A celebration of the pop goddess at every stage of her career and a testament to her unique global impact, this compilation features artwork by over a hundred artists, including Andrew Logan, Al Hirschfeld, and Donna Lief. The images range from Madonna as an erotic dancer to the dignified figure of Eva Peron in "Evita."

Danto writes about the contemporary art to be seen in museums and galleries, placing it in the context of the history of modern art and of current debates about essential ideas in our society.

“An unforgettable story of love, survival and the power of imagination in the most tragic circumstances. Elegant and poetic.” —Isabel Allende, New York Times bestselling author of Zorro The ravages of age are eroding Marina's grip on the everyday. An elderly Russian woman now living in America, she cannot hold on to fresh memories—the details of her grown children's lives, the approaching wedding of her grandchild—yet her distant past is miraculously preserved in her mind's eye. Vivid images of her youth in war-torn Leningrad arise unbidden, carrying her back to the terrible fall of 1941, when she was a tour guide at the Hermitage Museum and the German army's approach signaled the beginning of what would be a long, torturous siege on the city. As the people braved starvation, bitter cold, and a relentless German onslaught, Marina joined other staff members in removing the museum's priceless masterpieces for safekeeping. As the Luftwaffe's bombs pounded the proud, stricken city, Marina built a personal Hermitage in her mind—a refuge that would stay buried deep within her, until she needed it once more. . . . “Extraordinary. . . . Dean’s exquisite prose shimmers . . . illuminating us to the notion that art itself is perhaps our most necessary nourishment.” —Chang-Rae Lee, New York Times bestselling author of Aloft and Native Speaker “A poignant tale.” —Booklist, starred review “Dean writes with passion and compelling drama.” —People “Rare is the novel that creates that blissful forgot-you-were-reading experience . . . but that is precisely what Debra Dean has achieved with her image-rich book.” —Seattle Post-Intelligencer “Poetic.” —San Francisco Chronicle Book Review “[A] heartfelt debut.” —New York Times Book Review “Remarkable”— NPR, Nancy Pearl Book Review

The art world is filled with the presence of the Virgin Mary – a fundamental symbol of motherhood, who has been radiating youthfulness, tenderness, and compassion for two thousand years. Finding in her an inexhaustible source of inspiration, artists have consistently used the image of the Virgin Mary to reflect our own sufferings and joys. The author Kyra Belán leads us on a comprehensive tour analysing the profound meaning to be found in the images of the Virgin – from personal interpretations to spiritual reflections on a universal level. These works of art present a fascinating visual commentary on the evolution of Western art as well as a striking record of the rise in status of women in society. With more than 200 illustrations, two thousand years of human history are expressed in a single image; that of the Blessed Virgin, Mother of Christ.

A young priest commissions a wandering painter to decorate the local church with a fresco dedicated to the Virgin Mary.

Through a unique and stunning collection of paintings, sculpture, rare books, and works on paper, Divine Mirrors examines the complex relationship between sacred imagery and secular identity in the art of the Madonna. This magnificent work--born from a multi-year project that included a museum exhibition, scholarly symposium, and reinstallation of a segment of the permanent collection of the Davis Museum and Cultural Center at Wellesley College--features the work of such renowned artists as Il Pintoricchio, Mantegna, Munch, and Leger, alongside fresh, undiscovered masters and little-known works of art. The book's fifty catalogue entries range from a rare thirteenth-century panel painting to a specially commissioned artwork exploring the intersection of religion and modern life. This volume investigates everything from non-Western perceptions of European religious practices to the Virgin Mary's voice in musical composition. In the opening essay "The Many Names of the Mother of God" noted scholar Robert A. Orsi considers why images of Mary offer contemporary Americans such a powerful visual experience. Unlike paintings and sculptures created solely for aesthetic contemplation, Orsi writes, images of Mary are more than just artistic representations--they become for us an embodiment of the Virgin Mother herself. Then, moving into the historical realm, editor Melissa R. Katz guides us on a twenty-century chronological tour that explores the intersection of art history and world history in representations of Mary. Katz's essay "Regarding Mary: Women's Lives Reflected in the Virgin's Image" takes the elements of Marian iconography most relevant to the study of art and weaves them together to provide a guide for modern audiences to engage with the religious origins of our common artistic legacy. Filled with fascinating information, this important work requires no particular background in art history, religion, or the Bible. Readers of all levels will be rewarded with an in-depth encounter of a remarkable and complex figure."

"The Madonna in Art" by Estelle M. Hurll. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Sullo scenario di una Firenze mercantile e umanista, raffinata e ricca, dominata dalla personalità di Lorenzo il Magnifico si profila la vicenda artistica di Botticelli (1445 - 1510), che in questo contesto crea composizioni religiose e allegorie mitologiche, rebus figurativi e profane icone del Rinascimento. L'esordio da orafo e l'apprendistato presso Filippo Lippi rappresentano le prime tappe del suo percorso, determinanti per la comprensione del suo più maturo linguaggio pittorico. Le fattezze dei personaggi rievocano l'atmosfera della corte medicea, mentre le immagini sacre rispondono alle esigenze di una devozione privata e colta e, negli ultimi capolavori, le crescenti inquietudini religiose postsavonaroliane.