This father-and-son trek through the history and landscape of the United Kingdom is “a sensitive exploration of what borders mean and don’t mean” (The Wall Street Journal). In The Places in Between, Rory Stewart walked some of the most dangerous borderlands in the world. Now he travels with his eighty-nine-year-old father—a comical, wily, courageous, and infuriating former British intelligence officer—along the border they call home. On Stewart’s four-hundred-mile walk across a magnificent natural landscape, he sleeps on mountain ridges and in housing projects, in hostels and farmhouses. With every fresh encounter—from an Afghanistan veteran based on Hadrian’s Wall to a shepherd who still counts his flock in sixth-century words—Stewart uncovers more about the forgotten peoples and languages of a vanished country, now crushed between England and Scotland. Stewart and his father are drawn into unsettling reflections on landscape, their parallel careers in the bygone British Empire and Iraq, and the past, present, and uncertain future of the United Kingdom. And as the end approaches, the elder Stewart’s stubborn charm transforms this chronicle of nations into a fierce, exuberant encounter between a father and a son. “[Stewart] anchors his lively mix of history, travelogue, and reportage on local communities in a vibrant portrait of his father, who was both a tartan-wearing Scotsman and a thoroughly British soldier and diplomat.”—Publishers Weekly “Stewart brings a humane empathy to his encounters with people and landscape.”—The Washington Post “An unforgettable tale.” —National Geographic

Co-winner of the Yad Vashem International Book Prize for Holocaust Research From January 1945, in the last months of the Third Reich, about 250,000 inmates of concentration camps perished on death marches and in countless incidents of mass slaughter. They were murdered with merciless brutality by their SS guards, by army and police units, and often by gangs of civilians as they passed through German and Austrian towns and villages. Even in the bloody annals of the Nazi regime, this final death blow was unique in character and scope. In this first comprehensive attempt to answer the questions raised by this final murderous rampage, the author draws on the testimonies of victims, perpetrators, and bystanders. Hunting through archives throughout the world, Daniel Blatman sets out to explain—to the extent that is possible—the effort invested by mankind’s most lethal regime in liquidating the remnants of the enemies of the “Aryan race” before it abandoned the stage of history. What were the characteristics of this last Nazi genocide? How was it linked to the earlier stages, the slaughter of millions in concentration camps? How did the prevailing chaos help to create the conditions that made the final murderous rampage possible? In its exploration of a topic nearly neglected in the current history of the Shoah, this book offers unusual insight into the workings, and the unraveling, of the Nazi regime. It combines micro-historical accounts of representative massacres with an overall analysis of the collapse of the Third Reich, helping us to understand a seemingly inexplicable chapter in history.

It is a matter of fact: Italy possesses the most remarkable artistic and cultural heritage in the world. And this is not all: its heritage is not just to be found in the great artistic cities, but is diffuse, “spread” throughout national territory as in no other country. The proof? Le Marche. A region in which a rich and varied countryside (the Adriatic sea, with its flat and sandy coast interrupted at intervals by rugged, rocky precipices; the harmonious agricultural landscape of its gentle hills; the deep and mysterious caves; the protected areas of natural beauty) is enriched with towns, villages, palaces, and religious buildings, all of them of important architectural and artistic value. This is the case with the cathedral of Ancona, the regional capital and an important Adriatic port, or the cathedral of Pesaro. In Urbino, the Ducal Palace is a stupefying testimony of Renaissance grandeur. If you find yourself in Macerata during the summer it is an unpardonable not to book a seat at the majestic Sferisterio theatre for a play or musical performance. At Ascoli Piceno the blend of medieval and renaissance architecture (S. Francesco, Loggia dei Mercanti, Piazza del Popolo, etc.) arrests the attention of even the most distracted visitor. But in almost all the centers of Le Marche, even the smallest, there are many genuine artistic treasures. This guide leads you in a two weeks car trip through Central Italy, in the regions of The Marches, Umbria and Abruzzo. It covers the towns of Pesaro, Urbino, Gubbio, Perugia, Assisi, Spello, Foligno, Montefalco, Spoleto, Terni, Rieti, L'Aquila, Popoli, Rivisondoli, Roccaraso, Chieti, Pescara, Teramo, Ascoli Piceno, Macerata, Loreto and Ancona. It includes many photos and descriptions of the attractions.

Reprint of the original, first published in 1874.

A 1998 reissue of an important eye-witness account of the English Civil War.