100 of the love poems of Kenneth Patchen, one of America's greatest love poets. A detailed biographer introduction is provided by editor Larry Smith.

A selection of well-known and rare poems from the great experimental poet.

Poems of humor, protest, love and wonder, by one of America's most original voices.

A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic "reality," The Journal of Albion Moonlight is the American monument to engagement.

"Now begins the revival of an eccentric virtuoso poet/visual artist whose work was admired by many of the 20th century's most unlikely "bobbysoxers". Like fabrics stitched into a crazy quilt, Patchen's hard-to-find books are gathered in We Meet, introducing a wide range of his work to a whole new generation of readers. It is chock-full of far-out poetry, rhythmic numinous prose, facetious fables, and jazzy drawings. Musician and visual artist Devendra Banhart complements We Meet with a celebratory, quixotic preface. So what are you waiting for? Come meet Kenneth Patchen!"--BOOK JACKET.

Collection of picture poems about God, peace, friendship, love and other subjects.

Here in these pages the extraordinary rage and power of Patchen's imagination, and the virtuosity of his technique, were never more striking-their impact is indeed breathtaking. His new universe is exciting and spirit-cleansing. the light streaming from the hand and heart of this poet-artist illuminates the darkness, the sordid and confused pettiness of our day-to-day existence.

The poems in Manuel Paul López's The Yearning Feed, winner of the 2013 Ernest Sandeen Prize in Poetry, are embedded in the San Diego/Imperial Valley regions, communities located along the U.S.-Mexico border. López, an Imperial Valley native, considers La Frontera, or the border, as magical, worthy of Macondo-like comparisons, where contradictions are firmly rooted and ironies play out on a daily basis. These poems synthesize López’s knowledge of modern and contemporary literature with a border-child vernacular sensibility to produce a work that illustrates the ongoing geographical and literary historical clash of cultures. With humor and lyrical intensity, López addresses familial relationships, immigration, substance abuse, violence, and, most importantly, the affirmation of life. In the poem titled "Psalm," the speaker experiences a deep yearning to relearn his family's Spanish tongue, a language lost somewhere in the twelve-mile stretch between his family's home, his school, and the border. The poem “1984” borrows the prose-poetics of Joe Brainard, who was known for his collage and assemblage work of the 1960s and 1970s, to describe the poet’s bicultural upbringing in the mid-1980s. Many of the poems in The Yearning Feed use a variety of media, techniques, and cultural signifiers to create a hybrid visual language that melds “high” art with "low." The poems in The Yearning Feed establish López as a singular and revelatory voice in American poetry, one who challenges popular perceptions of the border region and uses the unique elements of the rich border experience to inform and guide his aesthetics.