The influential author of White Racism: A Psychohistory; The Age of Desire; History and Spirit; Red Hunting in the Promised Land; The Enemy of Natureand the controversial Overcoming Zionism, among others, offers a memoir of his first 80 years, from his early Jewish upbringing in Brooklyn, New York, his Yale and Columbia medical training, his years as a psychiatrist, Reichian psychoanalyst and subsequent academic career, to his embracing of Marxist political economy and commitment to radical ecosocialism. Highlights include his 1998 Green Party candidacy for the US Senate, his campaign in 2000 for the Green nomination for President of the United States, his work with the Nicaraguan Sandinistas, and his recent Christian spiritual conversion.

A collection of poems describing the curious menagerie of guests and residents, human and animal, at William Blake's inn.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.

There has never been a book about Blake's last period, from his meeting with John Linnell in 1818 to his death in 1827, although it includes some of his greatest works. In The Traveller in the Evening, Morton Paley argues that this late phase involves attitudes, themes, and ideas that are either distinctively new or different in emphasis from what preceded them. After an introduction on Blake and his milieu during this period, Paley begins with a chapter on Blake's illustrations to Thornton's edition of Virgil. Paley relates these to Blake's complex view of pastoral, before proceeding to a history of the project, its near-abortion, and its fulfillment as one of Blake's greatest accomplishments as an illustrator. In Yah and His Two Sons the presentation of the divine, except where it is associated with art, is ambiguous where it is not negative. Paley takes up this separate plate in the context of artists's representations of the Laocoon that would have been known to Blake, and also of what Blake would have known of its history from classical antiquity to his own time. Blake's Dante water colours and engravings are the most ambitious accomplishment of the last years of his life, and Paley shows that the problematic nature of some of these pictures, with Beatrice Addressing Dante from the Car as a main example, arises from Blake's own divided and sharply polarized attitude toward Dante's Comedy. The closing chapter, called 'Blake's Bible', is on the Bible-related designs and writings of Blake's last years. Paley discusses The Death of Abel (addressed to Lord Byron 'in the Wilderness') as a response to its literary forerunners, especially Gessner's Death of Abel and Byron's Cain. For the Job engravings Paley shows how the border designs and the marginal texts set up a dialogue with the main illustrations unlike anything in Blake's Job water colours on the same subjects. Also included here are Blake's last pictorial work on a Biblical subject, The Genesis manuscript, and Blake's last writing on a Biblical text, his vitriolic comments on Thornton's translations of the Lord's Prayer.

As a recipient of Poetry's Levinson Prize and the Ruth Lilly Prize and a nominee for the American Book Award and National Book Award, David Wagoner is one of this country's most celebrated poets. In The House of Song, he offers a hundred new poems in six parts. At turns elegiac, comic, and nostalgic, these poems venture to the seemingly infinitesimal points where people, legends, and culture collide with nature, memory, and action. With characteristic wit and brevity, Wagoner chronicles the material invasions of the natural world, reconsidering Thoreau amid ruminations on voyeurs and destroyers, slug watchers and moth collectors. The House of Song asserts Wagoner's place among the finest of American poets, past and present.

A breathtaking celebration of Instagram's premier solo female travel community, featuring 200 striking photographs—most of them all-new—plus empowering messages and practical tips for solo travelers. “For those with passports full of stories, this book carries you away to every dreamy corner of the earth. I can’t stop flipping through these visually incandescent pages to see where I’m capable of traveling to next!”—Caila Quinn, The Bachelor contestant and lifestyle and travel influencer From backpackers in Peru to artists in Berlin to storytellers in Morocco, Dame Traveler celebrates the diversity and bravery of women from around the world who are not afraid to think (and live) outside the box. The revolutionary Dame Traveler Instagram account was founded by Nastasia Yakoub, who was born into a strict Chaldean-Middle Eastern community where women are expected to marry young and put aside other personal ambitions. But at the age of twenty, Nastasia embarked on a solo trip to South Africa to volunteer at an orphanage in Cape Town, which sparked a love of world travel. Recognizing a void in the travel industry, she founded Dame Traveler, the first female travel community on Instagram, now more than half a million strong. Nastasia herself has traveled to sixty-three countries on solo adventures, sharing colorful photos of her tantalizing travels along the way. Dame Traveler celebrates these women with a photographic collection of 200 stunning images paired with inspiring captions, 80% of which have never been seen on the Instagram account. Organized into sections on architecture, culture, nature, and water, each entry features travel information, plus tips, advice, unique solo-travel experiences, and wisdom from contributing globe-trotters to embolden the next generation of Dame Travelers.