"John Ordway is an artist obsessed with his work. In New York City that preoccupation merely aroused the ire of feminist art critics, but now that he and his girlfriend, Jamie, a potter and weaver, have retreated to tiny Delphi, Iowa, he finds himself the object of a more pointed suspicion." "Then Jamie leaves him, and one of his local models is attacked. Surrounded by judgment and no longer able to view his work with detachment, he is forced to question the impulses that drive him to it. As events spin out of control, he must answer questions of urgent personal importance: What is the fate of a body in the world? And what does it mean for a man to see a woman truly?" "Art collides with life, painfully and revealingly, in this evocative first novel, which brings a poet's sensibility to the charged question of women's bodies and men's desires. Subtly conceived and artfully executed, The Madhouse Nudes is part love story, part mystery, a brave exploration of guilt and innocence."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Subtly conceived and artfully executed, The Madhouse Nudes is part love story, part mystery, a brave exploration of guilt and innocence. John Ordway is an artist obsessed with his work. In New York City that preoccupation merely aroused the ire of feminist art critics, but now that he and his girlfriend, Jamie, a potter and weaver, have retreated to tiny Delphi, Iowa, he finds himself the object of a more pointed suspicion.

The dazzling story of a Nigerian family. The house at the end of Freetown Street in Nigeria’s Sabon Gari was once a sanatorium for colonists deranged from the heat and insanity of the place. Now it is home to a family whose unorthodox lives unfold into legend: Sweet Mother, an artist, her husband Shariff, a writer and soldier, and their children André and Max. From the moment his baby brother André is born, Max attaches himself to him, even dreaming the boy’s homicidal dreams. When the wayward André later pulls free from the family to join a death cult, Max must decide how far he will be drawn into his brother’s web. Serene and beautiful, Ladidi joins the family as a foster child, promising to marry the boy at school who can bring her a strawberry, a fruit she has never tasted. Sensuality blooms, along with loss of innocence amid the death of music legend Fela Kuti, massacres, disappearances, abductions and broken promises. While Sweet Mother and Shariff battle their personal demons, Max realises you cannot save your family. But can you ever escape them? In his exhilarating debut, TJ Benson conjures up a kaleidoscope of Nigeria. This is the extraordinary tale of five people bound by blood, each searching for a way through.

This volume presents a selection of extraordinary images that reflect the central role played by the genre of the nude in the history of photography. Through numerous examples the book documents the historical and stylistc development of the nude from its origins to the provocative images of contemporary photographers.

In the title poem of Into the New World Robert Schultz takes the reader on a walk around the World Trade Center site shortly after its destruction. In response to this event, the book ranges through the extremes of war and peace, as well as backwards and forwards in time, searching for shards out of which to build an enabling, humane perspective. Schultz's voice is distinctive, yet he also has fashioned poems out of the nation-shaping prose of Emerson, Thoreau, and William James. Others are spoken in the voice of a Confederate surgeon, an American GI, and a Khmer Rouge photographer. The poems treat wars past and current; the vivid presences of nature; love, marriage, and family--always seeking moments of lyric insight. Such moments occur as the speaker paddles across a shimmering lake, walks at night next to the black reflective wall of the Vietnam Veterans Memorial, or, courtesy of NASA, gazes at the rocky plains of Mars. Schultz writes mostly in free verse, but he also adapts the music of forms ranging from the sonnet to the ghazal to Dante's terza rima. In its variety and generosity, Into the New World fashions poem-sized meeting places that invite us to be less divided from one another, less alone.

Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT NUDES FOR THE DEVIl'S BUTCHER is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published during the prime years of the genre. The book is divided into two main sections: FEATURES includes a selection of sensationalistic, semi-factual confessions and case histories on such subjects as rape in Soviet prisons, Hitler's secret sex life, prostitution, the persecution of witches, and other aberrations; and FICTION collects vivid examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle savagery, Red menace, Devil worship, torture, sadism and erotic carnage. The book also features numerous examples of interior art from classic men's magazines, and includes 35 features and stories, with more than 50 full-size illustrations, and 16 pages of full color, with work by such classic pulp artists as Norm Eastman, Norman Saunders and John Duillo. Features and stories include: I ESCAPED FROM THE SOVIET HELL CAMP; CHAINED NUDES FOR THE DEVIl'S DUNGEON; CRUSHED BY THE CONGO MONSTERS; VIRGIN BRIDES FOR SATAN'S LUST ORGIES; PASSION SLAVE OF THE WHIP GODDESS; NAZI MADHOUSE ZOO OF RAVAGED WOMEN; TEENAGE NAZI WEREWOLVES OF BERLIN; SECRET HORROR CAGES OF THE NAZI DWARF; HANDMAIDENS OF HORROR OF THE KEMPEITAI; 1,000 NAKED BEAUTIES FOR THE DEVIl'S PLAGUE; SOFT BODIES FOR THE NAZI'S HALL OF THE LIVING DEAD; and many others. Pulp Mayhem is a new illustrated book series of vintage pulp fiction, art and pop culture.

A FICTION HOUSE ADULT REPRINT: Llona's brand-new husband was a cautious man. And precisely because he was so cautious, he had the wackiest accident anybody could have. The result was that Llona abruptly became a widow ... on her wedding night! But Llona is a hard gal to stop. There was another man-a guy named Archer who had aroused her, er, interest on her wedding day-and she decided to find him. With the help of the world's most helpless private eye, Llona set out on her wild quest-which led to mad adventures in a massage parlor, madder ones in a mad-house, and a climax that should make you collapse with laughter. Ted (The Man from O.R.G.Y.) Mark is more inspired than ever in this one. And Llona Mayper is one of his most spirited creations!

"Five interconnected novellas framed by an account of the last days in the life of playwright Joubert Antoine Jones."--Jacket.