Describes the life of the famous wildlife artist, known for his groundbreaking images of dinosaurs and other prehistoric creatures, and includes insights on his scientifically accurate restorations and excerpts from his personal papers.

Longlisted for the Booker Prize A New York Times Editor's Choice Named a Best Book of the Year By: The New York Times Book Review (Notable Books of the Year) * The New York Public Library * The Washington Post * Time.com * The New York Times Critics’ (Parul Seghal's Top Books of the Year) * St. Louis Post Dispatch * Apple * A Publisher’s Weekly’s Top Ten Books of the Year An electrifying novel about beauty, envy, and carelessness from Deborah Levy, author of the Booker Prize finalists Hot Milk and Swimming Home. It is 1988 and Saul Adler, a narcissistic young historian, has been invited to Communist East Berlin to do research; in exchange, he must publish a favorable essay about the German Democratic Republic. As a gift for his translator’s sister, a Beatles fanatic who will be his host, Saul’s girlfriend will shoot a photograph of him standing in the crosswalk on Abbey Road, an homage to the famous album cover. As he waits for her to arrive, he is grazed by an oncoming car, which changes the trajectory of his life. The Man Who Saw Everything is about the difficulty of seeing ourselves and others clearly. It greets the specters that come back to haunt old and new love, previous and current incarnations of Europe, conscious and unconscious transgressions, and real and imagined betrayals, while investigating the cyclic nature of history and its reinvention by people in power. Here, Levy traverses the vast reaches of the human imagination while artfully blurring sexual and political binaries—feminine and masculine, East and West, past and present--to reveal the full spectrum of our world.

The first full-length biography of a brilliant, self-taught inventor whose innovations in information and energy technology continue to shape our world. The Economist called Stanford R. Ovshinsky (1922–2012) “the Edison of our age,” but this apt comparison doesn't capture the full range of his achievements. As an independent, self-educated inventor, Ovshinsky not only created many important devices but also made fundamental discoveries in materials science. This book offers the first full-length biography of a visionary whose energy and information innovations continue to fuel our post-industrial economy. In The Man Who Saw Tomorrow, Lillian Hoddeson and Peter Garrett tell the story of an unconventional genius with no formal education beyond high school who invented, among other things, the rechargeable nickel metal hydride batteries that have powered everything from portable electronics to hybrid cars, a system for mass-producing affordable thin-film solar panels, and rewritable CDs and DVDs. His most important discovery, the Ovshinsky effect, led to a paradigm shift in condensed matter physics and yielded phase-change memory, which is now enabling new advances in microelectronics. A son of the working class who began as a machinist and toolmaker, Ovshinsky focused his work on finding solutions to urgent social problems, and to pursue those goals, he founded Energy Conversion Devices, a unique research and development lab. At the end of his life, battered by personal and professional losses, Ovshinsky nevertheless kept working to combat global warming by making solar energy “cheaper than coal”—another of his many visions of a better tomorrow.

This is the first formal biography of the archaeologist and psychic investigator T. C. Lethbridge. Lethbridge was Keeper of Anglo-Saxon Antiquities at the Cambridge Museum of Archaeology and Ethnology from 1922-1956. Terry Welbourn?s biography ?T.C. Lethbridge - The Man Who Saw the Future?, with a foreword written by Colin Wilson, reveals many intriguing facets of a remarkable man. What is extraordinary about Lethbridge?s life is how he witnessed and recorded the 20th century with extraordinary detail: from the discovery of new lands during his Arctic adventures, through to his pragmatic investigations into occult phenomena. Lethbridge believed that the supernatural of one generation would eventually become the natural of the next and that all occult phenomena would in time be explained by science. His understanding of dimensions operating on different vibrational rates is akin to String Theory, an ongoing branch of science instigated by theoretical physicist Gabriele Veneziano. Lethbridge did not

The remarkable classic of nature writing by the first man ever to have walked the entire length of the Grand Canyon.

The Man Who Saw the Future has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.

An utterly stunning novel of love, loss, the insidious nature of secrets, and the transformative power of words. I Saw a Man fulfills the promise of Owen Sheers's acclaimed novel, Resistance. When journalist Caroline Marshall dies while on assignment in Pakistan, her grief-stricken husband, Michael, leaves their cottage in Wales and returns to London. He quickly develops a friendship with his neighbors, Josh and Samantha Nelson, and their two young daughters. Michael’s becoming close with the family marks the beginning of a long healing process. But Michael's period of recovery comes to an abrupt end when a terrible accident brings the burden of a shattering secret into his life. How will Michael bear the agonizing weight of guilt as he navigates persistent doubts on the path to attempted redemption? The answer, revealed poignantly in Sheers' masterly prose, is eloquent, resonant, and completely unforgettable.

The first major biography of the iconic actor Henry Fonda, a story of stardom, manhood, and the American character Henry Fonda's performances—in The Grapes of Wrath, Young Mr. Lincoln, The Lady Eve, 12 Angry Men, On Golden Pond—helped define "American" in the twentieth century. He worked with movie masters from Ford and Sturges to Hitchcock and Leone. He was a Broadway legend. He fought in World War II and was loved the world over. Yet much of his life was rage and struggle. Why did Fonda marry five times—tempestuously to actress Margaret Sullavan, tragically to heiress Frances Brokaw, mother of Jane and Peter? Was he a man of integrity, worthy of the heroes he played, or the harsh father his children describe, the iceman who went onstage hours after his wife killed herself? Why did suicide shadow his life and art? What memories troubled him so? McKinney's Fonda is dark, complex, fascinating, and a product of glamour and acclaim, early losses and Midwestern demons—a man haunted by what he'd seen, and by who he was.