Between April and September 1980, more than 125,000 Cuban refugees fled their homeland, seeking freedom from Fidel Castro's dictatorship. They departed in boats from the port of Mariel and braved the dangerous 90-mile journey across the Straits of Florida. Told in the words of the immigrants themselves, the stories in Voices from Mariel offer an up-close view of this international crisis, the largest oversea mass migration in Latin American history. Former refugees describe what it was like to gather among thousands of dissidents on the grounds of the Peruvian embassy in Cuba, where the movement first began. They were abused by the masses who protested them as they made their way to the Mariel harbor, before they were finally permitted to leave the country by Castro in an attempt to disperse the civil unrest. They waited interminably for boats in oppressive heat, squalor, and desperation at the crowded tent camp known as "El Mosquito." They embarked on vessels overloaded with too many passengers and battled harrowing storms on their journeys across the open ocean. Author Jose Manuel Garcia, who emigrated on the Mariel boatlift as a teenager, describes the events that led to the exodus and explains why so many Cubans wanted to leave the island. The shockingly high numbers of refugees who came through immigration centers in Key West, Miami, and other parts of the United States was a message--loud and clear--to the world of the people's discontent with Castro’s government and the unfulfilled promises of the Cuban Revolution. Based on the award-winning documentary of the same name, Voices from Mariel features the experiences of marielitos from all walks of life. These are stories of disappointed dreams, love for family and country, and hope for a better future. This book illuminates a powerful moment in history that will continue to be felt in Cuba and the United States for generations to come.

Florida and the Mariel Boatlift of 1980 recounts first-hand the drama and political intrigue that erupted when more than thirty thousand Cuban refugees fled to Florida and the stories of the first responders who aided them.

A vibrant, moving memoir of prizewinning journalist and New York Times reporter Mirta Ojito and her departure from Cuba in the Mariel boatlift—an enduring story of a family caught up in the tumultuous politics of the twentieth century. Mirta Ojito was one teenager among more than a hundred thousand fellow refugees who traveled to Miami during the unprecedented events of the Mariel boatlift. Growing up, Ojito was eager to fit in and join Castro’s Young Pioneers, but as she grew older and began to understand the darker side of the Cuban revolution, she and her family began to aspire to a safer, happier life. When Castro opened Cuba’s borders for those who wanted to leave, her family was more than ready to go: they had been waiting for the opportunity for twenty years. Now an acclaimed reporter, Ojito tells her story and reckons with her past with all of the determination and intelligence—and the will to confront darkness—that carried her through the boatlift. In this stunning autobiography, she sets out to find the people who set this exodus in motion, including the Vietnam vet on whose boat, Mañana, she finally crossed the treacherous Florida Strait. In Finding Mañana, Ojito and tell the stories of the boatlift’s key players in superb and poignant detail—chronicling both individual lives and a major historical event.

During only a few months in 1980, 125,000 Cubans entered the United States as part of a massive migration known as the Mariel boatlift. The images of boats of all sizes, in various conditions, filled with Cubans of all colors and ages, triggered a media storm. Fleeing Cuba’s repressive government, many homosexual men and women arrived in the United States only to face further obstacles. Deemed “undesirables” by the U.S. media, the Cuban state, and Cuban Americans already living in Miami, these new entrants marked a turning point in Miami’s Cuban American and gay histories. In Oye Loca, Susana Peña investigates a moment of cultural collision. Drawing from first-person stories of Cuban Americans as well as government documents and cultural texts from both the United States and Cuba, Peña reveals how these discussions both sensationalized and silenced the gay presence, giving way to a Cuban American gay culture. Through an examination of the diverse lives of Cuban and Cuban American gay men, we learn that Miami’s gay culture was far from homogeneous. By way of in-depth interviews, participant observation, and archival analysis, Peña shows that the men who crowded into small apartments together, bleached their hair with peroxide, wore housedresses in the street, and endured ruthless insults challenged what it meant to be Cuban in Miami. Making a critical incision through the study of heteronormativity, homosexualities, and racialization, ultimately Oye Loca illustrates how a single historical event helped shape the formation of an entire ethnic and sexual landscape.

In the tradition of The Wire, the harrowing story of the cinematic transformation of Miami, one of America’s most bustling cities—rife with a drug epidemic, a burgeoning refugee crisis, and police brutality—from journalist and award-winning author Nicholas Griffin Miami, Florida, famed for its blue skies and sandy beaches, is one of the world’s most popular vacation destinations, with nearly twenty-three million tourists visiting annually. But few people have any idea how this unofficial capital of Latin America came to be. The Year of Dangerous Days is a fascinating chronicle of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through intertwining personal stories. At the core, there’s Edna Buchanan, a reporter for the Miami Herald who breaks the story on the wrongful murder of a black man and the shocking police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferré, the charismatic politician who watches the case, and the city, fall apart. On a roller coaster of national politics and international diplomacy, these three figures cross paths as their city explodes in one of the worst race riots in American history as more than 120,000 Cuban refugees land south of Miami, and as drug cartels flood the city with cocaine and infiltrate all levels of law enforcement. In a battle of wills, Buchanan has to keep up with the 150 percent murder rate increase; Captain Frank has to scrub and rebuild his homicide bureau; and Mayor Ferré must find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami begins to emerge. But the foundation of this new Miami—partially built on corruption and drug money—will have severe ramifications for the rest of the country. Deeply researched and covering many timely issues including police brutality, immigration, and the drug crisis, The Year of Dangerous Days is both a clarion call and a re-creation story of one of America’s most iconic cities.

In the years since Fidel Castro came to power, the migration of close to one million Cubans to the United States continues to remain one of the most fascinating, unusual, and controversial movements in American history. María Cristina García—a Cuban refugee raised in Miami—has experienced firsthand many of the developments she describes, and has written the most comprehensive and revealing account of the postrevolutionary Cuban migration to date. García deftly navigates the dichotomies and similarities between cultures and among generations. Her exploration of the complicated realm of Cuban American identity sets a new standard in social and cultural history.

Between revolution and counterrevolution -- The legacy of violence -- A time for dialogue? -- The crisis of 1980 -- Acting as a "superhero"? -- The two contrary currents -- Making foreign policy domestic?

For many Cubans, Fidel Castro's Revolution represented deliverance from a legacy of inequality and national disappointment. For others—especially those exiled in the United States—Cuba's turn to socialism made the prerevolutionary period look like paradise lost. Michael J. Bustamante unsettles this familiar schism by excavating Cubans' contested memories of the Revolution's roots and results over its first twenty years. Cubans' battles over the past, he argues, not only defied simple political divisions; they also helped shape the course of Cuban history itself. As the Revolution unfolded, the struggle over historical memory was triangulated among revolutionary leaders in Havana, expatriate organizations in Miami, and average Cuban citizens. All Cubans leveraged the past in individual ways, but personal memories also collided with the Cuban state's efforts to institutionalize a singular version of the Revolution's story. Drawing on troves of archival materials, including visual media, Bustamante tracks the process of what he calls retrospective politics across the Florida Straits. In doing so, he drives Cuban history beyond the polarized vision seemingly set in stone today and raises the prospect of a more inclusive national narrative.

The Racial Politics of Division deconstructs antagonistic discourses that circulated in local Miami media between African Americans, "white" Cubans, and "black" Cubans during the 1980 Mariel Boatlift and the 1994 Balsero Crisis. Monika Gosin challenges exclusionary arguments pitting these groups against one another and depicts instead the nuanced ways in which identities have been constructed, negotiated, rejected, and reclaimed in the context of Miami's historical multiethnic tensions. Focusing on ideas of "legitimacy," Gosin argues that dominant race-making ideologies of the white establishment regarding "worthy citizenship" and national belonging shape inter-minority conflict as groups negotiate their precarious positioning within the nation. Rejecting oversimplified and divisive racial politics, The Racial Politics of Division portrays the lived experiences of African Americans, white Cubans, and Afro-Cubans as disrupters in the binary frames of worth-citizenship narratives. Foregrounding the oft-neglected voices of Afro-Cubans, Gosin posits new narratives regarding racial positioning and notions of solidarity in Miami. By looking back to interethnic conflict that foreshadowed current demographic and social trends, she provides us with lessons for current debates surrounding immigration, interethnic relations, and national belonging. Gosin also shows us that despite these new demographic realities, white racial power continues to reproduce itself by requiring complicity of racialized groups in exchange for a tenuous claim on US citizenship.

The acclaimed memoir of homosexual Cuban author Reinaldo Arenas chronicling his tumultuous yet luminary life, from his impoverished upbringing in Cuba to his imprisonment at the hands of a Communist regime. A Penguin Vitae Edition The astonishing memoir by visionary Cuban writer Reinaldo Arenas "is a book above all about being free," said The New York Review of Books--sexually, politically, artistically. Arenas recounts a stunning odyssey from his poverty-stricken childhood in rural Cuba and his adolescence as a rebel fighting for Castro, through his supression as a writer, imprisonment as a homosexual, his flight from Cuba via the Mariel boat lift, and his subsequent life and the events leading to his death in New York. In what The Miami Herald calls his "deathbed ode to eroticism," Arenas breaks through the code of secrecy and silence that protects the privileged in a state where homosexuality is a political crime. Recorded in simple, straightforward prose, this is the true story of the Kafkaesque life and world re-created in the author's acclaimed novels. Penguin Classics launches a new hardcover series with five American classics that are relevant and timeless in their power, and part of a dynamic and diverse landscape of classic fiction and nonfiction from almost seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.