A vibrant, moving memoir of prizewinning journalist and New York Times reporter Mirta Ojito and her departure from Cuba in the Mariel boatlift—an enduring story of a family caught up in the tumultuous politics of the twentieth century. Mirta Ojito was one teenager among more than a hundred thousand fellow refugees who traveled to Miami during the unprecedented events of the Mariel boatlift. Growing up, Ojito was eager to fit in and join Castro’s Young Pioneers, but as she grew older and began to understand the darker side of the Cuban revolution, she and her family began to aspire to a safer, happier life. When Castro opened Cuba’s borders for those who wanted to leave, her family was more than ready to go: they had been waiting for the opportunity for twenty years. Now an acclaimed reporter, Ojito tells her story and reckons with her past with all of the determination and intelligence—and the will to confront darkness—that carried her through the boatlift. In this stunning autobiography, she sets out to find the people who set this exodus in motion, including the Vietnam vet on whose boat, Mañana, she finally crossed the treacherous Florida Strait. In Finding Mañana, Ojito and tell the stories of the boatlift’s key players in superb and poignant detail—chronicling both individual lives and a major historical event.

A vibrant, moving memoir of prizewinning journalist and New York Times reporter Mirta Ojito and her departure from Cuba in the Mariel boatlift—an enduring story of a family caught up in the tumultuous politics of the twentieth century. Mirta Ojito was one teenager among more than a hundred thousand fellow refugees who traveled to Miami during the unprecedented events of the Mariel boatlift. Growing up, Ojito was eager to fit in and join Castro’s Young Pioneers, but as she grew older and began to understand the darker side of the Cuban revolution, she and her family began to aspire to a safer, happier life. When Castro opened Cuba’s borders for those who wanted to leave, her family was more than ready to go: they had been waiting for the opportunity for twenty years. Now an acclaimed reporter, Ojito tells her story and reckons with her past with all of the determination and intelligence—and the will to confront darkness—that carried her through the boatlift. In this stunning autobiography, she sets out to find the people who set this exodus in motion, including the Vietnam vet on whose boat, Mañana, she finally crossed the treacherous Florida Strait. In Finding Mañana, Ojito and tell the stories of the boatlift’s key players in superb and poignant detail—chronicling both individual lives and a major historical event.

To help her poverty-stricken family, 13-year-old Lupita enters California as an illegal alien and starts to work while constantly on the watch for la migra

I see you. I see me. We're standing on the brink of defeat, relying on cliché quotes like, "Beauty comes from within" and "You're perfect just the way you are". I knew this stuff wasn't working, but I thought it was enough if I just believed it harder. I thought I was the problem. But no. It's not me. It's not you. These quotes on beauty are void of substance. They are lacking something so incredibly important. Why is confidence so hard to grasp? The moment you think you've took hold of it; it slips right out of your fingers. But I think we've just started to accept insecurity as a part of human nature. It isn't. It has wounded us. It has crippled us, and it has taken the lives of so many. But these views on beauty and worth conceal our wounds and wrap them up in a little bow of "You just need to love yourself more." And even as a Christian, I still questioned why I loved Jesus but couldn't seem to love myself. My life was a crippling walk into rooms surrounded by walls of self-hatred and empty quotes that were slowly closing in on each other. I had so many questions. Where is my value? How do I love myself? How do I have confidence? Isaiah 53:2 "He grew up before him like a tender shoot, and like a root out of dry ground. He had no beauty or majesty to attract us to him, nothing in his appearance that we should desire him." Jesus had no beauty. In fact, in scripture, He became hideous in more ways than we even realize. He came to us in an unattractive state, and ended His life becoming even more hideous than when He first appeared. But in my journey of uncovering Christ's ugliness, I was shown nothing but beauty. I was shown nothing but majesty. And I only desired Him more. Then I realized something much more profound needed to take place in us if we wanted to truly take hold of confidence. So. What are we to take from the ugliness of Christ? An embarrassing amount, both emotionally, physically and spiritually. It's going to change a whole lot about the way we see the world. And frankly, it will inevitably change a whole lot about the way you view yourself. Prepare to intake the most radical belief about identity and beauty you have ever encountered.Trust me.This is gonna' get ugly.

A vibrant, moving memoir of prizewinning journalist and New York Times reporter Mirta Ojito and her departure from Cuba in the Mariel boatlift—an enduring story of a family caught up in the tumultuous politics of the twentieth century. Mirta Ojito was one teenager among more than a hundred thousand fellow refugees who traveled to Miami during the unprecedented events of the Mariel boatlift. Growing up, Ojito was eager to fit in and join Castro’s Young Pioneers, but as she grew older and began to understand the darker side of the Cuban revolution, she and her family began to aspire to a safer, happier life. When Castro opened Cuba’s borders for those who wanted to leave, her family was more than ready to go: they had been waiting for the opportunity for twenty years. Now an acclaimed reporter, Ojito tells her story and reckons with her past with all of the determination and intelligence—and the will to confront darkness—that carried her through the boatlift. In this stunning autobiography, she sets out to find the people who set this exodus in motion, including the Vietnam vet on whose boat, Mañana, she finally crossed the treacherous Florida Strait. In Finding Mañana, Ojito and tell the stories of the boatlift’s key players in superb and poignant detail—chronicling both individual lives and a major historical event.

In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued--through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country's future. Meanwhile, politics in Washington--Barack Obama's opening to the island, Donald Trump's reversal of that policy, and the election of Joe Biden--have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an ambitious chronicle written for an era that demands a new reckoning with the island's past. Spanning more than five centuries, Cuba: An American History reveals the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the influence of the United States on Cuba and the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba. Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States--as well as the author's own extensive travel to the island over the same period--this is a stunning and monumental account like no other. --

History is being made in U.S.-Cuban relations. Now in paperback and updated to tell the real story behind the stunning December 17, 2014, announcement by President Obama and President Castro of their move to restore full diplomatic relations, this powerful book is essential to understanding ongoing efforts toward normalization in a new era of engagement. Challenging the conventional wisdom of perpetual conflict and aggression between the United States and Cuba since 1959, Back Channel to Cuba chronicles a surprising, untold history of bilateral efforts toward rapprochement and reconciliation. William M. LeoGrande and Peter Kornbluh here present a remarkably new and relevant account, describing how, despite the intense political clamor surrounding efforts to improve relations with Havana, negotiations have been conducted by every presidential administration since Eisenhower's through secret, back-channel diplomacy. From John F. Kennedy's offering of an olive branch to Fidel Castro after the missile crisis, to Henry Kissinger's top secret quest for normalization, to Barack Obama's promise of a new approach, LeoGrande and Kornbluh uncovered hundreds of formerly secret U.S. documents and conducted interviews with dozens of negotiators, intermediaries, and policy makers, including Fidel Castro and Jimmy Carter. They reveal a fifty-year record of dialogue and negotiations, both open and furtive, that provides the historical foundation for the dramatic breakthrough in U.S.-Cuba ties.

How the immigration policies and popular culture of the 1980's fused to shape modern views on democracy In the 1980s, amid increasing immigration from Latin America, the Caribbean, and Asia, the circle of who was considered American seemed to broaden, reflecting the democratic gains made by racial minorities and women. Although this expanded circle was increasingly visible in the daily lives of Americans through TV shows, films, and popular news media, these gains were circumscribed by the discourse that certain immigrants, for instance single and working mothers, were feared, censured, or welcomed exclusively as laborers. In The Cultural Politics of U.S. Immigration, Leah Perry argues that 1980s immigration discourse in law and popular media was a crucial ingredient in the cohesion of the neoliberal idea of democracy. Blending critical legal analysis with a feminist media studies methodology over a range of sources, including legal documents, congressional debates, and popular media, such as Golden Girls, Who’s the Boss?, Scarface, and Mi Vida Loca, Perry shows how even while “multicultural” immigrants were embraced, they were at the same time disciplined through gendered discourses of respectability. Examining the relationship between law and culture, this book weaves questions of legal status and gender into existing discussions about race and ethnicity to revise our understanding of both neoliberalism and immigration.

"MIAMI 1980, by journalist and author Nicholas Griffin, is a narrative of a pivotal but forgotten year in American history. With a cast that includes iconic characters such as Jimmy Carter, Fidel Castro, and Janet Reno, this slice of history is brought to life through fascinating, intertwining personal stories. At the core, there's Edna Buchanan, a beautiful reporter for the Miami Herald who breaks the story on the wrongful murder of a black man, and the resultant police cover-up; Captain Marshall Frank, the hardboiled homicide detective tasked with investigating the murder; and Mayor Maurice Ferre, the charismatic politician who watches the case, and the city, fall apart. A roller coaster of national politics and international diplomacy, these three figures cross paths and socio-economic lines as their city explodes in one of the worst race riots in American history; as over 120,000 Cuban refugees land on the Miami coast; and as foreign drug cartels flood the city with cocaine and infiltrate all levels of law enforcement and government. In a battle of wills, Buchanan has to keep up with the 150% uptick in murders; Captain Frank has to scrub and then rebuild his police department; and Mayor Ferre has to find a way to reconstruct his smoldering city. Against all odds, they persevere, and a stronger, more vibrant Miami is forged in the crucible. But the new Miami, literally built on corruption and drug money, will have severe ramifications for the rest of the country"--