Nominated for the Phillip K. Dick Award, a science fiction fairy tale set in a collapsing future America about a girl and the android she falls in love with. When Cat Novak was a young girl, her father brought Finn, an experimental android, to their isolated home. A billion-dollar construct, Finn looks and acts human, but he has no desire to be one. He was programmed to assist his owners, and performs his duties to perfection. His primary task now is to tutor Cat. Finn stays with her, becoming her constant companion and friend as she grows into adulthood. But when the government grants rights to the ever-increasing robot population, Finn struggles to find his place in the world. As their relationship goes further than anyone intended, they have to face the threat of being separated forever.

"A tale of love, loss and robots"--Cover.

Based on some of literature’s horror and science fiction classics, this “tour de force of reclaiming the narrative, executed with impressive wit and insight” (Publishers Weekly, starred review) debut is the story of a remarkable group of women who come together to solve the mystery of a series of gruesome murders—and the bigger mystery of their own origins. Mary Jekyll, alone and penniless following her parents’ death, is curious about the secrets of her father’s mysterious past. One clue in particular hints that Edward Hyde, her father’s former friend and a murderer, may be nearby, and there is a reward for information leading to his capture…a reward that would solve all of her immediate financial woes. But her hunt leads her to Hyde’s daughter, Diana, a feral child left to be raised by nuns. With the assistance of Sherlock Holmes and Dr. Watson, Mary continues her search for the elusive Hyde, and soon befriends more women, all of whom have been created through terrifying experimentation: Beatrice Rappaccini, Catherin Moreau, and Justine Frankenstein. When their investigations lead them to the discovery of a secret society of immoral and power-crazed scientists, the horrors of their past return. Now it is up to the monsters to finally triumph over the monstrous.

Blockbuster anthology of original evil genius stories by bestselling authors with a maniacal glint in their eye. From Victor Frankenstein to Lex Luthor, from Dr. Moreau to Dr. Doom, readers have long been fascinated by insane plans for world domination and the madmen who devise them. Typically, we see these villains through the eyes of good guys. This anthology, The Mad Scientist's Guide to World Domination, however, explores the world of mad scientists and evil geniuses—from their own wonderfully twisted point of view. An all-star roster of bestselling authors—including Diana Gabaldon, Daniel Wilson, Austin Grossman, Naomi Novik, and Seanan McGuire...twenty-two great storytellers all told—have produced a fabulous assortment of stories guaranteed to provide readers with hour after hour of high-octane entertainment born of the most megalomaniacal mayhem imaginable. Everybody loves villains. They're bad; they always stir the pot; they're much more fun than the good guys, even if we want to see the good guys win. Their fiendish schemes, maniacal laughter, and limitless ambition are legendary, but what lies behind those crazy eyes and wicked grins? How—and why—do they commit these nefarious deeds? And why are they so set on taking over the world? If you've ever asked yourself any of these questions, you're in luck: It's finally time for the madmen's side of the story. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Two heads...Are dumber than one.

"Dr. Cosmic's class of clever monsters at the Mad Scientist Academy solve[s] the greatest challenges in science, [the first of which involves dinosaurs]"--

In the field of mad science, women have for too long been ignored, their triumphs misattributed to mere men. Society has seen the laboratory as the province of men. Jacob's Ladder electric arcs, death rays, even test tubes have phallic connotations, subliminally reinforcing the patriarchy. The mother of Mary Shelley, author of Frankenstein, advocated that women appear more masculine to earn respect. If Marie Curie had been allowed to develop her Atomic Gendarmerie for the Institut du radium, surely she would have been awarded her third Nobel Prize, for Peace. Thankfully, the women working to dangerous and/or questionable ends in the pages of Daughters of Frankenstein are unafraid of the patriarchy--indeed, as lesbian mad scientists, they prefer the company and comforts of their own gender. Androids? Pfeh, the gynoid is superior. Etheric dynamos have a more pleasing design, one that is vulvar, than Tesla coils. Eighteen imaginative, if not insane, women; eighteen stories told by some of the finest writers working in queer speculative fiction: Traci Castleberry, Sean Eads, Gemma Files, Amy Griswold, and Melissa Scott.

"[A] science fiction fairy tale set in a collapsing future America about a girl and the android she falls in love with" -- provided by publisher.

Dr. Cosmic s class of clever monsters must face down snow, floods, and a dangerous thunderstorm as freak weather conditions threaten the school.

Poetry. Dazzling in its descriptions of a natural world imperiled by the hidden dangers of our nuclear past, this book presents a girl in search of the secrets of survival. In THE ROBOT SCIENTIST'S DAUGHTER, Jeannine Hall Gailey creates for us a world of radioactive wasps, cesium in the sunflowers, and robotic daughters. She conjures the intricate menace of the nuclear family and nuclear history, juxtaposing surreal cyborgs, mad scientists from fifties horror flicks and languid scenes of rural childhood. Mining her experience growing up in Oak Ridge, Tennessee, the writer allows the stories of the creation of the first atomic bomb, the unintended consequences of scientific discovery, and building nests for birds in the crooks of maple trees to weave together a reality at once terrifying and beautiful. THE ROBOT SCIENTIST'S DAUGHTER reveals the underside of the Manhattan Project from a personal angle, and charts a woman's--and America's--journey towards reinvention. In THE ROBOT SCIENTIST'S DAUGHTER, Jeannine Hall Gailey charts the dangerous secrets in a nuclear family as well as a nuclear research facility. Her ecofeminist approach to the making of bombs, celebrates our fragile natural world. Full of flowers and computers, this riveting poetry captures the undeniable compromises and complexities of our times.--Denise Duhamel What is her story? 'In this story, ' Jeannine Gailey tells us, 'a girl grows up in a field of nuclear reactors. She gives us lessons in poison. And as we watch this heroine appear from various angles, in multiple lights we realize that just like this girl who 'made birds' nests / with mud and twigs, hoping that birds would / come live in them.' Gailey makes an archetype for a contemporary American woman whom she sees as beautiful--and damaged--and proud--and unafraid. And the Scientist? He 'lives alone in a house made of snow. / If he makes music, no one hears it.' America? It builds barbed wire 'to keep enemies out of its dream'--but we all are surrounded by these barbed wires of a country whose 'towns melt into sunsets, into dust clouds, into faces.' In subtle, playful, courageous poems, we are witnessing a brilliant performance.--Ilya Kaminsky THE ROBOT SCIENTIST'S DAUGHTER gives us a magnificent voice who is at turns 'happy with the apple blossoms, ' and yet whip-smart enough to know 'the beauties of voltmeter and oscilloscope.' But underneath the beautifully measured sheen and spark of these bright stanzas, is a human who opens up thrilling new worlds by also fearlessly inhabiting poems of sorrow, survival, and identity--one whose 'tongue is alive with lasers and [whose] song attracts thousands.'--Aimee Nezhukumatathil