"The Madness of Emperor Nero: A Tale of Ancient Rome" delves into the enigmatic reign of one of history's most infamous rulers. This book offers a nuanced exploration of Nero's life, from his ascent to the throne to his dramatic downfall. It navigates the complex web of Nero's relationships, political maneuvers, and cultural contributions against the backdrop of ancient Rome's grandeur and decline. The narrative unfolds Nero's personal and political decisions, which have become synonymous with tyranny and extravagance. The text provides a balanced view, depicting not just Nero's notorious acts, such as the Great Fire of Rome and his artistic pursuits, but also his contributions to Roman architecture and culture. The book also explores the broader context of Roman society, politics, and the eventual decline of Nero's rule, offering insights into the intricacies of Roman imperial administration. This biography is more than just a recount of events; it's a vivid portrayal of an emperor and an empire at a crossroads, capturing the essence of a pivotal moment in history. Through meticulous research and compelling storytelling, it brings to life the world of ancient Rome and one of its most talked-about leaders, making it a must-read for history enthusiasts and anyone fascinated by the complexities of power, legacy, and historical interpretation.

Nero fiddled while Rome burned. As catchy as that aphorism is, it’s sadly untrue, even if it has a nice ring to it. The one thing Nero is well-known for is the one thing he actually didn’t do. But fear not, the truth of his life, his rule and what he did with unrestrained power, is plenty weird, salacious and horrifying. And he is not alone. Roman history, from the very foundation of the city, is replete with people and stories that shock our modern sensibilities. Evil Roman Emperors puts the worst of Rome’s rulers in one place and offers a review of their lives and a historical context for what made them into what they became. It concludes by ranking them, counting down to the worst ruler in Rome’s long history. Lucius Tarquinius Suburbus called peace conferences with warring states, only to slaughter foreign leaders; Commodus sold offices of the empire to the highest bidder; Caligula demanded to be worshipped as a god, and marched troops all the way to the ocean simply to collect seashells as “proof” of their conquest; even the Roman Senate itself was made up of oppressors, exploiters, and murderers of all stripes. Author Phillip Barlag profiles a host of evil Roman rulers across the history of their empire, along with the faceless governing bodies that condoned and even carried out heinous acts. Roman history, deviant or otherwise, is a subject of endless fascination. What’s never been done before is to look at the worst of the worst at the same time, comparing them side by side, and ranking them against one another. Until now.

Nero was negligent, not tyrannical. This allowed others to rule, remarkably well, in his name until his negligence became insupportable.

A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

From acclaimed classical historian, author of Ghost on the Throne (“Gripping . . . the narrative verve of a born writer and the erudition of a scholar” —Daniel Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale. At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius. James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman. Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained? Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created. Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.

“One of the really remarkable books of our day”—the story of the Roman emperor on which the award-winning BBC TV series was based (The New York Times). Once a rather bookish young man with a limp and a stammer, a man who spent most of his time trying to stay away from the danger and risk of the line of ascension, Claudius seemed an unlikely candidate for emperor. Yet, on the death of Caligula, Claudius finds himself next in line for the throne, and must stay alive as well as keep control. Drawing on the histories of Plutarch, Suetonius, and Tacitus, noted historian and classicist Robert Graves tells the story of the much-maligned Emperor Claudius with both skill and compassion. Weaving important themes throughout about the nature of freedom and safety possible in a monarchy, Graves’s Claudius is both more effective and more tragic than history typically remembers him. A bestselling novel and one of Graves’ most successful, I, Claudius has been adapted to television, film, theatre, and audio. “[A] legendary tale of Claudius . . . [A] gem of modern literature.” —Publishers Weekly (starred review)

Nero’s ascent to the throne was only the beginning....Now Margaret George, the author of The Confessions of Young Nero, weaves a web of politics and passion, as ancient Rome’s most infamous emperor cements his place in history. With the beautiful and cunning Poppaea at his side, Nero commands the Roman empire, ushering in an unprecedented era of artistic and cultural splendor. Although he has yet to produce an heir, his power is unquestioned. But in the tenth year of his reign, a terrifying prophecy comes to pass and a fire engulfs Rome, reducing entire swaths of the city to rubble. Rumors of Nero’s complicity in the blaze start to sow unrest among the populace—and the politicians.... For better or worse, Nero knows that his fate is now tied to Rome’s—and he vows to rebuild it as a city that will stun the world. But there are those who find his rampant quest for glory dangerous. Throughout the empire, false friends and spies conspire against him, not understanding what drives him to undertake the impossible. Nero will either survive and be the first in his family to escape the web of betrayals that is the Roman court, or be ensnared and remembered as the last radiance of the greatest dynasty the world has ever known. “A resplendent novel filled with the gilt and marble of the ancient world.”—C. W. Gortner, author of The Romanov Empress

History of the Empire from the Death of Marcus by Herodian is about Roman history after the rule of Marcus Aurelius in which there were battles over the frontier and the coexistence of a wide variety of cultures. Herodian writes that the events described in his history occurred during his lifetime. Photius (Codex 99) gives an outline of the contents of this work and passes a flattering encomium on the style of Herodian, which he describes as clear, vigorous, agreeable, and preserving a happy medium between an utter disregard of art and elegance and a profuse employment of the artifices and prettinesses which were known under the name of Atticism.

"Nero became Emperor in A.D 54. On the evening of July 18, 64 A. D., it seems that a lamp was left unextinguished in a stall still heaped with piles of combustible material. Whether this was accidental or deliberate we cannot now determine, and normally it would not have led to anything that would have attracted even local attention. But there was a gusty wind that night, and the flickering flame was fanned onto the flammable wares. The ensuing fire quickly spread. Before the onlookers could absorb what was happening one of the most catastrophic disasters ever to be endured by Rome was already underway. It was a disaster that brought death and misery to thousands. In Nero and the Great Fire of Rome, Anthony Barrett draws on new textual interpretations and the latest archaeological evidence, to tell the story of this pivotal moment in Rome's history and its lasting significance. Barrett argues that the Great Fire, which destroyed much of the city, changed the course of Roman History. The fire led to the collapse of Nero's regime, and his disorderly exit brought an end to Rome's first imperial dynasty, transforming from thereto, the way that emperors were selected. It also led to the first systematic persecution of the Christians, who were blamed for the blaze. Barrett provides the first comprehensive study of this dramatic event, which remains a fascination of the public imagination, and continues to be a persistent theme in the art and literature of popular culture today"--

'A masterly account of this first wicked century of the Roman Empire' Sunday Times 'Holland does not just tell the story of the reign of the Julio-Claudian family. He knits the history of ancient Rome into his narrative - its founding myths, the fall of the republic, the religious superstitions - with a skill so dextrous you don't notice the stitching. Dynasty is both a formidable effort to compile what we can know about the ancient world and a sensational story' Observer 'A witty and skilful storyteller... He recounts with pleasure his racy tales of psychopathic cruelty, incest, paedophilia, matricide, fratricide, assassination and depravity' William Dalrymple, New Statesman 'A wonderful, surging narrative... [for] anyone interested in history, politics or human nature - and it has never been better told' Mail on Sunday THE TOP TEN SUNDAY TIMES BESTSELLER