One of the greatest Marxist theorists of his generation, Georg Lukacs was a prolific writer of remarkably catholic, if moralistic, tastes. In The Lukacs Reader , his biographer Arpad Kadarkay represents the great range and variety of Lukacs's output. The reader includes, in original translations, and with introductory essays, Lukacs on: Kierkegaard, Shakespeare, Ford, Strindberg, Ibsen, Wilde, Shaw, Gaughin, Dostoevsky, Nietzsche, and Heidegger. Also collected are: the autobiographical essay 'On the Poverty of Spirit', material from Lukacs's diary, and such key articles as: 'Aesthetic Culture', 'The Ideology of Modernism', 'Bolshevism as an Ethical Problem', and 'Class Consciousness'. What emerges is a figure very much at the centre of European thought whose value to modern culture and philosophy differs markedly from that which received opinion generally admits.

Originally published in the 1930s, these essays on realism, expressionism, and modernism in literature present Lukacs's side of the controversy among Marxist writers and critics now known as the Lukacs-Brecht debate. The book also includes an exchange of letters between Lukács, writing in exile in the Soviet Union, and the German Communist novelist, Anna Seghers, in which they discuss realism, the European literary heritage, and the situation of the artist in capitalist culture.

In a career spanning more than sixty-five years, John Lukacs has established himself as one of our most accomplished historians. Now, in the stimulating book History and the Human Condition, Lukacs offers his profound reflections on the very nature of history, the role of the historian, the limits of knowledge, and more. Guiding us on a quest for knowledge, Lukacs ranges far and wide over the past two centuries. The pursuit takes us from Alexis de Tocqueville to the atomic bomb, from American “exceptionalism” to Nazi expansionism, from the closing of the American frontier to the passing of the modern age. Lukacs’s insights about the past have important implications for the present and future. In chronicling the twentieth-century decline of liberalism and rise of conservatism, for example, he forces us to rethink the terms of the liberal-versus-conservative debate. In particular, he shows that what passes for “conservative” in the twenty-first century often bears little connection to true conservatism. Lukacs concludes by shifting his gaze from the broad currents of history to the world immediately around him. His reflections on his home, his town, his career, and his experiences as an immigrant to the United States illuminate deeper truths about America, the unique challenges of modernity, the sense of displacement and atomization that increasingly characterizes twenty-first-century life, and much more. Moving and insightful, this closing section focuses on the human in history, masterfully displaying how right Lukacs is in his contention that history, at its best, is personal and participatory. History and the Human Condition is a fascinating work by one of the finest historians of our time. More than that, it is perhaps John Lukacs’s final word on the great themes that have defined him as a historian and a writer.

At the End of an Age isa deeply informed and rewarding reflection on the nature of historical and scientific knowledge. Of extraordinary philosophical, religious, and historical scope, it is the product of a great historian's lifetime of thought on the subject of his discipline and the human condition. While running counter to most of the accepted ideas and doctrines of our time, it offers a compelling framework for understanding history, science, and man's capacity for self-knowledge. In this work, John Lukacs describes how we in the Western world have now been living through the ending of an entire historical age that began in Western Europe about five hundred years ago. Unlike people during the ending of the Middle Ages or the Roman empire, we can know where we are. But how and what is it that we know? In John Lukacs's view, there is no science apart from scientists, and all of "Science," including our view of the universe, is a human creation, imagined and defined by fallible human beings in a historical continuum. This radical and reactionary assertion--in its way a summa ofthe author's thinking, expressed here and there in many of his previous twenty-odd books--leads to his fundamental assertion that, contrary to all existing cosmological doctrines and theories, it is this earth which is the very center of the universe--the only universe we know and can know.

In the fall of 1960, during a three-month visit to Hungary, Arthur Kahn unsuccessfully asked his hosts to arrange a meeting with Gyorgy Lukacs, a persona non grata to the Communist regime. Kahn arranged to meet Lukacs on his own and proposed translating some Lukacs essays never before appearing in English. During the three years Kahn worked on the translations, he and Lukacs engaged in a voluminous correspondence, investigating Marxism as it applied to contemporary events like the Vietnam war. Extracts from this correspondence will be included in a forthcoming volume of Kahns' autobiography, The Education of a 20th Century Political Animal.

György Lukacs was a Hungarian Marxist philosopher, writer, and literary critic who shaped mainstream European Communist thought. Soul and Form was his first book, published in 1910, and it established his reputation, treating questions of linguistic expressivity and literary style in the works of Plato, Kierkegaard, Novalis, Sterne, and others. By isolating the formal techniques these thinkers developed, Lukács laid the groundwork for his later work in Marxist aesthetics, a field that introduced the historical and political implications of text. For this centennial edition, John T. Sanders and Katie Terezakis add a dialogue entitled "On Poverty of Spirit," which Lukács wrote at the time of Soul and Form, and an introduction by Judith Butler, which compares Lukács's key claims to his later work and subsequent movements in literary theory and criticism. In an afterword, Terezakis continues to trace the Lukácsian system within his writing and other fields. These essays explore problems of alienation and isolation and the curative quality of aesthetic form, which communicates both individuality and a shared human condition. They investigate the elements that give rise to form, the history that form implies, and the historicity that form embodies. Taken together, they showcase the breakdown, in modern times, of an objective aesthetics, and the rise of a new art born from lived experience.

"Remembered Past draws together Lukac's diverse and wide-ranging writings on a variety of interrelated topics. The volume serves at once as an introduction to essential aspects of Lukac's thought and as an indispensable compendium of his most enduring pieces, many of which have until now been uncollected or located in out-of-print volumes." -- Back cover

An international team of contributors explore contemporary insights into the work of Georg Lukacs in political theory, aesthetics, ethics and social and cultural theory.

A man of impressive mental powers, of extraordinary intellectual range, and-last but not least-of exceptional integrity, George Frost Kennan (1904-2005) was an adviser to presidents and secretaries of state, with a decisive role in the history of this country (and of the entire world) for a few crucial years in the 1940s, after which he was made to retire; but then he became a scholar who wrote seventeen books, scores of essays and articles, and a Pulitzer Prize-winning memoir. He also wrote remarkable public lectures and many thousands of incisive letters, laying down his pen only in the hundredth year of his life.Having risen within the American Foreign Service and been posted to various European capitals, and twice to Moscow, Kennan was called back to Washington in 1946, where he helped to inspire the Truman Doctrine and draft the Marshall Plan. Among other things, he wrote the “X” or “Containment” article for which he became, and still is, world famous (an article which he regarded as not very important and liable to misreading). John Lukacs describes the development and the essence of Kennan’s thinking; the-perhaps unavoidable-misinterpretations of his advocacies; his self-imposed task as a leading realist critic during the Cold War; and the importance of his work as a historian during the second half of his long life.

"Each chapter of this book provides an essential portrait of Churchill at the height of his powers. In addition to vividly depicting his relationships with Stalin, Roosevelt, Eisenhower, and other world leaders, Lukacs reflects on Churchill's ability to foresee the coming of World War II and the Cold War; he weighs Churchill's stature as a historian looking backward at the conflicts of which he was so much a part; and he examines the often contradictory ways Churchill has been perceived by critics and admirers alike. The last chapter is a powerful and deeply moving evocation of the three days Lukacs spent in London attending Churchill's funeral in 1965, and it offers a final assessment of Churchill's place in history through the prism of the varied individuals who came to honor him after his death. In Churchill: Visionary. Statesman. Historian., Luckacs sets forth the essence of this towering figure with consummate mastery."--BOOK JACKET.