In this simple tale, the novel's hero is the talented heir to a notable family in Lisbon. He aspires to serve his fellow man in his chosen profession of medicine, in the arts, and in politics. But he enters a society affected by powerful international influences--French intellectual developments, English trading practices--that trouble and frustrate him. In the end he is reduced to a kind of spiritual helplessness and his good intentions are reduced to dilettantism. His passionate love affair begins to suffer a devastating constraint.

Carlos, heir to a great fortune, becomes a doctor and drifts along spending time at the theater, reading, and having affairs, until he falls deeply in love but has to hide a terrible secret.

A compassionate tale of marriage, manners, and betrayal, from the Portuguese master José Maria Eça de Queirós, the first great modern Portuguese novelist, wrote The Yellow Sofa with (in his own words) “no digressions, no rhetoric,” creating a book where “everything is interesting and dramatic and quickly narrated.” The story, a terse and seamless spoof of Victorian bourgeois morals, concerns a successful businessman who returns home to find his wife “on the yellow damask sofa, leaning in abandon on the shoulder of a man.” The man is none other than his best friend and business partner. While struggling with the need to defend his honor, he fights a stronger inner desire for domestic tranquility and forgiveness. The Yellow Sofa firmly establishes Eça de Queirós in the literary pantheon that includes Dickens, Flaubert, Balzac, and Tolstoy.

Sold into slavery to the dealer Lalloc by her mother when her stepfather seduces her, the beautiful 15-year-old Maia is almost raped by Genshed, one of Lalloc's employees but is saved by Occula, a black slave girl. With no-one but Occula at her side, Maia must summon all her courage, strength and intelligence as she navigates the seedy side of the Beklan empire.

At the height of Tim Maia's soaring fame, he joined a radical, extraterrestrial-obsessed cult and created two plus albums of some of Brazil's-and the globe's-best funk and soul music. This book explores the career of the man often hailed as the James Brown or Barry White of Brazil, and the time of his radical transformation from a musician notorious for hedonistic living to a devoted follower of Manoel Jacinto Coelho's Rational Culture. After suddenly joining Coelho's cult in 1974 (which started first as an offshoot of the mystical Afro-Brazilian religion Umbanda), Maia gave up drugs and alcohol, threw away his material possessions, and released Racional Vols. 1 & 2 in the attempt to convert the entirety of Brazil and the world to the revelation of Rational Culture. Thayer explores this strange, brief, yet incredibly prolific period of Maia's life wherein the reigning soul and funk artist of Brazil produced two albums, an EP, and a recently unearthed tape containing almost another full album of funky jams laced with spiritual content and scripture. For just as quickly as Maia became entranced with Coelho did he become disillusioned with the cult, disavowing and destroying everything having to do with that experience and refusing to speak of it for the rest of his life. 33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-based books and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

"Short stories (fiction) by the great nineteenth-century Portuguese author Jose Maria Eca de Queiros; a variety of themes characterize the stories: love, greed, obsession, country life; patriotism"--

From the New York Times bestselling author of Six Crimson Cranes comes a fantasy filled with courtly intrigue, deceitful demons, and breathtaking gowns ... the stakes are higher than ever in this thrilling sequel to Spin the Dawn! Maia Tamarin's journey to sew the dresses of the sun, the moon, and the stars has taken a grievous toll. She returns to a kingdom on the brink of war. Edan, the boy she loves, is gone--perhaps forever--and no sooner does she set foot in the Autumn Palace than she is forced to don the dress of the sun and assume the place of the emperor's bride-to-be to keep the peace. When the emperor's rivals learn of her deception, there is hell to pay, but the war raging around Maia is nothing compared to the battle within. Ever since she was touched by the demon Bandur, she has been changing . . . glancing in the mirror to see her own eyes glowing red; losing control of her magic, her body, her mind. It's only a matter of time before Maia loses herself completely, and in the meantime she will stop at nothing to find Edan, protect her family, and bring lasting peace to her country.

As so often with Eca de Queiros, the plot is simple; the fascination of the novel lies in the characters, the incidents and, above all, the warm humanity and mordant wit of this acute observer of the human condition.

Journalist and author of the New York Times bestselling Unbroken Brain tackles the revolutionary concept of harm reduction, how it can transform the treatment of addiction, and how it holds the potential to revolutionize our treatment of behavioral and societal issues. In her New York Times bestseller Unbroken Brain, journalist Maia Szalavitz took an unflinching look at addiction, challenging the idea of the "broken brain" to offer a groundbreaking perspective on addiction as a learning disorder. Now she turns her keen eye and narrative powers to the surprisingly simple--and extremely divisive--practice of harm reduction, which is a revolutionary means to solving the drug addiction crisis. Drug overdoses now kill more Americans annually than guns, cars or breast cancer. But in the name of "sending the right message," we have criminalized drug addiction, denied those who are addicted medical care, housing and other benefits, and have deliberately allowed the spread of fatal diseases. Yet there is an alternative to our present system, one that has been proven to work, but which runs counter to the received wisdom of our criminal and medical industrial complexes. It is called harm reduction. A surprisingly simple idea with enormous power, harm reduction takes the focus off of drug use and instead works to minimize associated damage. It represents the philosophy behind needle exchange programs and providing heroin addicts with the overdose medication naloxone instead of arresting them. It is focused not on punishing pleasure but on minimizing harm; in essence, it is a wholesale refutation of the American way of justice. Undoing Drugs tells the story of harm reduction. It will show how this concept has begun to transform the treatment of addiction and how it holds the potential to revolutionize how we deal with a range of other urgent behavioral and societal issues. Harm reduction challenges people to prioritize radical empathy and kindness over punishment as a way of not only dealing with drug use, but also in questions related to racism, sexism, disability and inequality. And, as Szalavitz shows, it says unequivocally that we must be more concerned about saving lives and health than about criminalizing quality-of-life crimes. Szalavitz argues for a practical application of the Hippocratic oath to "First, do no harm" beyond medicine and to those who urgently need it most.