A little girl goes to a magic pawnshop to buy a miracle cure for her uncle. The witch who runs the shop must fly away on her broomstick to gather the ingredients and leaves the girl to mind the shop.

"Fueled by Tolkien's sweat, Willy Wonka's blood, and Clint Eastwood's attitude!” Higslaff the Pawnshop Owner needs a job done, but the Guild War has taken a toll. Those he’d normally call upon are engaged in some other vital assignment, or dead. He decides to hire Gurk, Jax, Marigold, Lysine and Kalgore instead. The adventuring party has proven themselves resourceful and effective on previous jobs, not only for himself, but for the local silversmith, and the Church of Apollo. This particular assignment shouldn’t be a problem. What Higslaff doesn’t know is that details of his job have been compromised. Agents of the Riven Rock Thieves’ Guild are on the move, ready to wrest control of the enchanted item that could tip the balance in the Guild War.

THE MAGIC MAN: From the time he was little he knew he was different. He enjoyed pain. Inflicting it. Seeing it swim through the eyes of others. His mother suspected what he was, a sociopath, like his father. He loved hurting animals and never smiled. She did everything in her power to instill goodness in him. But, would nurturing him with goodness be enough, when at his core he was pure evil? Only time would tell. Or, would time help him see that if he gave in to his true nature, he would grow to be something more powerful than even he knew possible? THE PAIN EATER: It's been two years since Sadie found one of the Magic Man's victims, Maxine Powell. With her growing abilities and her dad's notes she believes finding the missing women is her destiny. When her health takes a dark turn, Adrian and Lupita urge her to take a step back. She reluctantly agrees. But after she starts receiving mental messages from one of the victim's six-year-old son, she questions whether her hiatus is a good idea. If she answers his call will she find one more victim, or move closer to becoming a victim herself?

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For most of us, remembering the Holocaust requires effort; we listen to stories, watch films, read histories. But the people who came to be called “survivors” could not avoid their memories. Sol Nazerman, protagonist of Edward Lewis Wallant’s The Pawnbroker, is one such sufferer. At 45, Nazerman, who survived Bergen-Belsen although his wife and children did not, runs a Harlem pawnshop. But the operation is only a front for a gangster who pays Nazerman a comfortable salary for his services. Nazerman’s dreams are haunted by visions of his past tortures. (Dramatizations of these scenes in Sidney Lumet’s 1964 film version are famous for being the first time the extermination camps were depicted in a Hollywood movie.) Remarkable for its attempts to dramatize the aftereffects of the Holocaust, The Pawnbroker is likewise valuable as an exploration of the fraught relationships between Jews and other American minority groups. That this novel, a National Book Award finalist, remains so powerful today makes it all the more tragic that its talented author died, at age 36, the year after its publication. The book sold more than 500,000 copies soon after it was published.