Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

“Fine! You’re all kings. In fact, we ALL can be kings!” **** She’s Rosalie Amber Stan. A simple teenage girl, who made a wish to have a more adventurous life, was a victim of an abduction by the Fae queen to a different realm. She was brought to a castle with 5 supernatural princes, who are fighting for the throne. The queen gave her a task to be the one to choose the future heir to their kingdom. Little did she know that the queen only wanted one thing from her and the princes: Romance. Between a sparkly wizard, a rude obnoxious elf, a flirty vampire, and a couple of twin trouble-making wolf princes; Is there really a right choice? And why is there a wolf spirit, who suddenly awakened upon sensing her arrival, kept stalking her? A romantic-comedy in ‘another world’ with a quirky-temperamental female heroine learning the culture of this new fantasy world.

Eighteen-year-old vampire princess Jessica Packwood is in for the fight of her life--and her husband's--when Lucius is accused of a horrible crime. Jessica, trying to prove herself worthy of the throne, faces betrayal by those closest to her, in this sequel to "Jessica's Guide to Dating on the Dark Side."

Over the past thirty years, queer women have been coming out of the media closet to enter the mainstream consciousness. This book explores the rise of lesbian visibility since the 1990s with in-depth historical analyses of representation in sports, music, photography, comics, television and cinema. Each chapter is complemented by an interview: soccer player and coach Saskia Webber, singer-songwriter Gretchen Phillips, photographer Lola Flash, cartoonist Alison Bechdel and filmmakers Jamie Babbit and Anna Margarita Albelo discuss the societal transformations that shaped their careers. From the "riot grrrl" movement of the early 1990s punk scene to screen representations of queer culture (The L Word, Orange Is the New Black), this book discusses how lesbian presence successfully infiltrated several patriarchal strongholds, and was transformed in return.

THE HILLS ARE ALIVE...WITH THE SOUND OF SUCKING Maria von Trapp is sweet, innocent, and can sing like an angel. Oh, and she's also a bloodthirsty vampire. When Maria is kicked out of the zombie-infested abbey where she's been residing for the past 612 years, she's forced to take care of the family Von Trapp, a rowdy clan in need of some serious discipline... or vampirification. After Maria turns the Von Trapp children into children of the night and marries the Von Trapp patriarch, the family seems destined for eternal (really, really eternal) bliss. But the Nazi Undeath Squads are on the march, intent on ridding Europe of bloodsuckers. And Maria will have to do everything in her power—supernatural or otherwise—to save her vampire brood. Sixteen going on seventeen members of our legal team have instructed us to tell you, even though it should be obvious, that My Favorite Fangs was not prepared, authorized, licensed, approved, or endorsed by any person or entity involved in the creation or production of The Sound of Music film, or any version of the stage musical. That seventeenth wouldn't take our call because he was too busy drinking his tea—a drink with jam and bread—to weigh in.

Vampires, vengeance…and a mutinous Victorian lady’s maid. It’s not always easy to deal with a ticking bomb—and Miss Sharp just happens to have thrown this one straight at Queen Victoria’s royal train. Liz was only trying to save lives, but now she must face the Kabale, a secret tribunal of royal monsters who don’t easily forgive a stray bomb. If Liz can’t convince them of her loyalty, her life will be forfeit. Her best hope for survival may well rest with her worst enemy: the vampiric Grand Duke Vasily, who offers to help her bring down the Kabale, breaking their iron grip on Europe. Collaborating with Vasily comes with a price, and even if they succeed, Liz will be on the run for the rest of her life. Worst of all, she’ll make an enemy of the starchily attractive Inspector Short, for whom Liz has begun to feel something warmer than professional respect. But if she doesn’t take the war to the Kabale, more people will die—herself among them. It’s a good thing she has a secret weapon in the shape of her imperturbable employer, Princess May… Miss Sharp’s Monsters reaches its thrilling conclusion in a romantic historical fantasy adventure perfect for fans of The Parasol Protectorate or The Nevers! One-click A Vampire in Bavaria today and join Miss Sharp in the monstrous ballrooms of 1890s Europe.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR “As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet... The secret is, vampires are real and I am one. The secret is, I’m stealing from you what is most truly yours and I’m not sorry... New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks. The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy. Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were. And neither are the rest of us.