The seven headed dragon in the book of Revelation used his tail to fling satrs to the earth. His seven heads are seven ruling angels-who dominate some so-called "elders..." His "tail" is a metaphor for the "many false prophets."

One of the challenges of this age for Jesus' disciples will be to discern the many false prophets who are among us and, and with that discerning ability, still function in the Spirit and in the love of God amid the apparent contradictions. The red dragon is the original serpent, called the Devil and Satan (Revelation 12:9). The fiery red dragon in the book of Revelation used his tail to throw a third part of the stars of heaven to the earth.

A Biblical guide for those who desire to be a giver in the right way. It will release the bound from the curse of the law. Yet, the book will help the reader develop responsible giving.

A volume of the eschatology series that opens the mystery of God relative to the seventh angel who sounds the last trumpet in Revelatiion 10. The "mystery of God" is discussed in detail, the seven thunders, as well as the adoption as sons and daughters of God, and so on..

This book explores the 42nd generation that relates to "Jesus Christ, the son of David" and "the Christ" referenced in Matthew, chapter 1; and this nook also explores an understanding related of the 42nd generation through Daniel, the book of Revelation, and so on.

A detailed look at the Lamb of God and His kingdom principles. We explore His wonderful character and work as it relates to our expected lifestyle, self-esteem and relational living. The book starts with a fresh look at His blood that "speaks better things."

A collection of poetry written by Judith Peart; and illustrations by one of her sons Jeshua David Peart

Jesus said "every sin and blasphemy shall be forgiven unto men," except for one particular blasphemy. Jesus wants to deliver all of mankind by forgiving us, and teaching us how to forgive others!

In December 1495 the Tiber River flooded the city of Rome causing extensive drowning and destruction. When the water finally receded, a rumor began to circulate that a grotesque monstrosity had been discovered in the muddy detritus—the Roman monster. The creature itself is inherently fascinating, consisting of an eclectic combination of human and animal body parts. The symbolism of these elements, the interpretations that religious controversialists read into them, and the history of the image itself, help to document antipapal polemics from fifteenth-century Rome to the Elizabethan religious settlement. This study examines the iconography of the image of the Roman monster and offers ideological reasons for associating the image with the pre-Reformation Waldensians and Bohemian Brethren. It accounts for the reproduction and survival of the monster's image in fifteenth-century Bohemia and provides historical background on the topos of the papal Antichrist, a concept that Philip Melanchthon associated with the monster. It contextualizes Melanchthon’s tract, “The Pope-Ass Explained,” within the first five years of the Lutheran movement, and it documents the popularity of the Roman monster within the polemical and apocalyptic writings of the Reformation. This is a careful examination and interpretation of all relevant primary documents and secondary historical literature in telling the story of the origins and impact of the most famous monstrous portent of the Reformation era.