Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

Fantasy-roman.

“Fine! You’re all kings. In fact, we ALL can be kings!” **** She’s Rosalie Amber Stan. A simple teenage girl, who made a wish to have a more adventurous life, was a victim of an abduction by the Fae queen to a different realm. She was brought to a castle with 5 supernatural princes, who are fighting for the throne. The queen gave her a task to be the one to choose the future heir to their kingdom. Little did she know that the queen only wanted one thing from her and the princes: Romance. Between a sparkly wizard, a rude obnoxious elf, a flirty vampire, and a couple of twin trouble-making wolf princes; Is there really a right choice? And why is there a wolf spirit, who suddenly awakened upon sensing her arrival, kept stalking her? A romantic-comedy in ‘another world’ with a quirky-temperamental female heroine learning the culture of this new fantasy world.

Areum has fallen into a strange world called 'Soltera' after a car accident. She is mistaken for a vampire because of her hair color, and she is sold to a Duke’s house by a slave trader. The identity of Millard Travis the master of the Duke’s house that bought her is the one and only vampire in the world! Desperate to survive in any way, Areum becomes Millard's direct servant, vowing to serve him as her master. Areum tries to belly up on Millard day by day and his attitude starts to change.

The spellbinding classic that started it all, from the #1 New York Times bestselling author—the inspiration for the hit television series “A magnificent, compulsively readable thriller . . . Rice begins where Bram Stoker and the Hollywood versions leave off and penetrates directly to the true fascination of the myth—the education of the vampire.”—Chicago Tribune Here are the confessions of a vampire. Hypnotic, shocking, and chillingly sensual, this is a novel of mesmerizing beauty and astonishing force—a story of danger and flight, of love and loss, of suspense and resolution, and of the extraordinary power of the senses. It is a novel only Anne Rice could write.

Runako is studying hard to someday succeed as owner of her family's maid dispatching service company. One day, a request comes in from an entertainment production company and shockingly, it's for their super-popular star, Seirei Moroboshi! But could it be that the image he projects on the TV is far different than his true secret face...?!

The Maid of Flowerdale is the very first released adventure using the Vindeon world and game rules, set in the beautiful rural town of Flowerdale and its surroundings, in the Alerian county Faerann Eadar, western Loingseach. It is an investigation/mystery type adventure with creating a stark contrast between the fairytale surface of the land and the sinister darkness hidden within. This is the first act of the Night Court of Wolfstone campaign. It is followed by Act II: Through Nocturnal Woods.

This thesis analyses motifs of vampirism in gothic film parodies on the basis of Mel Brooks “Dracula: Dead and Loving it”, which parodies its original “Dracula” by Tod Browning. The contrasting juxtaposition of the two films serves to provide the parodic constructions of vampirism. By using the six methods of parody by Dan Harris – reiteration, inversion, misdirection, literalizitation, extraneous inclusion and exaggeration – the parodic constructions will be examined. This works aims to find answers to the question what is left of the old-fashioned motifs of vampirism.