Do you know why dogs always chase after the matatus? Kioko had been watching the matatus come and go for as long as he could remember. But today, for his fifth birthday, he climbs aboard one with his grandfather. As the matatu pulls away from the market, the village dogs chase after them. When Kioko asks his grandfather why the dogs always bark and chase after matatus, his grandfather tells him an entertaining tale about a dog, a goat and a sheep. Set in East Africa, The Matatu is a colorful story filled with many unexpected turns and twists along the way.

Drive the streets of Nairobi and you are sure to see many matatus colorful minibuses that transport huge numbers of people around the city. Once ramshackle affairs held together with duct tape and wire, matatus today are name-brand vehicles maxed out with aftermarket detailing. They can be stately black or come in extravagant colors, sporting names, slogans, or entire tableaus, with airbrushed portraits of everyone from Kanye West to Barack Obama, of athletes, movie stars, or the most famous face of all: Jesus Christ. In this richly interdisciplinary book, Kenda Mutongi explores the history of the matatu from the 1960s to the present. As Mutongi shows, matatus offer a window onto many socioeconomic and political facets of late-twentieth-century Africa. In their diversity of idiosyncratic designs they express multiple and divergent aspects of Kenyan life including rapid urbanization, organized crime, entrepreneurship, social insecurity, the transition to democracy, chaos and congestion, popular culture, and many others at once embodying both Kenya's staggering social problems and the bright promises of its future. Offering a shining model of interdisciplinary analysis, Mutongi mixes historical, ethnographic, literary, linguistic, and economic approaches to tell the story of the matatu as a powerful expression of the entrepreneurial aesthetics of the postcolonial world.

Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.

Read the story. Then sing the story! It isn’t a secret that using songs to teach children pre-reading skills is fun and successful. This classic song is featured as a read-along and a sing-along. Fun, captivating art takes children on a fun bus ride where the wheels on the bus keep going ‘round and ‘round all through town! Repetitive lyrics help children learn to identify key words in the story so they will be reading along in no time! These silly illustrations will have young readers singing along to this classic song as the seat belts go click, click, click, the children go up and down, the horn goes beep, beep, beep, the bus driver says, "Move on back!"...and so much more! The fun Sing A Story series includes: Five Little Monkeys Jumping On The Bed, Old MacDonald Had A Farm, Ten In The Bed, B-I-N-G-O, Down By The Bay, Humpty Dumpty & Other Nursery Rhymes, Six Little Ducks, Five Little Skunks, ABC Nursery Rhymes, The Wheels On The Bus, This Old Man, How Many Ducks?, Old MacDonald’s Letter Farm, The ABCs, Singing The Consonant Sounds, The Farmer In The Dell and It’s Silly Time!

Besides searching book reviews, an interview with the writer Tijan M. Sallah, a full report on the 6th Ethiopian International Film Festival, and a stimulating selection of creative writing (including a showcase of recent South African poetry), this issue of Matatu offers general essays on African women’s poetry, anglophone Cameroonian literature, and Zimbabwean fiction of the Gukurahundi period, along with studies of J.M. Coetzee, Kalpana Lalji, Ngugi wa Thiong’o, Aminata Sow Fall, Wole Soyinka, and Yvonne Vera. The bulk of this issue, however, is given over to coverage of cultural and sociological topics from North Africa to the Cape, ranging from cultural identity in contemporary North Africa, two contributions on Kenyan naming ceremonies and initiation songs, and three studies of the function of Shona and Ndebele proverbs, to national history in Zimbabwean autobiography, traditional mourning dress of the Akans of Ghana, and the precolonial origins of traditional leadership in South Africa. Contributors: Jude Aigbe Agho, Nasima Ali, Uchenna Bethrand Anih, Aboneh Ashagrie, Francis T. Cheo, Gordon Collier, Abdel Karim Daragmeh, Geoffrey V. Davis, Nozizwe Dhlamini, Kola Eke, Phyllis Forster, Frances Hardie, James Hlongwana, Pede Hollist, John M. Kobia, Samuelson Freddie Khunou, Mea Lashbrooke, María J. López, Brian Macaskill, Evans Mandova, Richard Sgadreck Maposa, Michael Mazuru, Corwin L. Mhlahlo. Zanoxolo Mnqobi Mkhize, Kobus Moolman, Thamsanqa Moyo, Felix M. Muchomba, Collins Kenga Mumbo, Tabitha Wanja Mwangi, Bhekezakhe Ncube, Christopher Joseph Odhiambo, Ode S. Ogede, H. Oby Okolocha, Wumi Raji, Dosia Reichhardt, Rashi Rohatgi, Kamal Salhi, Ekremah Shehab, Faith Sibanda, John A Stotesbury, Nick Mdika Tembo, Kenneth Usongo, Wellington Wasosa.

In a compelling mix of literary narrative and ethnography, anthropologist Alma Gottlieb and writer Philip Graham continue the long journey of cultural engagement with the Beng people of Côte d’Ivoire that they first recounted in their award-winning memoir Parallel Worlds. Their commitment over the span of several decades has lent them a rare insight. Braiding their own stories with those of the villagers of Asagbé and Kosangbé, Gottlieb and Graham take turns recounting a host of unexpected dramas with these West African villages, prompting serious questions about the fraught nature of cultural contact. Through events such as a religious leader’s declaration that the authors’ six-year-old son, Nathaniel, is the reincarnation of a revered ancestor, or Graham’s late father being accepted into the Beng afterlife, or the increasing, sometimes dangerous madness of a villager, the authors are forced to reconcile their anthropological and literary gaze with the deepest parts of their personal lives. Along with these intimate dramas, they follow the Beng from times of peace through the times of tragedy that led to Côte d’Ivoire’s recent civil conflicts. From these and many other interweaving narratives—and with the combined strengths of an anthropologist and a literary writer—Braided Worlds examines the impact of postcolonialism, race, and global inequity at the same time that it chronicles a living, breathing village community where two very different worlds meet.

Hop on board the market bus! Everyone wants a ride and soon it's full to the top. But when the bus reaches a steep hill it just can't go any further. How will they lighten the load? Little Keb has the answer, proving that even the smallest person can make a big difference.

What a colourful life the author of these poems has led and it certainly shows in his various works. I love that they are not all of the same cloth from a subject and mood perspective. From the seriousness of What land is this I gaze upon? with its uplifting, almost spiritual words which build up the scene so masterfully to the tongue-in-cheek humour of Gary the Grasshopper, - the Matatu and -the Auldest Swinger in Town, the diversity is fabulous. As whole I found the poetry extremely clever and often wickedly and tremendously witty. Whether detailed or brief, each poem successfully tells a story, which to carry the reader along with the intended mood of the author. Being South African, I laughed so hard and was so thoroughly entertained by the Matatu as it so accurately describes a minibus taxi as if in fact it could feel. I chuckled further at - the Auldest Swinger in Town, which was the perfect marriage of humour, poetry and superb storytelling. Monkey on a Rope was also brilliantly clever (and educational) and I particularly loved the ending which tied in so beautifully and gives a thought-provoking touch. I do believe the poet has a way with words that is superbly entertaining. I thoroughly enjoyed his work.