A story about a year in the life of a dog and his various families. Maxim was a Standard Poodle who lived for a time in Israel only to return to Ottawa as a 'teenager' and learn to accept a whole new family. A memoir full of humour and information as Max and his family enter the world of conformation shows, and finally becoming a champion, in more ways than one. Clearly narrative therapy, it may also prove therapeutic to the reader as well.

Narrated in the tradition of Tolstoy's confessional trilogy and Nabokov's autobiog­raphy, Leaving Russia: A Jewish Story is a searing account of growing up a Jewish refusenik, of a young poet's rebellion against totalitarian culture, and of Soviet fantasies of the West during the Cold War. Shrayer's remembrances ore set against a rich backdrop of politics, travel, and ethnic conflict on the brink of the Soviet empire's collapse. His moving story offers generous doses of humor and tenderness, counterbalanced with longing and violence.

An NPR Best Book of 2018 "Devastating.…Grows increasingly bizarre and haunting until it’s left an indelible mark." —Janet Maslin, New York Times In an isolated region of Idaho, Montana, and eastern Oregon, an armed occupation of a wildlife refuge escalates into civil war. Against this backdrop, Maxim Loskutoff shatters the myths of the West: a lonesome trapper falls in love with a bear; a newly married woman hatches a plot to murder a tree; and an unemployed millworker joins a militia after returning home. Written with “blade-sharp prose” (Electric Literature), the twelve stories in this debut collection expose the simmering rage and resentments of small-town America “with extraordinary eloquence and compassion” (National Book Review).

Vladimir's Night' is the chimerical final work by Maxim Komar-Myshkin, one of the most elusive and tragic figures in Israeli-Russian art. Part children's book, part gory political assault and part erotic farce involving elaborately detailed paintings that draw from the most disparate sources, the work is not only Komar-Myshkin's magnum opus, but an instrument of psycho-aesthetic retaliation against Vladimir Putin, whom the artist believed had a personal vendetta against him. Komar-Myshkin committed suicide in 2011, soon after completing the album. 0In her annotations, Rosa Chabanova explores the book's many layers, covering such wide-ranging topics as the financial schemes of Russian oligarchs, medieval literature, political assassinations and the massive immigration wave of Russians to Israel. In so doing, Chabanova unravels the haunting story of Komar-Myshkin and arrives at startling conclusions as to what actually transpired during Komar-Myshkin's final years. Maxim Komar-Myshkin was born in Moscow in 1978. He immigrated to Israel in 2004. There, he founded the Buried Alive group, a circle of artists, writers and filmmakers who vowed in their manifesto to operate as cultural zombies.

The first English-language collection of a contemporary Russian master of the short story, recenly profiled in The New Yorker Maxim Osipov, who lives and practices medicine in a town ninety miles outside Moscow, is one of Russia’s best contemporary writers. In the tradition of Anton Chekhov and William Carlos Williams, he draws on his experiences in medicine to write stories of great subtlety and striking insight. Osipov’s fiction presents a nuanced, collage-like portrait of life in provincial Russia—its tragedies, frustrations, and moments of humble beauty and inspiration. The twelve stories in this volume depict doctors, actors, screenwriters, teachers, entrepreneurs, local political bosses, and common criminals whose paths intersect in unpredictable yet entirely natural ways: in sickrooms, classrooms, administrative offices and on trains and in planes. Their encounters lead to disasters, major and minor epiphanies, and—on occasion—the promise of redemption.

Winner of the 2021 High Plains Book Award in Fiction and the 2021 Montana Innovation Award In this haunting parable of the American West, a young woman faces the violent past of her remote Montana valley. As a child in Montana’s Bitterroot Valley, Ruthie Fear sees an apparition: a strange, headless creature near a canyon creek. Its presence haunts her throughout her youth. Raised in a trailer by her stubborn, bowhunting father, Ruthie develops a powerful connection with the natural world but struggles to find her place in a society shaped by men. Development, gun violence, and her father’s vendettas threaten her mountain home. As she comes of age, her small community begins to fracture in the face of class tension and encroaching natural disaster, and the creature she saw long ago reappears as a portent of the valley’s final reckoning. An entirely new kind of western and the first novel from one of this generation’s most wildly imaginative writers, Ruthie Fear captures the destruction and rebirth of the modern American West with warmth, urgency, and grandeur. The Technicolor bursts of action that test Ruthie’s commitment to the valley and its people invite us to look closer at our nation’s complicated legacy of manifest destiny, mass shootings, and environmental destruction. Anchored by its unforgettable heroine, Ruthie Fear presents the rural West as a place balanced on a knife-edge, at war with itself, but still unbearably beautiful and full of love.