If you enjoyed the BBC's adaptation of Poldark, then Kate Tremayne's Loveday series is not to be missed! The Lovedays must overcome their rivalry, anger and jealousy - or face destruction - in the seventh instalment of Kate Tremayne's Loveday series. Set against the dramatic scenery of Cornwall, the turbulent criminal underworld of London and the climactic events of the French Revolution, it is perfect for fans of Winston Graham's Poldark and Philippa Gregory. 'An intricate tapestry of Cornish life in the eighteenth century, with so many compelling characters and plot threads that it would be impossible to give more than a flavour of the book in one review. Ms Tremayne is a master storyteller and paints a vivid picture, bringing her characters to life with such force that the reader feels like a fly on the wall, privileged to peek into the lives of many different families' - Red Roses for Authors Blog Edward Loveday always believed that loyalty would see his family through any crisis. But since his tragic death, they have been far from united. The fierce rivalry between his twin sons, Adam and St John, rages on. Consumed by anger and jealousy they are unable to see that their real enemy is not each other but rather an outsider - Harry Sawle. Sawle, a cunning and violent smuggler, is determined to use their feud for his own gain. Meanwhile, in the new Australian penal colony, at least one Loveday remains loyal as the disgraced Japhet risks his life to protect Adam's investments from a corrupt militia. But one man's loyalty is not enough, for unless Adam and St John can find a way to heal their rift the Lovedays may well be destroyed. What readers are saying about The Loveday Loyalty: 'Once you start it's hard to put down' 'I found myself transported back to the 18th century, with family intrigue, swashbuckling adventure, love and betrayal. This book has it all' 'Five stars'

If you enjoyed the BBC's adaptation of Poldark, then Kate Tremayne's Loveday series is not to be missed! The Lovedays must overcome their rivalry, anger and jealousy - or face destruction - in the seventh instalment of Kate Tremayne's Loveday series. Set against the dramatic scenery of Cornwall, the turbulent criminal underworld of London and the climactic events of the French Revolution, it is perfect for fans of Winston Graham's Poldark and Philippa Gregory. 'An intricate tapestry of Cornish life in the eighteenth century, with so many compelling characters and plot threads that it would be impossible to give more than a flavour of the book in one review. Ms Tremayne is a master storyteller and paints a vivid picture, bringing her characters to life with such force that the reader feels like a fly on the wall, privileged to peek into the lives of many different families' - Red Roses for Authors Blog Edward Loveday always believed that loyalty would see his family through any crisis. But since his tragic death, they have been far from united. The fierce rivalry between his twin sons, Adam and St John, rages on. Consumed by anger and jealousy they are unable to see that their real enemy is not each other but rather an outsider - Harry Sawle. Sawle, a cunning and violent smuggler, is determined to use their feud for his own gain. Meanwhile, in the new Australian penal colony, at least one Loveday remains loyal as the disgraced Japhet risks his life to protect Adam's investments from a corrupt militia. But one man's loyalty is not enough, for unless Adam and St John can find a way to heal their rift the Lovedays may well be destroyed. What readers are saying about The Loveday Loyalty: 'Once you start it's hard to put down' 'I found myself transported back to the 18th century, with family intrigue, swashbuckling adventure, love and betrayal. This book has it all' 'Five stars'

IT'S a big thing," said Loveday Brooke, addressing Ebenezer Dyer, chief of the well-known detective agency in Lynch Court, Fleet Street; "Lady Cathrow has lost £30,000 worth of jewellery, if the newspaper accounts are to be trusted." "They are fairly accurate this time. The robbery differs in few respects from the usual run of country-house robberies. The time chosen, of course, was the dinner-hour, when the family and guests were at table and the servants not on duty were amusing themselves in their own quarters. The fact of its being Christmas Eve would also of necessity add to the business and consequent distraction of the household.

'Loveday's case is that the mantle of historical truth and divine authority has placed upon the Bible an intolerable weight, crushing it as a creative work of immense imaginative and inspirational power. His argument is both fascinating and persuasive.' Matthew Parris The Bible for Grown-Ups neither requires, nor rejects, belief. It sets out to help intelligent adults make sense of the Bible – a book that is too large to swallow whole, yet too important in our history and culture to spit out. Why do the creation stories in Genesis contradict each other? Did the Exodus really happen? Was King David a historical figure? Why is Matthew's account of the birth of Jesus so different from Luke's? Why was St Paul so rude about St Peter? Every Biblical author wrote for their own time, and their own audience. In short, nothing in the Bible is quite what it seems. Literary critic Simon Loveday's book – a labour of love that has taken over a decade to write – is a thrilling read, for Christians and anyone else, which will overturn everything you thought you knew about the Good Book.

In the early days of television, many of its actors, writers, producers and directors came from radio. This crossover endowed the American Radio Archives with a treasure trove of television documents. The collected scripts span more than 40 years of American television history, from live broadcasts of the 1940s to the late 1980s. They also cover the entire spectrum of television entertainment programming, including comedies, soap operas, dramas, westerns, and crime series. The archives cover nearly 1,200 programs represented by more than 6,000 individual scripts. Includes an index of personal names, program and episode titles and production companies, as well as a glossary of industry terms.

Compelling, irresistible, feel-good read. Perfect for fans of Cecelia Ahern and Eleanor Oliphant is Completely Fine. 'Quirky, clever and unputdownable' Katie Fforde 'An exquisite story' Liz Fenwick 'Burns fiercely with love and hurt' Linda Green 'I cried like a motherf***er' Shelley Harris 'Intriguing and touching' SUNDAY EXPRESS 'An appealing character with a fascinating hinterland' DAILY MAIL 'A beautiful book' PRIMA THIS BOOKSHOP KEEPS MANY SECRETS . . . Loveday Cardew prefers books to people. If you look carefully, you might glimpse the first lines of the novels she loves most tattooed on her skin. But there are some things Loveday will never show you. Into her refuge - the York book emporium where she works - come a poet, a lover, a friend, and three mysterious deliveries, each of which stirs unsettling memories. Everything is about to change for Loveday. Someone knows about her past and she can't hide any longer. She must decide who around her she can trust. Can she find the courage to right a heartbreaking wrong? And will she ever find the words to tell her own story? It's time to turn the pages of her past . . . Praise for Lost for Words: 'Loveday is a marvellous character and she captured my heart from the very first page . . . and her bookshop is the bookshop of readers' dreams.' Julie Cohen, bestselling author of Dear Thing 'Loveday is so spiky and likeable. I so loved Archie, Nathan and the book shop and the unfolding mystery' Carys Bray, author of A Song For Issy Bradley and The Museum of You 'Beautifully written and atmospheric. Loveday is an endearing heroine, full of attitude and fragility. The haunting story of her past is brilliantly revealed.' Tracy Rees, Sunday Times top ten bestselling author of Amy Snow What you are saying about Lost for Words: 'Best book by far I've read this year' 'Sat in tears, stunned in silence . . . by far my new favourite book' 'I loved everything about Lost for Words' 'This is a truly magical book' 'Warm, wise and funny tale . . . with a dark and shocking twist' 'Could not put it down - absolutely, utterly loved it and hung on every word' 'I loved smart, spiky, sad Loveday and cried real tears' 'Will melt your heart and make you cry' 'Everything you could want from a book' 'One of the best books I have ever read' 'Loved this book. I laughed & cried & gripped the edge of the seat at times' 'A book you keep in your bag and can't wait for another spare 15 minutes to read some more' 'I laughed, I cried and, more importantly, I couldn't put the book down' If you loved Lost for Words, don't miss Stephanie Butland's next book, where Ailsa Rae learns how to live . . . Search for The Curious Heart of Ailsa Rae (9781785764417).

In The Danielic Discourse on Empire in Second Temple Literature, Alexandria Frisch asks: how did Jews in the Second Temple period understand the phenomenon of foreign empire? In answering this question, a remarkable trend reveals itself—the book of Daniel, which situates its narrative in an imperial context and apocalyptically envisions empires, was overwhelmingly used by Jewish writers when they wanted to say something about empires. This study examines Daniel, as well as antecedents to and interpretations of Daniel, in order to identify the diachronic changes in perceptions of empire during this period. Oftentimes, this Danielic discourse directly reacted to imperial ideologies, either copying, subverting, or adapting those ideologies. Throughout this study, postcolonial criticism, therefore, provides a hermeneutical lens through which to ask a second question: in an imperial context, is the Jewish conception of empire actually Jewish?