EDGAR AWARD FINALIST • “Epstein’s page-turning historical novel—an indictment of the medical establishment’s manipulation of women—remains eerily relevant and timely.”—Fiona Davis, New York Times bestselling author of The Spectacular Two women fall under the influence of a powerful doctor in Paris’s notorious nineteenth-century women’s asylum—a gripping novel inspired by true events, from the bestselling author of Wunderland. After being dragged into the Salpêtrière asylum screaming, covered in blood, and suffering from amnesia, Josephine is diagnosed with what the nineteenth-century Parisian press has dubbed “the epidemic of the age”: hysteria. It’s a disease so uniquely baffling that Jean-Martin Charcot, the Salpêtrière’s acclaimed director, devotes popular lectures to it, using hypnosis to elicit fits and fantastical symptoms in front of rapt audiences. Young, charismatic, and highly susceptible to this entrancement, Josephine quickly becomes a favorite of the powerful doctor and the Parisian public alike. But her true ally at the Salpêtrière is Laure, a lonely ward attendant. As their friendship blossoms into something more, the two women find comfort and even joy together despite their bleak surroundings. Soon, Josephine’s memory returns, and with it images of a gruesome crime she’s convinced she’s committed. Ensnared in Charcot’s hypnotic web, she starts spiraling into seeming insanity, prompting a terrified Laure to plot their escape together. First, though, Laure must solve a grim mystery: Who, really, is the girl she’s grown to love? Is Josephine a madwoman . . . or a murderer? Inspired by true events, expertly researched, and masterfully written, The Madwomen of Paris is a Gothic saga for the ages with themes that remain hauntingly resonant today.

A New York Times best historical novel of the year, adapted as a major film for Amazon Prime, this feminist literary thriller is set in Paris's infamous Salpêtrière asylum—now in paperback The Salpêtrière Asylum: Paris, 1885. Dr. Charcot holds all of Paris in thrall with his displays of hypnotism on women who have been deemed mad and cast out from society. But the truth is much more complicated—these women are often simply inconvenient, unwanted wives, those who have lost something precious, wayward daughters, or girls born from adulterous relationships. For Parisian society, the highlight of the year is the Lenten ball—the Mad Women’s Ball—when the great and good come to gawk at the patients of the Salpêtrière dressed up in their finery for one night only. For the women themselves, it is a rare moment of hope. Genevieve is a senior nurse. After the childhood death of her sister Blandine, she shunned religion and placed her faith in both the celebrated psychiatrist Dr. Charcot and science. But everything begins to change when she meets Eugénie, the 19-year-old daughter of a bourgeois family that has locked her away in the asylum. Because Eugénie has a secret: she sees spirits. Inspired by the scandalous, banned work that all of Paris is talking about, The Book of Spirits, Eugénie is determined to escape from the asylum—and the bonds of her gender—and seek out those who will believe in her. And for that she will need Genevieve's help . . .

"East Village, 1989 Things had never been easy between Ava Fisher and her estranged mother Ilse. Too many questions hovered between them: Who was Ava's father? Where had Ilse been during the war? Why had she left her only child in a German orphanage during the war's final months? But now Ilse's ashes have arrived from Germany, and with them, a trove of unsent letters addressed to someone else unknown to Ava: Renate Bauer, a childhood friend. As her mother's letters unfurl a dark past, Ava spirals deep into the shocking history of a woman she never truly knew. Berlin, 1933 As the Nazi party tightens its grip on the city, Ilse and Renate find their friendship under siege--and Ilse's increasing involvement in the Hitler Youth movement leaves them on opposing sides of the gathering storm. Then the Nuremburg Laws force Renate to confront a long-buried past, and a catastrophic betrayal is set in motion... An unflinching exploration of Nazi Germany and its legacy, Wunderland is a at once a powerful portrait of an unspeakable crime history and a page-turning contemplation of womanhood, wartime, and just how far we might go in order to belong."--

Maas offers an inside look at what it was really like to be an ad woman on Madison Avenue in the 1960s and 1970s, from casual sex to professional serfdom, in this bittersweet memoir.

“A marvel of lost innocence” (O, The Oprah Magazine) that reimagines three life-changing weeks poet Elizabeth Bishop spent in Paris amidst the imminent threat of World War II. June 1937. Elizabeth Bishop, still only a young woman and not yet one of the most influential poets of the 20th century, arrives in France with her college roommates. They are in search of an escape, and inspiration, far from the protective world of Vassar College where they were expected to find an impressive husband and a quiet life. But the world is changing, and as they explore the City of Lights, the larger threats of fascism and occupation are looming. There, they meet a community of upper-crust expatriates who not only bring them along on a life-changing adventure, but also into an underground world of rebellion that will quietly alter the course of Elizabeth’s life forever. Sweeping and stirring, Paris, 7 A.M. imagines 1937—the only year Elizabeth, a meticulous keeper of journals—didn’t fully chronicle—in vivid detail and brings us from Paris to Normandy where Elizabeth becomes involved with a group rescuing Jewish “orphans” and delivering them to convents where they will be baptized as Catholics and saved from the impending horror their parents will face. Both poignant and captivating, Paris, 7 A.M. is an “achingly introspective marvel of lost innocence” (O, The Oprah Magazine) and a beautifully rendered take on the formative years of one of America’s most celebrated female poets.

From the New York Times bestselling author of the Maggie Hope series comes a tantalizing standalone novel inspired by a real-life mother-daughter duo who stumble upon an underground Nazi cell in Los Angeles during the early days of World War II—and find the courage to go undercover. “Stirring . . . Susan Elia MacNeal’s page-turning prose is as entertaining as ever—I was riveted from beginning to end.”—Kate Quinn, author of The Alice Network June 1940. France has fallen to the Nazis, and Britain may be next—but to many Americans, the war is something happening “over there.” Veronica Grace has just graduated from college; she and her mother, Violet, are looking for a fresh start in sunny Los Angeles. After a blunder cost her a prestigious career opportunity in New York, Veronica is relieved to take a typing job in L.A.—only to realize that she’s working for one of the area’s most vicious propagandists. Overnight, Veronica is exposed to the dark underbelly of her new home, where German Nazis are recruiting Americans for their devastating campaign. After the FBI dismisses the Graces’ concerns, Veronica and Violet decide to call on an old friend, who introduces them to L.A.’s anti-Nazi spymaster. At once, the women go undercover to gather enough information about the California Reich to take to the authorities. But as the news of Pearl Harbor ripples through the United States, and President Roosevelt declares war, the Grace women realize that the plots they’re investigating are far more sinister than they feared—and even a single misstep could cost them everything. Inspired by the real mother-daughter spy duo who foiled Nazi plots in Los Angeles during WWII, Mother Daughter Traitor Spy is a powerful portrait of family, duty, and deception that raises timeless questions about America—and what it means to have courage in the face of terror.

When it was published in 1979, Sandra M. Gilbert and Susan Gubar's The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imaginationwas hailed as a pathbreaking work of criticism, changing the way future scholars would read Jane Austen, Mary Shelley, the Brontës, George Eliot, and Emily Dickinson. This thirtieth-anniversary collection adds both valuable reassessments and new readings and analyses inspired by Gilbert and Gubar’s approach. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. These contributions represent both the diversity of today’s feminist criticism and the tremendous expansion of the nineteenth-century canon. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work. The essays are as diverse as they are provocative. Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. Other chapters consider Madwoman’s impact on Milton studies, on cinematic adaptations of Wuthering Heights, and on reassessments of Ann Radcliffe as one of the book’s suppressed foremothers. In the thirty years since its publication, The Madwoman in the Attic has potently informed literary criticism of women’s writing: its strategic analyses of canonical works and its insights into the interconnections between social environment and human creativity have been absorbed by contemporary critical practices. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.

THE STORY: The play is a kind of poetic and comic fable set in the twilight zone of the not-quite-true. At the Cafe Chez Francis, a group of promoters plot to tear up Paris in order to unearth the oil which a prospector believes he has located in t

In 1862 the Salpêtrière Hospital in Paris became the epicenter of the study of hysteria, the mysterious illness then thought to affect half of all women. There, prominent neurologist Jean-Martin Charcot's contentious methods caused furore within the church and divided the medical community. Treatments included hypnosis, piercing and the evocation of demons and, despite the controversy they caused, the experiments became a fascinating and fashionable public spectacle. Medical Muses tells the stories of the women institutionalised in the Salpêtrière. Theirs is a tale of science and ideology, medicine and the occult, of hypnotism, sadism, love and theatre. Combining hospital records, municipal archives, memoirs and letters, Medical Muses sheds new light on a crucial moment in psychiatric history.

Endore's classic werewolf novel - now back in paperback for the first time in over forty years - helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.