"Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.

The lute played a central role in the rich musical culture of the seventeenth-century ‘Golden Age’ of the Dutch Republic. Like the piano in the nineteenth century, the lute was not just a popular instrument for solo music making, but was also used widely in ensembles and to accompany singers. Though mainly an instrument of the social elite and the aristocracy, it was also played by the numerous and prosperous burgher class. The first part of the book deals with psalm settings for the lute; the way professional lutenists coped with the harsh rules of the free market; Leiden as a veritable international lute centre; and the different types of lutes that can be reconstructed on the basis of the Dutch paintings of the period. The second part of the book is dedicated to Constantijn Huygens (1596–1687), the well-known poet and statesman, and avid player of, and composer for, the lute. The third and final section deals with Dutch sources of lute music, printed as well as those in manuscript. Taken together, this volume provides a broad and many-layered overview of the lute in the seventeenth century. Collectively, the articles will further the reader’s understanding of the lute in its social and cultural context, not only in the Netherlands, but also on the wider European canvas.

E. G. Baron's Study of the Lute (Untersuchung des Instruments der Lauten) published in 1727, is one of the most comprehensive and important lute treatises in the 300 year history of the instrument. It contains much information that is unique to it, and deals with subjects that can be found in no other source. It is a mine of information concerning the history of the instrument, lute makers, composers, players, technique and performance practices of the day. At last, this work has been translated into delightful English by Douglas A. Smith, retaining much of the flamboyant flavor of the original. A long preface gives the background of the work, its era, and the life of Baron. The present edition improves the value of the original, since explanatory footnotes, appendices, and an index have been added. Also, the voluminous Latin and Greek passages have been translated. The book is both delightful and informative.

The most comprehensive, authoritative work on understanding and building authentic lutes, by a world renown luthier and scholar. Historical section covers the development of the lute from the 15th through the 18th century with over 100 photographs of ancient lutes and 50 diagrams; practicum section covers the construction of the lute in minute detail with over 600 step-by-step photographs and a dozen diagrams. Includes a list of historic makers, catalog of extant historic lutes, bibliography and index, plus complete reduced images of seven lute plans.

This two volume set includes a facsimile and transcription of an important 17th century source of lute music.

This book reveals the most popular instrument in the world as it was in the age of Elizabeth I and Shakespeare.

Comprehensive, lavishly illustrated survey of English popular music during the early modern period. Accompanied by specially commissioned recordings.

Beloved author Norah Lofts brings to life the romance and adventure of the crusading king Richard the Lionhearted through the eyes of his most humble and trusted companion -- his lute player. One of the most renowned figures in medieval history, Richard the Lionhearted, inspired by a vision of the Holy Land, led his knights onto the battlefields of the Third Crusade. During the years of fighting and intrigue, Richard's life was intertwined with the lives of two strong, vibrant, and drastically different women who loved him -- Berengaria, princess of Navarre, and his mother, Eleanor of Aquitaine. While his marriage to Berengaria was ill-fated, Eleanor loved her son with a frantic, possessive pride. But it is Blondel, the king's lute player, who here steps forward from the shadows to tell this tale of romance, war, and betrayal. In her trademark style, Norah Lofts paints a complex and human portrait of a legendary king.