The Before Columbus Foundation 2018 Winner of the AMERICAN BOOK AWARD Tommy J. Curry’s provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

The Before Columbus Foundation 2018 Winner of the AMERICAN BOOK AWARD Tommy J. Curry's provocative book The Man-Not is a justification for Black Male Studies. He posits that we should conceptualize the Black male as a victim, oppressed by his sex. The Man-Not, therefore,is a corrective of sorts, offering a concept of Black males that could challenge the existing accounts of Black men and boys desiring the power of white men who oppress them that has been proliferated throughout academic research across disciplines. Curry argues that Black men struggle with death and suicide, as well as abuse and rape, and their genred existence deserves study and theorization. This book offers intellectual, historical, sociological, and psychological evidence that the analysis of patriarchy offered by mainstream feminism (including Black feminism) does not yet fully understand the role that homoeroticism, sexual violence, and vulnerability play in the deaths and lives of Black males. Curry challenges how we think of and perceive the conditions that actually affect all Black males.

Famed crime solver Dr. Gideon Fell attends a housewarming party in the English countryside, but a ghost spoils the fun in Golden Age mystery master John Dickson Carr’s stylish, baffling mystery novel The house is called Longwood, and its history is wet with blood. It is closed up for good in 1920, when a massive chandelier falls, crushing an eighty-year-old butler. Oddly enough, the old chandelier was sturdy, and there was no way it could have fallen unless the butler leapt and swung on it. Was he mad? Suicidal? Or was he being pursued by something from beyond the grave? Seventeen years later, Longwood is purchased by Martin Clarke, a rakish young man with a taste for the supernatural. He invites his friends for a paranormal housewarming, but it is not long before the festivities turn gruesome. Chairs fly, guns fire on their own, and a mysterious fire threatens to engulf the whole mansion in flames. Clarke and his guests came for a ghost hunt—but could it be that the ghost is hunting them? The Man Who Could Not Shudder is the 12th book in the Dr. Gideon Fell Mysteries, but you may enjoy reading the series in any order. The Man Who Could Not Shudder is the 12th book in the Dr. Gideon Fell Mysteries, but you may enjoy reading the series in any order.

After Lumkile is arrested for robbery, his estranged mother appears and removes him to the Eastern Cape, where he makes a fresh start - reinventing himself at a new school and falling in love. When the time comes for Lumkile to enter manhood by undergoing a ritual circumcision, he prepares eagerly for the ceremonies ahead. However, in his makeshift hut on the mountain, Lumkile realises that something has gone terribly wrong. Having been taught that 'what happens at the mountain stays at the mountain' he faces a stark choice: to seek medical help and risk being forever ostracised and labelled as a 'failed man'; or to suffer life-changing injuries or even death. This deftly written novel is one young man's intimate account of a botched circumcision, and his journey to accept his fate and embrace his future, as he gains a deeper understanding of what it really means to be a man.

From boys to men: learning to love women and money -- Expensive intimacies: courtship, marriage, and fatherhood -- "Money problem": work, class, consumption, and men's social status -- "Ahhheee club": money, intimacy, and male peer groups -- Masculinity gone awry: intimate partner violence, crime, and insecurity -- Becoming an elder, burying one's father.

A GRIPPING, FEARLESS EXPLORATION OF MASCULINITY The effects of traditionally defined masculinity have become one of the most prevalent social issues of our time. In this engaging and provocative new book, beloved actor, director, and social activist Justin Baldoni reflects on his own struggles with masculinity. With insight and honesty, he explores a range of difficult, sometimes uncomfortable topics including strength and vulnerability, relationships and marriage, body image, sex and sexuality, racial justice, gender equality, and fatherhood. Writing from experience, Justin invites us to move beyond the scripts we’ve learned since childhood and the roles we are expected to play. He challenges men to be brave enough to be vulnerable, to be strong enough to be sensitive, to be confident enough to listen. Encouraging men to dig deep within themselves, Justin helps us reimagine what it means to be man enough and in the process what it means to be human.

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect “antidote to mansplaining” (The Stranger). In her comic, scathing essay “Men Explain Things to Me,” Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don’t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, “He’s trying to kill me!” This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf’s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. “In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized.” —The New York Times “Essential feminist reading.” —The New Republic “This slim book hums with power and wit.” —Boston Globe “Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society.” —San Francisco Chronicle “Essential.” —Marketplace “Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions.” —Salon

The German social democratic movement was the first mass, working-class party in world history, and a prototype for one of the major features of twentieth-century politics. Gary P. Steenson presents an introduction to the origins and development of German social democracy up to the First World War, by drawing upon protocols of the German Social Democratic Party, the party press, correspondence of leading figures, and scholarly research. Steenson also offers biographical sketches of prominent party officials, and translations of party programs and bylaws in the appendix.

Includes information on AIDS (Acquired Immune Deficiency Syndrome), Laurie Anderson, authenticity, back up singing, Imamu Amiri Baraka (Leroi Jones), Black Arts movement, Black Like Me (Griffin), black masculinity, balck nationalism, Black Power movement, breakdancing, Diahann, Carroll, designatory terminology, femininity, Nikki Giovanni, Harlem Renaissance, HIV (human immunodeficiency virus), homosexuality, Jesse Jackson, Michael Jackson, Jane Doe v. State of Louisana, Earvin (Magic) Johnson, Motown Record Corporation, MTV, pop music, racial classificaton, racial passing, rap (music), Alice Beatrice Jones Rhinelander case, Max Robinson, Room 222 (television), Run DMC, RuPaul, O.J. Simpson, the Supremes, Stevie Wonder, etc.

Fair? Balanced? To some, Bill O'Reilly is a semi-demented cable TV talk show host who can be an obnoxious, insufferable, opinionated, rude loudmouth whose views, the kinder ones say, are typical right-wing drivel. But there is much more to O'Reilly than what meets eye. O'Reilly is the paradigm of idiosyncrasy in television journalism. On the rough road to the top, O'Reilly learned how to give the public what it wants and thinks it needs. From his early education at the hands of nuns to an advanced degree in public policy from Harvard, from working at local television stations and rising through the ranks to network news, O'Reilly spent nearly twenty-five years learning his craft before he became an overnight star at Fox News. In this very intimate look at the man and what matters to him, veteran media critic Marvin Kitman explores all the experiences that led to the making of Bill O'Reilly—a nonconformist in a business that demands conformity as the price of success, and a man who has risen to the top by not playing by the rules of broadcast news. Kitman shows that O'Reilly is not a knee-jerk conservative, but an "independent" freethinker with a mind of his own, and he believes what journalism needs is more Bill O'Reillys. Not screamers, the blowhards like the current O'Reilly clones rushed on the air since his success, but trained journalists, reporting the news and telling us why, in their opinion, the world is a crazy place. Supported by twenty-nine interviews with O'Reilly, Marvin Kitman chronicles a descent from reporter of news to spewer of views.