Not so long ago James Mangan was a brilliant young poet. These days, however, he toils as a journalist and shivers in the shadow of his glamorous movie-star wife. And now she has left him for her lover. Adrift and depressed, Jamie takes refuge with his father, in whose house he turns up a 19th-century daguerreotype bearing the initials “J.M.” and depicting a man who, as it happens, is Jamie’s spitting image. Could this be the only existing photograph of his purported ancestor, the legendarily dissolute Irish poet James Clarence Mangan? Obsessed by this strange resemblance—and aided by an unexpected financial windfall—Jamie heads to Ireland thinking at last to discover that elusive entity: himself. Instead, in the dreary coastal village of Drishane, he meets the Mangans: derelict Eileen, sullen Dinny, drunken (and shrunken) Conor, and the sexy and very available Kathleen. They know something, for sure—something to do with Jamie, and something they don’t want him to find out. The Mangan Inheritance is melodrama at its most inventive and suggestive, an inquiry into the problem of identity and the nature of ancestry that beguiles the reader with dark deeds, wild humor, and weird goings-on, on its way towards a shocking and terrifying—and utterly satisfying—conclusion.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

Four Contemporary Novelists offer accounts of the fiction of Angus Wilson, Brian Moore, John Fowles, and V. S. Naipaul. The author has charted the development of each writer; identified dominant themes, controlling techniques, and informing sensibility; explained what each has tried to accomplish and compare theory to practice; provided an appropriate context for appreciation and evaluation of all parts of each canon; and made qualitative discriminations.

Brian Moore (1921 1999) is one of the few novelists whose literary portrayal of Catholicism effectively spans the period prior to and following the Second Vatican Council. Many critics have discussed how Moore's life is reflected in his works, while others have dismissed his fictions as simple narratives in the mould of classical realism. In this timely book, Gearon contends that Moore's fictions are far more complex, as he was one of the great observers of Catholicism in all its modern and historical controversy. .

This book surveys Irish writing in English over the last two centuries, from Maria Edgeworth to Seamus Heaney, to give the literary student and the general reader an up-to-date sense of its variety and vitality and to indicate some of the ways in which it has been described and discussed. It begins with a brief outline of Irish history, of Irish writing in Irish and Latin, and of writing in English before 1800. Later chapters consider Irish romanticism, Victorian Ireland, W.B.Yeats and the Irish Literary Revival, new directions in Irish writing after Joyce and the literature of contemporary Ireland, north and south, from 1960 to the present.

In a wide ranging series of introductory essays written by some of the leading figures in the field, this essential guide explores the world of Gothic in all its myriad forms throughout the mid-eighteenth Century to the internet age. The Routledge Companion to Gothic includes discussion on: the history of Gothic gothic throughout the English-speaking world i.e. London and USA as well as the postcolonial landscapes of Australia, Canada and the Indian subcontinent key themes and concepts ranging from hauntings and the uncanny; Gothic femininities and queer Gothic gothic in the modern world, from youth to graphic novels and films. With ideas for further reading, this book is one of the most comprehensive and up-to-date guides on the diverse and murky world of the gothic in literature, film and culture.

This book provides a compact guide to all aspects of English literature. For this edition, existing entries have been updated and new entries have been added on contemporary writers such as Jim Crace and Pat Barker.