This book draws important lessons from the early days of industrial research in America.

Are science and technology independent of one another? Is technology dependent upon science, and if so, how is it dependent? Is science dependent upon technology, and if so how is it dependent? Or, are science and technology becoming so interdependent that the line dividing them has become totally erased? This book charts the history of technoscience from the late nineteenth century to the end of the twentieth century and shows how the military–industrial–academic complex and big science combined to create new examples of technoscience in such areas as the nuclear arms race, the space race, the digital age, and the new worlds of nanotechnology and biotechnology.

"The contributors explore two main themes: the challenge of remaining innovative and the necessity of managing institutional boundaries in doing so. The book is organized into four parts, which move outward from individual firms; to networks or clusters of firms; to consultants and other intermediaries in the private economy who operate outside of the firms themselves; and finally to government institutions and politics. "--Editor.

This collection focuses on the intellectual development of the sciences, their relationships with technology, and their place in culture in general including a proposed realignment of science, technology, and art.

In this rich study of noise in American film-going culture, Meredith C. Ward shows how aurality can reveal important fissures in American motion picture history, enabling certain types of listening cultures to form across time. Connecting this history of noise in the cinema to a greater sonic culture, Static in the System shows how cinema sound was networked into a broader constellation of factors that affected social power, gender, sexuality, class, the built environment, and industry, and how these factors in turn came to fruition in cinema's soundscape. Focusing on theories of power as they manifest in noise, the history of noise in electro-acoustics with the coming of film sound, architectural acoustics as they were manipulated in cinema theaters, and the role of the urban environment in affecting mobile listening and the avoidance of noise, Ward analyzes the powerful relationship between aural cultural history and cinema's sound theory, proving that noise can become a powerful historiographic tool for the film historian.

Preface: "The New Colossus"Pt. 1: Making the Century AmericanCh. 1: Producers, Brokers, and Users of Knowledge Ch. 2: Defining Tools of Social Intelligence Ch. 3: Inventing the Average American Pt. 2: The Social Contract of the MarketCh. 4: Turning out Consumers Ch. 5: Deradicalizing Class Pt. 3: Embattled IdentitiesCh. 6: From Voluntarism to Pluralism Ch. 7: Enlarging the Polity Pt. 4: Exporting American Principles Ch. 8: Individualism and Modernization Ch. 9: The Power of Uncertainty Acknowledgments Notes Index Copyright © Libri GmbH. All rights reserved.

The book that helped earn Thomas P. Hughes his reputation as one of the foremost historians of technology of our age and a finalist for the Pulitzer Prize in 1990, American Genesis tells the sweeping story of America's technological revolution. Unlike other histories of technology, which focus on particular inventions like the light bulb or the automobile, American Genesis makes these inventions characters in a broad chronicle, both shaped by and shaping a culture. By weaving scientific and technological advancement into other cultural trends, Hughes demonstrates here the myriad ways in which the two are inexorably linked, and in a new preface, he recounts his earlier missteps in predicting the future of technology and follows its move into the information age.

An analysis of technological development and the role of patents from 1790 to the present, written by a pioneering patent scholar.

Research and instrumentation in warfare since 1500 demonstrates the rise of the scientific military, the complicated interaction with military institutions, and details of how scientists and engineers developed artillery and explosives, surveying and geophysics, pilot testing and siegework, and the role of national and university laboratories.

This history of the government-funded synthetic rubber research program (1942-1956) offers a rare analysis of a cooperative research program geared to the improvement of existing products and the creation of new ones. The founders of the program believed the best way to further research in the new field was through collaboration among corporations, universities, and the federal government. Morris concludes that, in fact, the effort was ultimately a failure and that vigorous competition proves the best way to stimulate innovation. Government programs, like the rubber research program, are far better at improving existing products, the author contends, than creating wholly new ones.