THE PIRATE One of the fiercest pirates on the Main, the legendary Captain Thorne can raid a ship and wield a cutlass with the best. Woe betide any man who desires to get past the tempered steel to the woman holding it. Lynnette Blackthorne-- a.k.a. Captain Thorne-- sails the high seas with only one goal: vengeance against the man who murdered her sister. Nothing will stand in her way-- especially not a silver-eyed rogue with the power to make her tremble and lose her wits to the madness of passion. THE CAPTIVE Everything that matters to Captain Daniel Bradley-- his ship, his business, his future -- has been stolen away by this beautiful buccaneer now holding him for ransom. His desire to kiss that smug look off her face is rivaled only by his determination to beat her at her own game. He's never encountered a threat he hasn't conquered, and no half-sized pirate wench is going to break his record of victory. THE SURRENDER Now, the duel of wits and desire that began the moment they first laid blazing eyes on each other is about to play out in a collision course of passionate adventure...as two formidable opponents discover the ecstasy of surrendering to the only force stronger than themselves: love.

**THE INSTANT NEW YORK TIMES BESTSELLER** "Alex Michaelides’s long-awaited next novel, 'The Maidens,' is finally here...the premise is enticing and the elements irresistible." —The New York Times "A deliciously dark, elegant, utterly compulsive read—with a twist that blew my mind. I loved this even more than I loved The Silent Patient and that's saying something!" —Lucy Foley, New York Times bestselling author of The Guest List From the #1 New York Times bestselling author of The Silent Patient comes a spellbinding tale of psychological suspense, weaving together Greek mythology, murder, and obsession, that further cements “Michaelides as a major player in the field” (Publishers Weekly). Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek tragedy professor at Cambridge University, Fosca is adored by staff and students alike—particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything—including her own life.

The mythology of Native Americans is filled with clever creatures, such as Great Rabbit and Coyote, using their wits to overcome adversity. A reverence for nature, especially animals, is key to understanding these timeless tales. Readers will love the fun way these famous stories are presented, with humor and vivid illustrations. "Believe it or not!" boxes offer more facts about Native American cultures.

Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey, Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers, Sophocles' Ajax, Electra, and Tereus, and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.

The well she beckonsa] and those held to the land must heed for her call roots in our depths; speaks to that which is old to that which we vowed so long ago. The well she beckons and we followa] for we are hers as she is divine. Take my hand and come with mea]to lands of green pastures and gurgling streams, to hallowed grounds where the ancient stones stand firm, where fairies and druids walk abound. Come, take my hand and journey with mea]into the chambers of the heart where love lost and found has left its mark. Take my hand, come with me.

I joined the Cloister to find the truth. But I've discovered so much more, and the darkness here is seducing me, pulling me down until all I can think of is him. Adam Monroe, the Prophet's son, a dark prince to an empire that grows by the day. He is tasked with keeping me safe from the wolves of the outside world. But the longer I stay at the Cloister, the more I realize the wolves are already inside and under the Prophet's control. If Adam discovers the real reason I'm here, he'll bay for my blood with the rest of them. Until then, I will be Delilah, an obedient servant of the Prophet during the day and Adam's Maiden at night.