the very word mechanism, a suggestive and ambiguous expression, took on a host of different meanings. Emphasizing the important role of key ancient and early modern protagonists, from Galen to Robert Boyle, this book offers a historical investigation of the term mechanism from the late Renaissance to the end of the seventeenth century, at a time when it was used rather frequently in complex debates about the nature of the notion of the soul. In this rich and detailed study, Domenico Bertoloni Melifocuses on strategies for discussing the notion of mechanism in historically sensitive ways; the relation between mechanism, visual representation, and anatomy; the usage and meaning of the term in early modern times; and Marcello Malpighi and the problems of fecundation and generation, among the most challenging topics to investigate from a mechanistic standpoint.

"Brilliant important strongly recommended reads at times like a 'Tom Robbins of physics'." - Jacquelyn Small, author of Awakening in Time, and Becoming a Practical Mystic "With this book, Thomas Brophy establishes his credentials as a paradigmatist, that rarest of thinkers, whose models of reality not only enhance human understanding of their world, but give form to new historical movements. By integrating several cutting edge paradigms, and by highlighting the role of spirit in the universe, The Mechanism Demands a Mysticism is sure to inform, instruct, entertain, and even inspire its readers." -Stanley Krippner, Ph.D., former president of the American Psychological Association's Division of Humanistic Psychology; author of Dream Telepathy. "Integrating the words of many holy people with scientific theories and a study of phenomena, Brophy indicates the limitations of scientific and religious dogmas this kind of integration will become more and more necessary in the next century." -Hiroshi Motoyama, Ph.D., Litt. D., author of Karma and Reincarnation; Head Priest of Tamamitsu Shinto Shrine, Tokyo. "Well, 'just a few pages' has turned into reading the whole thing. Eminently readable and highly entertaining or infotaining. A good book! Never thought of juxtaposing Newton and Basho myself." -Yasuhiko Kimura, CEO of the University of Science & Philosophy and Director of the Twilight Club/Center for Evolutionary Ethics, former Zen priest. "Your ideas are profound. The Mechanism Demands a Mysticism deserves a broader exposure." - Jeffrey Mishlove, Ph.D., host of Thinking Allowed, and "Virtual U" Wisdom Radio. "You are opening the eyes of scientists all over. Bravo!" -Judith Orloff, M.D. Board Certified Psychiatrist, author of Second Sight.

The Mechanism of Mind presents Edward de Bono’s original theories on how the brain functions, processes information and organises it. It explains why the brain, the ’mechanism’, can only work in certain ways and introduces the four basic types of thinking that have gone on to inform his life’s work, namely ‘natural thinking’, ‘logical thinking’,’ mathematical thinking’ and ‘lateral thinking’. De Bono also outlines his argument for introducing the word ‘PO’ as an alternative to the word ‘NO’ when putting lateral thinking into practice. Drawing on colourful visual imagery to help explain his theories and thought-processes, from light bulbs and sugar cubes to photography and water erosion, The Mechanism of Mind remains as fascinating and as insightful as it was when it was first published in 1969. This is a must-read for anyone who wants to gain a greater understanding of how the mind works and organises information – and how Edward de Bono came to develop his creative thinking tools.

The Mechanism' is a melancholic series of black-and-white photographs that form a sci-fi story about contemporary life. Bringing together images made in multiple cities, the work deals with themes of technology, surveillance and urban society. Lange attempts to trace the effects of technological developments on human experiences, using architectural tropes to build a narrative loaded with the threats and promises of the future. Cutting back and forth between close-up views and cityscapes, 'The Mechanism' offers a filmic sequence of photographs that is at once affective and estranging.