Why was the Navy ready to clear the skies over the Persian Gulf, yet surprised by the mines laid under it? Why is it that the Army is always prepared for war in Europe, but was caught off guard in Korea and Vietname? And why is the Air Force indifferent to "Star Wars"? In The Masks of War Carl H. Builder asks what motives lie behind the puzzling and often contradictory behavior of America's militay forces. The answer, he finds, has little to do with what party controls the White House or who writes the budget. Far more powerful-and glacially resistant to change-are the entrenched institutions and distinct "personalities" of the three armed services themselves. The Masks of War explains why things sometimes go wrong for the American military. It also explains why things will always go wrong for the military reformers. Changes in the military's strategic thinking have come only in the wake of full-blown disaster-Pearl Harbor, for instance. Today's nuclear world can't afford such lessons.

In Behind the Gas Mask, Thomas Faith offers an institutional history of the Chemical Warfare Service, the department tasked with improving the Army's ability to use and defend against chemical weapons during and after World War One. Taking the CWS's story from the trenches to peacetime, he explores how the CWS's work on chemical warfare continued through the 1920s despite deep opposition to the weapons in both military and civilian circles. As Faith shows, the believers in chemical weapons staffing the CWS allied with supporters in the military, government, and private industry to lobby to add chemical warfare to the country's permanent arsenal. Their argument: poison gas represented an advanced and even humane tool in modern war, while its applications for pest control and crowd control made a chemical capacity relevant in peacetime. But conflict with those aligned against chemical warfare forced the CWS to fight for its institutional life--and ultimately led to the U.S. military's rejection of battlefield chemical weapons.

This book discusses generals: who they are, what they do, and how they do it affects the world in which we live.

The Executioner, a lone-wolf vigilante “who would make Jack Reacher think twice,” takes his war on the mob to a new level (Empireonline.com). Once a Vietnam military hero, crack sniper Mack Bolan is now a vigilante, driven by the death of his Massachusetts family to exact vengeance on the mob. Waging war on the West Coast, the Executioner amassed a ten-man army as backup. Seven are now dead. Two are in jail. Only Bolan remains. With a bounty on his head, and every cop in Los Angeles on his tail, Bolan decides to erase his greatest liability: his face. Under the knife of a former army surgeon, Bolan is transformed. With trademark cunning, he infiltrates the Sicilian syndicate that butchered his friends. In cozying up to the boss’s daughter, Bolan’s plan of revenge has never been so intimate. The Executioner may have a new look, but he’s got the same attitude. Soon his fury is going explode, and strike terror in the very heart of the Mafiosi. In writing his iconic Executioner series, Don Pendleton turned his lone-wolf vigilante into a bestselling phenomenon and “spawned a genre” that still influences artists today (The New York Times). Gerry Conway, cocreator of the Marvel Comics avenger, The Punisher, cited the novels as “my inspiration . . . [the] modern equivalent of the pulps.” More than two hundred million copies of the Executioner books have been sold—and a major motion picture based on this classic action series is now in development. Battle Mask is the 3rd book in the Executioner series, but you may enjoy reading the series in any order.

The Mask of Anarchy traces the history of the civil war that has blighted Liberia in recent years and looks at its roots in the way governments have been established in West Africa during the 20th century.

Slade Wilson is the world’s deadliest assassin. His reputation doesn’t just precede him, it’s his most important asset. So when Slade is betrayed by his trusted friend and handler and left for dead, the world thinks Deathstroke has finally been terminated. Slade’s most valuable possession has been taken from him. Now, the world’s deadliest assassin has awoken with a completely different face and a completely new mission: find the man who arranged for his death, and who is building an army that will threaten every nation on Earth. Find Odysseus. But as Slade hunts Odysseus, Odysseus hunts the one man who will unlock his ultimate power and ultimate victory. And all three have one thing in common-a shared history that could destroy Deathstroke’s new life before he even has a chance to build it! Writer/artist Tony Daniel (DETECTIVE COMICS) carves a new path for the DC Universe’s deadliest killer…and newest hero? DEATHSTROKE: GODS OF WAR collects issues #1-6.

General George S. Patton famously said, "Compared to war all other forms of human endeavor shrink to insignificance. God, I do love it so!" Though Patton was a notoriously single-minded general, it is nonetheless a sad fact that war gives meaning to many lives, a fact with which we have become familiar now that America is once again engaged in a military conflict. War is an enticing elixir. It gives us purpose, resolve, a cause. It allows us to be noble. Chris Hedges of The New York Times has seen war up close -- in the Balkans, the Middle East, and Central America -- and he has been troubled by what he has seen: friends, enemies, colleagues, and strangers intoxicated and even addicted to war's heady brew. In War Is a Force That Gives Us Meaning, he tackles the ugly truths about humanity's love affair with war, offering a sophisticated, nuanced, intelligent meditation on the subject that is also gritty, powerful, and unforgettable.

Many anthropological accounts of warfare in indigenous societies have described the taking of heads or other body parts as trophies. But almost nothing is known of the prevalence of trophy-taking of this sort in the armed forces of contemporary nation-states. This book is a history of this type of misconduct among military personnel over the past two centuries, exploring its close connections with colonialism, scientific collecting and concepts of race, and how it is a model for violent power relationships between groups.

Confessions of a Mask tells the story of Kochan, an adolescent boy tormented by his burgeoning attraction to men: he wants to be “normal.” Kochan is meek-bodied, and unable to participate in the more athletic activities of his classmates. He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety. Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.